A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Lane Walker Rudkins, post earthquake".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A photograph captioned by Paul Corliss, "Brougham Street mural. Post-earthquake Sydenham".
A photograph captioned by Paul Corliss, "Brougham Street mural. Post-earthquake Sydenham".
A photograph captioned by Paul Corliss, "Brougham Street mural. Post-earthquake Sydenham".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A photograph captioned by Paul Corliss, "Curries Road cable laying, post earthquake".
A pdf transcript of Di's earthquake story, captured by the UC QuakeBox project.
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A photograph of a sign on a painted piano. The photograph is captioned by Paul Corliss, "Gap Fillers, post earthquake. Woolston".
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Craig Weaver Remembers February 22nd".
The September and February earthquakes were terrifying and devastating. In February, 185 people were killed (this number excludes post earthquake related deaths) and several thousand injured. Damage to infrastructure above and below ground in and around Christchurch was widespread and it will take many years and billions of dollars to rebuild. The ongoing effects of the big quakes and aftershocks are numerous, with the deepest impact being on those who lost family and friends, their livelihoods and homes. What did Cantabrians do during the days, weeks and months of uncertainty and how have we responded? Many grieved, some left, some stayed, some arrived, many shovelled (liquefaction left thousands of tons of silt to be removed from homes and streets), and some used their expertise or knowledge to help in the recovery. This book highlights just some of the projects staff and students from The Faculty of Environment, Society and Design have been involved in from September 2010 to October 2012. The work is ongoing and the plan is to publish another book to document progress and new projects.
Disasters are a critical topic for practitioners of landscape architecture. A fundamental role of the profession is disaster prevention or mitigation through practitioners having a thorough understanding of known threats. Once we reach the ‘other side’ of a disaster – the aftermath – landscape architecture plays a central response in dealing with its consequences, rebuilding of settlements and infrastructure and gaining an enhanced understanding of the causes of any failures. Landscape architecture must respond not only to the physical dimensions of disaster landscapes but also to the social, psychological and spiritual aspects. Landscape’s experiential potency is heightened in disasters in ways that may challenge and extend the spectrum of emotions. Identity is rooted in landscape, and massive transformation through the impact of a disaster can lead to ongoing psychological devastation. Memory and landscape are tightly intertwined as part of individual and collective identities, as connections to place and time. The ruptures caused by disasters present a challenge to remembering the lives lost and the prior condition of the landscape, the intimate attachments to places now gone and even the event itself.