An entry from Sue Davidson's blog for 21 April 2013 entitled, "Artistic styles abound".
The remains of a Mexican-style house at the foot of the cliff in Redcliffs. The house was destroyed when the cliff collapsed on it during the 22 February 2011 earthquake.
A photograph captioned by BeckerFraserPhotos, "A demolition site on the corner of Oxford Street and Sumner Road. The area is given a Lyttelton-style makeover with wild flowers and triceratops".
A graffiti-style advertisement for the NZ Police on the side of a building on Colombo Street, showing a police officer comforting a frightened woman. Text reads "You too can do something extraordinary. Become a cop".
A house undergoing renovations has exposed building frames and structures. Aprons hanging from the fence depict the Cathedral drawn in the style of the Edmonds Baking Powder logo, with the slogan "Christchurch, sure to rise".
A house undergoing renovations has exposed building frames and structures. Aprons hanging from the fence depict the Cathedral drawn in the style of the Edmonds Baking Powder logo, with the slogan "Christchurch, sure to rise".
A photograph of a graffiti-style mural promoting careers in the New Zealand Police. The mural depicts a police officer pulling a woman from the rubble, and is captioned, "You too can do something extraordinary. Become a cop".
A sign made out of plastic cups on wire fencing. The sign reads, "Gap Filler bowling". It was created by students from the CPIT who built a 1950s style bowling alley on this site.
A sign made out of plastic cups on wire fencing. The sign reads, "bowling". It was created by students from the CPIT who built a 1950s style bowling alley on this site.
Empty sections where houses once stood at 24A Waygreen Avenue in New Brighton. The sections are overgrown with weeds. A single Victorian-style street lamp stands on the side of the footpath. The gutter has partly flooded.
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
Students from CPIT on the site of the demolished JetSet lounge. They are building a 1950s style bowling alley for the community to use. They have been photographed from beside the Passing Time sculpture on Wilson Reserve.
Photograph captioned by BeckerFraserPhotos, "The All Saints Church in Sumner. The traditional building materials and style of this church makes it look older than 1963. At the moment it is hidden behind a long line of containers protecting the road from potential rock fall hazards".
A photograph submitted by Raymond Morris to the QuakeStories website. The description reads, "Cathedral of the Blessed Sacrament, Barbadoes Street. The Cathedral was opened in 1905, the architect was Frank Petrie, and was designed in the Italian renaissance style as a basilica. It is not certain yet whether it will be reconstructed after the 2011 earthquakes.".
A photograph of a poster on the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster is in the style of Barack Obama's "Hope" campaign poster, and depicts Bryan Staples with the message "Insurance, hope".
A photograph of children making silhouettes on stage at The Worry Bug book launch. The screen is illustrated in the style of The Worry Bug book. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A photograph of children making silhouettes on stage at The Worry Bug book launch. The screen is illustrated in the style of The Worry Bug book. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A video of a play produced and performed by students from Avonside Girls' High School. The play was created for the Theater Federation One Act Play Festival, on the topic of the Christchurch rebuild. The students modeled the play on the epic theatre style, aiming to emotionally affect and enact change in their audience.
A photograph of a poster and picket signs in the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster depicts Gerry Brownlee in the style of Barack Obama's "Hope" campaign poster, and reads "Democracy nope". The picket signs read "Brownlee: rise, lies and pies" and "Overwrought, overdrawn, over EQC".
A video of Ladi6 and All Right? staff member Ciaran Fox "getting out and about" in Christchurch, being shown around Brick Farm by owner and local columnist Johnny Moore. Brick Farm (now Smash Palace) is a bistro-style restaurant operating out of a restored brick building on High Street that opened in spring 2014, specialising in serving locally-grown produce. All Right? uploaded the video to YouTube on 21 April 2015 and posted a link to the video on their Facebook Timeline on 18 May 2015 at 7:30pm.
The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.