Search

found 298 results

Images for scale; more images...

Images, UC QuakeStudies

A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.

Images, UC QuakeStudies

A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.

Images, UC QuakeStudies

A photograph of Coralie Winn and Ryan Reynolds in the Re:START mall car park on Cashel Street. In the background is a large-scale puppet titled Wife of Bath. The puppet was made by Free Theatre Christchurch for Canterbury Tales - the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.

Images, UC QuakeStudies

A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.

Images, UC QuakeStudies

A photograph of the large-scale puppets titled The Scholar (left) The Wife of Bath (centre) and The Merchant (back, right) in Cathedral Square. The puppets were part of the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of a woman 'meeting' a large-scale puppet titled The Knight, in Cathedral Square. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.

Images, UC QuakeStudies

A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of large-scale puppets: one of The Friars (left, back), The Merchant (centre) and The Knight (front). The puppets are outside the Free Theatre warehouse space on Lismore Street. The puppets were part of the Canterbury Tales procession, which was the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of a woman 'meeting' a large-scale puppet titled The Knight, in Cathedral Square. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.

Images, UC QuakeStudies

A photograph of Ryan Reynolds demonstrating to a child how a large-scale puppet titled The Knight works. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.

Research papers, Victoria University of Wellington

<b>Ōtautahi-Christchurch faces the future in an enviable position. Compared to other New Zealand cities Christchurch has lower housing costs, less congestion, and a brand-new central city emerging from the rubble of the 2011 earthquakes. ‘Room to Breathe: designing a framework for medium density housing (MDH) in Ōtautahi-Christchurch’ seeks to answer the timely question how can medium density housing assist Ōtautahi-Christchurch to respond to growth in a way that supports a well-functioning urban environment? Using research by design, the argument is made that MDH can be used to support a safe, accessible, and connected urban environment that fosters community, while retaining a level of privacy. This is achieved through designing a neighbourhood concept addressing 3 morphological scales- macro- the city; meso- the neighbourhood; and micro- the home and street. The scales are used to inform a design framework for MDH specific to Ōtautahi-Christchurch, presenting a typological concept that takes full advantage of the benefits higher density living has to offer.</b> Room to Breathe proposes repurposing underutilised areas surrounding existing mass transit infrastructure to provide a concentrated populous who do not solely rely on private vehicles for transport. By considering all morphological scales Room to Breathe provides one suggestion on how MDH could become accepted as part of a well-functioning urban environment.

Images, UC QuakeStudies

A photograph of a large-scale puppet titled The Knight, which is part of the Canterbury Tales procession. The puppet is on the back of a truck which is entering a Re:START mall car park. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.

Images, UC QuakeStudies

A photograph of the large-scale puppets titled The Scholar and The Wife of Bath. The puppets are in Cathedral Square. Lying on the left are heads and hands of The Friars. The puppets were part of the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.

Articles, UC QuakeStudies

A PDF copy of the site map for CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014. It was held on vacant sites at the intersection of Lichfield Street, Manchester Street and High Street. Architecture students from Unitec, The University of Auckland and CPIT collaborated with local businesses to create large-scale, temporary structures to entertain the public.

Research papers, The University of Auckland Library

Many large-scale earthquakes all over the world have highlighted the impact of soil liquefaction to the built environment, but the scale of liquefaction-induced damage experienced in Christchurch and surrounding areas following the 2010-2011 Canterbury earthquake sequence (CES) was unparalleled, especially in terms of impact to an urban area. The short time interval between the large earthquakes presented a very rare occasion to examine liquefaction mechanism in natural deposits. The re-liquefaction experienced by the city highlighted the high liquefaction susceptibility of soil deposits in Christchurch, and presented a very challenging problem not only to the local residents but to the geotechnical engineering profession. This paper summarises the lessons learned from CES, and the impacts of the observations made to the current practice of liquefaction assessment and mitigation.

Research Papers, Lincoln University

A city’s planted trees, the great majority of which are in private gardens, play a fundamental role in shaping a city’s wild ecology, ecosystem functioning, and ecosystem services. However, studying tree diversity across a city’s many thousands of separate private gardens is logistically challenging. After the disastrous 2010–2011 earthquakes in Christchurch, New Zealand, over 7,000 homes were abandoned and a botanical survey of these gardens was contracted by the Government’s Canterbury Earthquake Recovery Authority (CERA) prior to buildings being demolished. This unprecedented access to private gardens across the 443.9 hectares ‘Residential Red Zone’ area of eastern Christchurch is a unique opportunity to explore the composition of trees in private gardens across a large area of a New Zealand city. We analysed these survey data to describe the effects of housing age, socio-economics, human population density, and general soil quality, on tree abundance, species richness, and the proportion of indigenous and exotic species. We found that while most of the tree species were exotic, about half of the individual trees were local native species. There is an increasing realisation of the native tree species values among Christchurch citizens and gardens in more recent areas of housing had a higher proportion of smaller/younger native trees. However, the same sites had proportionately more exotic trees, by species and individuals, amongst their larger planted trees than older areas of housing. The majority of the species, and individuals, of the larger (≥10 cm DBH) trees planted in gardens still tend to be exotic species. In newer suburbs, gardens in wealthy areas had more native trees than gardens from poorer areas, while in older suburbs, poorer areas had more native big trees than wealthy areas. In combination, these describe, in detail unparalleled for at least in New Zealand, how the tree infrastructure of the city varies in space and time. This lays the groundwork for better understanding of how wildlife distribution and abundance, wild plant regeneration, and ecosystem services, are affected by the city’s trees.

Research papers, University of Canterbury Library

The 2010-2011 Christchurch earthquakes generated damage in several Reinforced Concrete (RC) buildings, which had RC walls as the principal resistant element against earthquake demand. Despite the agreement between structural engineers and researchers in an overall successfully performance there was a lack of knowledge about the behaviour of the damaged structures, and even deeper about a repaired structure, which triggers arguments between different parties that remains up to these days. Then, it is necessary to understand the capacity of the buildings after the earthquake and see how simple repairs techniques improve the building performance. This study will assess the residual capacity of ductile slender RC walls according to current standards in New Zealand, NZS 3101.1 2006 A3. First, a Repaired RC walls Database is created trying to gather previous studies and to evaluate them with existing international guidelines. Then, an archetype building is designed, and the wall is extracted and scaled. Four half-scale walls were designed and will be constructed and tested at the Structures Testing Laboratory at The University of Auckland. The overall dimensions are 3 [m] height, 2 [m] length and 0.175 [m] thick. All four walls will be identical, with differences in the loading protocol and the presence or absence of a repair technique. Results are going to be useful to assess the residual capacity of a damaged wall compare to the original behaviour and also the repaired capacity of walls with simpler repair techniques. The expected behaviour is focussed on big changes in stiffness, more evident than in previously tested RC beams found in the literature.