A photograph of unfinished art work using Māori motifs, at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
An entry from Sue Davidson's blog for 3 September 2013 entitled, "Maori Wardens train on DORA".
A photograph captioned by Paul Corliss, "Maori Land Court".
A photograph captioned by Paul Corliss, "Maori Land Court".
A photograph captioned by Paul Corliss, "Maori Land Court".
A photograph captioned by Paul Corliss, "Maori Land Court".
A photograph captioned by Paul Corliss, "Maori Land Court".
A photograph of unfinished art work using Māori motifs at the Community Law Centre located on Madras Street.
A photograph captioned by Paul Corliss, "Maori Land Court, Guardian Trust and Casino".
A photograph captioned by Paul Corliss, "Maori Land Court, Guardian Trust and Casino".
A photograph captioned by Paul Corliss, "Maori Land Court, Guardian Trust and Casino".
A photograph of unfinished art work using Maori motifs at the Community Law Centre on Madras Street.
A photograph of Christine Deeming, administrator of the School of Maori and Indigenous Studies at the University of Canterbury.
Indigenous Peoples retain traditional coping strategies for disasters despite the marginalisation of many Indigenous communities. This article describes the response of Māori to the Christchurch earthquakes of 2010 and 2012 through analyses of available statistical data and reports, and interviews done three months and one year after the most damaging event. A significant difference between Māori and ‘mainstream’ New Zealand was the greater mobility enacted by Māori throughout this period, with organisations having roles beyond their traditional catchments throughout the disaster, including important support for non-Māori. Informed engagement with Indigenous communities, acknowledging their internal diversity and culturally nuanced support networks, would enable more efficient disaster responses in many countries.
Prince William being presented with a Maori cloak by Ngai Tahu elders at the Christchurch Earthquake Memorial Service. The service was held in Hagley Park on 18 March 2011.
Prince William being presented with a Maori cloak by Ngai Tahu elders at the Christchurch Earthquake Memorial Service. The service was held in Hagley Park on 18 March 2011.
Prince William being presented with a Maori cloak by Ngai Tahu elders at the Christchurch Earthquake Memorial Service. The service was held in Hagley Park on 18 March 2011.
Prince William being presented with a Maori cloak by Ngai Tahu elders at the Christchurch Earthquake Memorial Service. The service was held in Hagley Park on 18 March 2011.
A man in traditional Maori dress performs during the Christchurch Earthquake Memorial Service. The service was held in Hagley Park on 18 March 2011.
Local musician, Lyndon Puffin, performing at Gap Filler's "Film in the Gap!" project in Beckenham. In the foreground of the photograph is a leather bag labelled "Koha", the Reo Maori word for gift, or in this case, donations.
A photograph of street art on the side of an electricity substation on St Asaph Street. The artwork includes a Maori heimatau (fish hook) motif. Search and rescue codes have been spray-painted on the door of the building.
A photograph of Aaron Hapuku, Maori Health Promoter for Community and Public Health, taking part in #FiveYearsOn. Hapuku holds a sign which reads, "Five years on, I feel... Grattitude [sic] for all of the amazing people in my life// Aaron Hapuku, Birdlings Flat".