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Images for Crack'd for Christchurch; more images...

Images, UC QuakeStudies

A photograph of Jonathan Hall, Marie Hudson, and Jenny Cooper in Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "It is August 2013, two and a half years since the big quake. We have a plan, we have a tiny bit of funding, and we have commissioned the chair framework. From left: Jenny Cooper, Marie Hudson, and Jonathan Hall (chair engineer of Greening the Rubble)."

Images, UC QuakeStudies

A photograph of Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a wooden base in Helen Campbell's garage. The ottoman has been made out of polystyrene, wood, mesh, and concrete, laid over a steel frame.Crack'd for Christchurch comments, "December 2013. Jonathan delivers the footstool to Helen's garage where it will be mosaicked.."

Images, UC QuakeStudies

A photograph of Helen Campbell preparing to attach one of the flower mosaics to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."

Images, UC QuakeStudies

A photograph of the crowd at the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "Before the speeches. The Green Room is on Colombo Street in the centre of the rebuild, with vacant lots surrounding it. We wanted it to be an oasis of calm and hope for Christchurch people. It is only a temporary site."

Images, UC QuakeStudies

A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower. From left: Marie Hudson, Helen Campell, and Jennie Cooper."

Images, UC QuakeStudies

A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs.Crack'd for Christchurch comments, "Mid September 2013. The chair frame was made by Bob Hamilton from Total Fabrications."

Images, UC QuakeStudies

A photograph of a camera operator filming members of Crack'd for Christchurch as they work on their armchair artwork.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Sharon Wilson, Marie Hudson, and Jennie Cooper."

Images, UC QuakeStudies

A photograph of Helen Campbell and Jonathan Hall preparing to move Crack'd for Christchurch's ottoman artwork. The ottoman has been wrapped up in bubble wrap and secured to a pallet.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Images, UC QuakeStudies

A photograph of boxes of broken china stored in a bedroom.Crack'd for Christchurch comments, "May 2011, Crack'd has been going for a month. The china begins to collect in our spare room. It often arrived covered in liquefaction and broken glass, food and mud, and it was incredibly bulky. It had to be cleaned, sorted, but not broken down, before it was stored."

Images, UC QuakeStudies

A photograph of an ornamental ceramic handbag with a broken handle.Crack'd for Christchurch comments, "This is where it all started, a piece of Katy Gold pottery, broken slightly in the 4 September 2010 earthquake, totally smashed in the 22 February 2011 earthquake."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working on their ottoman mosaic. The team have drawn guidelines on the top and sides of the ottoman and are beginning to lay pieces of broken china on top.Crack'd for Christchurch comments, "Otto was mosaicked in Helen Campbell's garage during the summer of 2013 - 2014. From left: Helen Campbell and Sharon Wilson. Helen's long-suffering husband Alan is also in the background."

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Images, UC QuakeStudies

A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs. The bottom half of the frame has been covered with mesh, wood, polystyrene, and concrete by Jonathan Hall.

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch in their workshop. A number of mosaics of flowers and leaves have been laid out on the carpet in front of them. In the background there are boxes of broken china and furniture stacked in a pile.Crack'd for Christchurch comments, "Early November 2013. Last day for Shirley Walden who is leaving the city. From left: Helen Campbell, Shirley Walden, and Sharon Wilson. We miss you Shirley."

Images, UC QuakeStudies

A photograph of Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."

Images, UC QuakeStudies

A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."

Images, UC QuakeStudies

A photograph of Helen Campbell and Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch taking a break. The team have been working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jayne White, Marie Hudson, Jennie Cooper, and Helen Campbell."

Images, UC QuakeStudies

A digital copy of a concept drawing of Crack'd for Christchurch's armchair and ottoman artworks. The drawing is of an armchair and an ottoman. A written note near the bottom of the drawing reads, "Cast iron legs sources from Victorian bath tubs".

Images, UC QuakeStudies

A photograph of a half-finished flower mosaic. The mosaic has been made out of pieces of broken china which have been laid over a paper design. Mesh has also been placed over the design so that it can be transferred easily to Crack's for Christchurch's concrete chair. Other pieces of china are scattered around the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Images, UC QuakeStudies

A photograph of Marie Hudson in Crack'd for Christchurch's workshop. Behind her, boxes of broken china have been stacked on a shelf. Hudson is wearing painters overalls and rubber gloves, and is holding a teacup.Crack'd for Christchurch comments, "The famous grey overalls. This all we would see Marie in for the next year."