Damage to the Mona Vale Gatehouse.
Autumn trees in Mona Vale, Fendalton.
Damage to the Mona Vale Gatehouse.
Scaffolding around the James Hight Library.
Scaffolding around the James Hight Library.
Scaffolding around the James Hight Library.
Overgrown property in a residential area.
Scaffolding around the James Hight Library.
Overgrown property in a residential area.
A photograph captioned, "So they gradually go".
Overgrown property in a residential area.
Damage to Tracktion on Madras Street.
Wyrd Creation arts space sign.
The 2010 and 2011 earthquakes of Canterbury have had a serious and ongoing effect on Maori in the city (Lambert, Mark-Shadbolt, Ataria, & Black, 2012). Many people had to rely on themselves, their neighbours and their whanau for an extended period in 2011, and some are still required to organise and coordinate various activities such as schooling, health care, work and community activities such as church, sports and recreation in a city beset by ongoing disruption and distress. Throughout the phases of response and recovery, issues of leadership have been implicitly and explicitly woven through both formal and informal investigations and debates. This paper presents the results of a small sample of initial interviews of Maori undertaken in the response and early recovery period of the disaster and discusses some of the implications for Maori urban communities.
Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).
A photograph of Andrew Just of F3 Design giving a talk about ArtBox on the corner of St Asaph Street and Madras Street. The photograph was taken during a public talk about the temporary studio and gallery space. The event was part of FESTA 2012.
A photograph of people walking past the Pavilions & Lighting Devices market at LUXCITY, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture titled Altitude can be seen illuminated in the distance.
A photograph of people walking past the LUXCITY Pavilions & Lighting Devices market, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of a vacant site on the corner of Gloucester Street and Colombo Street. The site is to be the location of In Your Face, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Gloucester Street and Colombo Street. The site is to be the location of In Your Face, a large-scale installation which is part of LUXCITY.
A photograph of street art on a wall near the intersection of Colombo Street and Battersea Street. The artwork was created by Richard Van Den Berg in 1988, and exposed by the demolition of the neighbouring building.
A photograph of street art on a wall near the intersection of Colombo Street and Battersea Street. The artwork was created by Richard Van Den Berg in 1988, and exposed by the demolition of the neighbouring building.
A photograph of street art on the side of a building on Colombo Street. The art depicts a man embracing a grieving woman. A speech bubble to the side reads, "You can paint, but we can't!".
A photograph of street art on the side of a building on Colombo Street. The art depicts a man embracing a grieving woman. A speech bubble to the side reads, "You can paint, but we can't!".
A photograph of a detail of "Concrete Propositions" by Melbourne-based artist Ash Keating. It is located on Manchester Street, between Gloucester Street and Worcester Street. There is an excavator in the foreground.
A photograph of a section of a mural on the corner of Byron Street and Colombo Street. The section depicts an older man saying, "That's the thing about unconditional love!" A younger man is also partially visible.
A photograph of street art constructed against the wall of a building in New Brighton Mall. The artwork is titled, "My Hope for New Brighton", and consists of a blackboard full of messages and images from the public.
Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.
Damage to the Clarendon Tower building.
Damage to Tracktion on Madras Street.