Christchurch Press 9 July 2014: Section A, Page 3
Articles, UC QuakeStudies
Page 3 of Section A of the Christchurch Press, published on Wednesday 9 July 2014.
Page 3 of Section A of the Christchurch Press, published on Wednesday 9 July 2014.
Page 4 of Section A of the Christchurch edition of the Christchurch Press, published on Monday 9 May 2011.
A video about the return of CTV to air after the 22 February 2011 earthquake.
Page 2 of The Box section of the Christchurch Press, published on Tuesday 26 April 2011.
Page 4 of Section A of the South Island edition of the Christchurch Press, published on Monday 9 May 2011.
Page 12 of Section A of the Christchurch Press, published on Tuesday 19 April 2011.
Page 8 of Section C of the Christchurch Press, published on Thursday 29 September 2011.
Page 15 of Section A of the Christchurch Press, published on Monday 4 April 2011.
Page 3 of The Box section of the Christchurch Press, published on Tuesday 13 December 2011.
Page 20 of Section C of the Christchurch Press, published on Saturday 24 September 2011.
Page 3 of Section A of the Christchurch Press, published on Thursday 7 April 2011.
Page 4 of Section A of the Christchurch Press, published on Tuesday 3 May 2011.
Page 2 of Section C of the Christchurch Press, published on Saturday 25 January 2014.
This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had been unused for three years and nine months, and its future was uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130-year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, postdisaster transitionality, and the impermanence of place.
Page 1 of Section A of the Christchurch Press, published on Tuesday 19 April 2011.
Page 13 of Section A of the Christchurch Press, published on Saturday 7 May 2011.
This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.
Page 3 of Section C of the Christchurch Press, published on Saturday 25 January 2014.
Page 5 of Section A of the Christchurch Press, published on Tuesday 21 February 2012.
The Panel Christmas Special in downtown Auckland atop the Tyler Street Garage, featuring many of the regular panellists from 2011. Due to a Checkpoint special covering the Christchurch earthquake, this was not broadcast.
Page 1 of Section A of the Christchurch Press, published on Tuesday 7 June 2011.
Page 20 of Section A of the Christchurch Press, published on Saturday 26 February 2011.
Page 15 of Section C of the Christchurch Press, published on Saturday 19 March 2011.
The Civil Defense understanding of the role of radio in disaster tends to focus on its value in providing essential information during and after the event. However this role is compromised when a station’s premises are destroyed, or rendered inaccessible by official cordons. The Radio Quake study examines how radio stations in Christchurch managed to resume broadcasting in the aftermath of the earthquake of February 22, 2011. In New Zealand’s heavily networked and commercialised radio environment there is a significant disparity between networked and independent stations’ broadcast commitments and resourcing. All Christchurch radio broadcasters were forced to improvise new locations, complex technical workarounds, and responsive styles of broadcasting after the February 22 earthquake, but the need to restore, or maintain, a full on air presence after the earthquake, rested entirely on often financially tenuous, locally owned and staffed independent radio: student, Iwi, community access, and local commercial stations. This paper will explore the resourcefulness and resilience of broadcasters riding out the aftershocks in hotels, motels, bedrooms, and a horse truck, using digital technologies in new ways to reimagine the practice of radio in Christchurch.
Maddie Leach and Jem Noble, collaborators on I was using six watts when you Received me... The broadcast of sounds that are special to the city but were lost after the earthquakes are part of the SCAPE Public Art Biennial which starts in Christchurch this Friday.
Tonight on The Panel, Wallace Chapman is joined by panellists Ali Jones & Shane Te Pou to discuss No Pay Day - the day that women in Aotearoa effectively begin working for free. Plus the reopening of Christchurch Cathedral. Ali Jones is a communication adviser / writer/Broadcaster/ Christchurch earthquake claims preparer. Shane Te Pou is a former labour party activist and CEO of Mega
Tonight on The Panel, Wallace Chapman is joined by panellists Ali Jones & Shane Te Pou to discuss: President Biden pardoning his son Hunter, and Avian Flu outbreak in Otago and news from the Labour party conference. Ali Jones is a communication adviser / writer/Broadcaster/ Christchurch earthquake claims preparer. Shane Te Pou is a former labour party activist and CEO of Mega
Highlights from Radio New Zealand National's programmes for the week ending Friday 7th of September. This week......two years after the BIG Earthquake in Christchurch, and the Pike River Mine Disaster, how did the media respond to those events ... Mummies, Cannibals and Vampires; The History of Corpse medicine from the Renaissance to The Victorians ... a primary school project gets back to growing fruit and vegetables ... a Maori carving from A german prisoner of War camp comes back home ... the human side of Google ... and an affectionate look back at Broadcasts To Schools.
The Maori King has called a national hui for iwi and hapu to discuss water rights after the government refused to call one; A member of the Iwi Chairs Forum says it might be time for the Maori Council to step aside from the water rights debate; The Whanganui River Maori Trust Board says it's satisfied with how its Treaty of Waitangi negotiations with the Crown are progressing, saying the Government's taking into account the iwi's unique circumstances; A Maori broadcaster who was living in Christchurch during many of the earthquakes says she tried hard to put whanau at ease while she was on-air, but admits it was tough remaining calm during the many aftershocks.
The Maori King has called a national hui for iwi and hapu to discuss water rights after the government refused to call one; A member of the Iwi Chairs Forum says it might be time for the Maori Council to step aside from the water rights debate; The Whanganui River Maori Trust Board says it's satisfied with how its Treaty of Waitangi negotiations with the Crown are progressing, saying the Government's taking into account the iwi's unique circumstances; A Maori broadcaster who was living in Christchurch during many of the earthquakes says she tried hard to put whanau at ease while she was on-air, but admits it was tough remaining calm during the many aftershocks.