We present the initial findings from a study of adaptive resilience of lifelines organisations providing essential infrastructure services, in Christchurch, New Zealand following the earthquakes of 2010-2011. Qualitative empirical data was collected from 200 individuals in 11 organisations. Analysis using a grounded theory method identified four major factors that aid organisational response, recovery and renewal following major disruptive events. Our data suggest that quality of top and middle-level leadership, quality of external linkages, level of internal collaboration, ability to learn from experience, and staff well-being and engagement influence adaptive resilience. Our data also suggest that adaptive resilience is a process or capacity, not an outcome and that it is contextual. Post-disaster capacity/resources and post-disaster environment influence the nature of adaptive resilience.
A report which details the financial and societal value that the SCIRT Training Centre created.
New Zealand’s stock of unreinforced masonry (URM) bearing wall buildings was principally constructed between 1880 and 1935, using fired clay bricks and lime or cement mortar. These buildings are particularly vulnerable to horizontal loadings such as those induced by seismic accelerations, due to a lack of tensile force-resisting elements in their construction. The poor seismic performance of URM buildings was recently demonstrated in the 2011 Christchurch earthquake, where a large number of URM buildings suffered irreparable damage and resulted in a significant number of fatalities and casualties. One of the predominant failure modes that occurs in URM buildings is diagonal shear cracking of masonry piers. This diagonal cracking is caused by earthquake loading orientated parallel to the wall surface and typically generates an “X” shaped crack pattern due to the reversed cyclic nature of earthquake accelerations. Engineered Cementitious Composite (ECC) is a class of fiber reinforced cement composite that exhibits a strain-hardening characteristic when loaded in tension. The tensile characteristics of ECC make it an ideal material for seismic strengthening of clay brick unreinforced masonry walls. Testing was conducted on 25 clay brick URM wallettes to investigate the increase in shear strength for a range of ECC thicknesses applied to the masonry wallettes as externally bonded shotcrete reinforcement. The results indicated that there is a diminishing return between thickness of the applied ECC overlay and the shear strength increase obtained. It was also shown that, the effectiveness of the externally bonded reinforcement remained constant for one and two leaf wallettes, but decreased rapidly for wall thicknesses greater than two leafs. The average pseudo-ductility of the strengthened wallettes was equal to 220% of that of the as-built wallettes, demonstrating that ECC shotcrete is effective at enhancing both the in-plane strength and the pseudo-ductility of URM wallettes. AM - Accepted Manuscript
A photograph of a stuffed tortoise that is being stored at the Canterbury Cultural Recovery Centre.
A close-up photograph of a stuffed penguin that is being stored at the Canterbury Cultural Recovery Centre.
A photograph of a cannon and other large objects that are being stored at the Canterbury Cultural Recovery Centre.
A photograph of a model ship that is being stored in one of the stacks at the Canterbury Cultural Recovery Centre.
A copy of a letter from Hugo Kristinsson which was sent to Niels Holm, Official Secretary to the Governor General, on 12 August 2014. The letter was sent on behalf of Empowered Christchurch. It thanks Holm for his response to the letter Empowered Christchurch sent to the Governor General and expresses their disappointment that they have not recieved a response from the Governor General. Kristinsson also expresses his disappointment that the Governor General has not forwarded a letter sent by the Queen 'to the relevant minister'.
A paper for the SCIRT Board which requests that the Board provide support to SCIRT's Training Team with assisting to develop a civil trade qualification.
A presentation for the SCIRT Board which outlines the process that SCIRT's Training Team intended to take towards assisting with developing a civil trade qualification.
During the Christchurch earthquake of February 2011, several midrise reinforced concrete masonry (RCM) buildings showed performance levels that fall in the range of life safety to near collapse. A case study of one of these buildings, a six-story RCM building deemed to have reached the near collapse performance level, is presented in this paper. The RCM walls on the second floor failed due to toe crushing, reducing the building's lateral resistance in the east–west direction. A three-dimensional (3-D) nonlinear dynamic analysis was conducted to simulate the development of the governing failure mechanism. Analysis results showed that the walls that were damaged were subjected to large compression loads during the earthquake, which caused an increase in their in-plane lateral strength but reduced their ductility capacity. After toe crushing failure, axial instability of the model was prevented by a redistribution of gravity loads. VoR - Version of Record
A paper for the SCIRT Board which requests that the Board provide support to recruit a Project Manager to support the development of a civil trade qualification.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artwork is on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Saves'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art on a brick wall near the corner of Alfred Street and Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art above the Hereford Street entrance of the YMCA. The photographer believes that the artworks were created by (from left to right) Sofles, Paulie, and Quench/Drapl.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A close-up photograph of plastic bottles that were part of a temporary installation titled ING. ING was created by students from Unitec for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Speakers' Corner, an event that gathered citizens, architects, urbanists, developers and government officials to The Commons to speak about the importance of flexible and temporary spaces in the creation of cities. Speakers' Corner was part of FESTA 2014 and supported by Athfield Architects.
A photograph of a mural on the side of Embassy on Colombo Street. The web address, "www.wongi.co.nz", has been incorporated on the left. The photographer that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
A photograph of Speakers' Corner, an event that gathered citizens, architects, urbanists, developers and government officials to The Commons to speak about the importance of flexible and temporary spaces in the creation of cities. Speakers' Corner was part of FESTA 2014 and supported by Athfield Architects.
A copy of a letter from Empowered Christchurch which was sent to Gerry Brownlee, Minsiter for the Canterbury Earthquake Recovery, on 15 April 2014. The letter lodges an Official Information Act request about the remediation of land that is subject to liquefaction and flooding.
A photograph of a mural on the side of Embassy on Colombo Street. The word "Embassy" has been incorporated into the mural in bold white letters. The photographer believes that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
The current seismic design practice for reinforced concrete (RC) walls has been drawn into question following the unsatisfactory performance of several RC wall buildings during the Canterbury earthquakes. An overview of current research being undertaken at the University of Auckland into the seismic behaviour of RC walls is presented. The main objectives of this research project are to understand the observed performance of RC walls in Christchurch, quantify the seismic loads on RC walls, and developed improved design procedures for RC walls that will assist in revisions to the New Zealand Concrete Structures Standard. A database summarising the performance of RC wall buildings in the Christchurch CBD was collated to identify damage modes and case-study buildings. A detailed investigation is underway to verify the seismic performance of lightly reinforced concrete walls and initial numerical modeling and small-scale tests are presented in addition to details of planned experimental tests of RC walls. Numerical modelling is being used to understand the potential influence that interactions between walls and other structural elements have on the seismic response of buildings and the loads generated on RC walls. The results from finite element analysis of a severely damaged RC wall in Christchurch highlighted the effect that the floor diaphragms have on the distribution of shear stains in the wall.
A photograph of two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.