A photograph of a cleared building site between Cashel Street and High Street. Signs advertising open cafes have been attached to the wall of a remaining building.
A photograph of a sign advertising a sushi restaurant. The sign is attached to the wall of a remaining building between High Street and Cashel Street.
The newly re-opened New Regent Street.
The newly re-opened Ibis Hotel on Hereford Street.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "please share widely - OVTRK open forum on the LURP".
Workers placing road cones on a newly re-opened stretch of High Street.
Staff prepare coffee in a cafe in the newly re-opened New Regent Street.
The view from upstairs in a cafe in the newly re-opened New Regent Street.
Students from the newly opened Avonmore Tertiary Institute sit in the sunshine on High Street.
The view from upstairs in a cafe in the newly re-opened New Regent Street.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
Members of the public view a jewellery store in the newly re-opened New Regent Street.
A student walks up the stairs of the newly opened Avonmore Tertiary Institute in High Street.
Members of the public shopping at the fudge store on the newly re-opened New Regent Street.
A view of the newly re-opened New Regent Street. A road work sign lies on the road.
Members of the public sit at tables outside the Coffee Lovers cafe on the newly re-opened New Regent Street.
UC CEISMIC team members Chris Thomson and Lucy-Jane Walsh order coffee in the newly re-opened New Regent Street.
A group of young people sit outside the Shop Eight and Rekindle cafe on the newly re-opened New Regent Street.
Members of the UC CEISMIC team, Lucy-Jane Walsh and Han Li, walk down the newly re-opened New Regent Street.
The cordon checkpoint at the intersection of Colombo and Gloucester Streets. In the background, people stand in a section of walkway opened up to allow the public a view of Cathedral Square.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Measurement of basement seismic resonance frequencies can elucidate shallow velocity structure, an important factor in earthquake hazard estimation. Ambient noise cross correlation, which is well-suited to studying shallow earth structure, is commonly used to analyze fundamental-mode Rayleigh waves and, increasingly, Love waves. Here we show via multicomponent ambient noise cross correlation that the basement resonance frequency in the Canterbury region of New Zealand can be straightforwardly determined based on the horizontal to vertical amplitude ratio (H/V ratio) of the first higher-mode Rayleigh waves. At periods of 1-3 s, the first higher-mode is evident on the radial-radial cross-correlation functions but almost absent in the vertical-vertical cross-correlation functions, implying longitudinal motion and a high H/V ratio. A one-dimensional regional velocity model incorporating a ~ 1.5 km-thick sedimentary layer fits both the observed H/V ratio and Rayleigh wave group velocity. Similar analysis may enable resonance characteristics of other sedimentary basins to be determined. © 2013. American Geophysical Union. All Rights Reserved.
An abandoned residential property at 31 Seabreeze Close in Bexley. The number 31 has been spray-painted onto the entrance of the house. The door appears to be open. Weeds are growing through the cracks in the driveway.