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Images for Canterbury Social History; more images...

Research papers, University of Canterbury Library

In this paper Paul Millar outlines the development of the University of Canterbury Quakebox project, a collaborative venture between the UC CEISMIC Canterbury Earthquakes Digital Archive and the New Zealand Institute of Language Brain and Behaviour to preserve people’s earthquake stories for the purposes of research, teaching and commemoration. The project collected over 700 stories on high definition video, and Millar is now looking at using the corpus to underpin a longitudinal study of post-quake experience.

Images, Canterbury Museum

One colour photograph of a smiling woman standing outside in front of a bush or tree retrieved from the CTV building. Stored in a sealed plastic New Zealand Police exhibit bag.

Images, Canterbury Museum

One set of Nissan car keys on ring containing a key, remote lock/unlock and key identification tag retrieved from the CTV building. Stored in a plastic New Zealand Police exhibit bag.

Images, Canterbury Museum

One limited edition poster with tube and information sheet. The poster has initial letters of the cities of New Zealand arranged to form an outline of the country. All are printed in black, except the 'C' of Christchurch which stands out in red. "United We Stand, 22 Feb 2011, 12.51pm" is printed in black. Poster commemorates the 2011 Christchurc...

Images, Canterbury Museum

One comprehensive emergency kit contained within a 68 litre heavy duty plastic storage case; includes four personal essentials packs, a survival first aid kit, an After Shake base pack and two 20 litre water storage canisters. Designed by the company After Shake to support a four person household following an emergency. This comprehensive emerg...

Images, Canterbury Museum

One red and black fabric quilt comprised of pieced and appliquéd block work with both hand and machine stitching; machine quilted with embellishments and a one piece bordered back; an image of the ChristChurch Cathedral is in the centre and features pen work. Designed and quilted by the Coast Quilters of Whangaroa from fabric sent in by listener...

Images, Canterbury Museum

One pink and yellow Asian floral designed fabric cosmetic bag with cosmetics retrieved from the CTV building. Cosmetics include four Bobbi Brown lipstick products, two Christian Dior lipstick products, a Lancome lip treatment bottle, two cosmetic sharpeners, a pair of tweezers and a Q-tips box with cotton buds. Stored in a plastic New Zealand P...

Images, Canterbury Museum

Two Seiko men's watches and instruction booklet retrieved from the Pyne Gould Corporation building. Taped inside the cover is a small bag with spare watch band pieces. Buyer guarantee card located in envelope on front page. All items stored in a plastic New Zealand Police exhibit bag.

Images, Canterbury Museum

One silver medal awarded to SCIRT in October 2013 from the Institution of Civil Engineers in the United Kingdom in recognition of the excellent in civil engineering. Includes storage case and explanation sheet.

Images, Canterbury Museum

One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.

Images, Canterbury Museum

One model of the Temple for Christchurch with a rectangular base of Jarrah and solid silver conical shapes and wave like walls representing the movement of the 22 February 2011 earthquake. Based on the Temple for Christchurch sculpture that was designed by Hippathy Valentine.

Images, Canterbury Museum

One metal chair with fabric components that has been painted white. This chair was part of the 185 Empty Chairs art installation which consisted of 185 different white chairs that represented those who died as a result of the Christchurch earthquake on 22nd February 2011.

Images, Canterbury Museum

One trophy made from a can attached to a wooden base issued to SCIRT as a thank you for participating in Canstruction Christchurch. Features a custom printed label which celebrates teamwork in place of the usual nutritional information.

Research papers, University of Canterbury Library

This thesis considers the presence and potential readings of graffiti and street art as part of the wider creative public landscape of Christchurch in the wake of the series of earthquakes that significantly disrupted the city physically and socially. While documenting a specific and unprecedented period of time in the city’s history, the prominence of graffiti and street art throughout the constantly changing landscape has also highlighted their popularity as increasingly entrenched additions to urban and suburban settings across the globe. In post-quake Christchurch, graffiti and street art have often displayed established tactics, techniques and styles while exploring and exposing the unique issues confronting this disrupted environment, illustrating both a transposable nature and the entwined relationship with the surrounding landscape evident in the conception of these art forms. The post-quake city has afforded graffiti and street art the opportunity to engage with a range of concepts: from the re-activation and re-population of the empty and abandoned spaces of the city, to commentaries on specific social and political issues, both angry and humorous, and notably the reconsideration of entrenched and evolving traditions, including the distinction between guerrilla and sanctioned work. The examples of graffiti and street art within this work range from the more immediate post-quake appearance of art in a group of affected suburbs, including the increasingly empty residential red-zone, to the use of the undefined spaces sweeping the central city, and even inside the Canterbury Museum, which housed the significant street art exhibition Rise in 2013-2014. These settings expose a number of themes, both distinctive and shared, that relate to both the post-disaster landscape and the concerns of graffiti and street art as art movements unavoidably entangled with public space.