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Images, UC QuakeStudies

A photograph of signs in the front door of the Bai Yok restaurant on Colombo Street. One of the sign reads, "Closed, Will Return". No time or date has been added to the sign. A ripped yellow sticker stuck to the glass indicates that the access to the building is restricted. The Phanyou Family have also taped a piece of paper to the door with their contact numers.

Images, UC QuakeStudies

A photograph of mannequins lying on the footpath outside the R.N.A clothing store on Colombo Street. The mannequins are dressed in adventure gear. USAR codes have been spray-painted on the glass door and window of the store. A yellow sticker has also been stuck to the door, indicating that access to the building is restricted.

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, eqnz.chch.2010

The Christchurch Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. The February 22 quake cracked pillars, twisted walls, shattered stained glass, collapsed buttresses, fractured masonry and toppled the tower. The rose window in the west wall collapsed in the June aftershocks. Demolition of the Chr...

Images, UC QuakeStudies

The interior of the octagonal corner section of the Cranmer Court building, which housed Plato Creative from March 2008 to November 2009. The photograph showcases the building's intricate wooden ceiling and high windows. A stained glass crest is visible at the bottom of one of the windows reading, "Est. 1874. The spirit of this building lives on". Although designed to house a book depot, this section was used as the principal's office while Christchurch Normal School was operating from the building.

Images, UC QuakeStudies

The interior of the octagonal corner section of the Cranmer Court building, which housed Plato Creative from March 2008 to November 2009. The photograph showcases the building's intricate wooden ceiling and high windows. A stained glass design is visible at the center of the windows with a motto underneath reading, "The spirit of this building lives on". Although designed to house a book depot, this section was used as the principal's office while Christchurch Normal School was operating from the building.

Images, UC QuakeStudies

The interior of the octagonal corner section of the Cranmer Court building, which housed Plato Creative from March 2008 to November 2009. The photograph showcases the building's intricate wooden ceiling and high windows. A stained glass design is visible at the center of the window with a motto underneath reading, "The spirit of this building lives on". Although designed to house a book depot, this room was used as the principal's office while Christchurch Normal School was operating from the building.

Images, UC QuakeStudies

A photograph of a Wellington Emergency Management Office Emergency Response Team member talking to a member of the Professional Building Services on Gloucester Street. In the background is the Press House building with many cracks in the façade. Bits of bricks and other debris are scattered across the footpath. Some of the windows above the facade have broken. USAR codes have been spray-painted on one of the bottom-storey windows.

Images, UC QuakeStudies

The damaged clock tower on Victoria Street, wrapped and braced to prevent further damage. The photographer comments, "Diamond Jubilee Clock Tower in Christchurch. Its legs wrapped up for protection. Volcanic stone and limestone clock tower with ornate wrought iron work with coloured glass around part of the tower and four clock faces. Clock Tower built in this location to commemorate the Diamond Jubilee of Queen Victoria. Has two white marble plaques and one bronze plaque set on stone work above arches".

Images, UC QuakeStudies

A digitally manipulated image of the damaged statue of Scott which was removed from its original site beside Worcester Boulevard for safekeeping. The photographer comments, "During the February 2011 earthquake in Christchurch, New Zealand the statue of Robert Falcon Scott broke across the ankles and most of the statue came crashing to the ground. To commemorate a 100 years of association with Antarctica Christchurch council has laid out for viewing the statue in a prostrate position. I was lucky to encounter the statue before it was put into its glass display enclosure".

Images, UC QuakeStudies

A photograph of a member of the Wellington Emergency Management Office Emergency Response Team standing in front of the earthquake-damaged Avonmore House on Hereford Street. Sections of the walls have crumbled, spilling bricks and masonry onto the footpath and street below. Many of the windows have warped, breaking the glass. USAR codes have been spray-painted on one of the columns. A red sticker taped to the door indicates that the building is unsafe to enter.

Images, UC QuakeStudies

A photograph of a member of the Wellington Emergency Management Office Emergency Response Team standing in front of the earthquake-damaged Avonmore House on Hereford Street. Sections of the walls have crumbled, spilling bricks and masonry onto the footpath and street below. Many of the windows have also warped, breaking the glass. USAR codes have been spray-painted on one of the columns. A red sticker taped to the door indicates that the building is unsafe to enter.

Images, Alexander Turnbull Library

The cartoon depicts a rose window set in a stone wall. The glass circles each contain a dollar sign. Refers to the future of the Christchurch Cathedral after the Canterbury earthquakes of 2010 and 2011. The Anglican Church seemed to only consider the money in arguing that it would be too expensive to be repaired or rebuilt. Title from file name Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Christ Church Cathedral, Christchurch, with spire being rebuilt after the 1901 earthquake. Photographer unidentified. The nave, tower and spire of Christchurch Cathedral was completed in 1881. Work on completeing the rest of the building began in 1900. In 1902 the transcepts were finished and work started on the chancel and apse. An earthquake in 1901 cracked the upper part of the spire in two places. In this photograph which dates from late 1902/1903 (see scaffolding beyond the transcept indicating work on chancel) the upper part of the spire has been removed by Messrs Graham and Greig in preparation for replacing this section with a copper covered wooden structure. The Cathedral was completed in 1904. (Information from "Vision and Reality; Christchurch Cathedral in the Square," Colin Brown, Christchurch, 2000 and "A Dream of Spires," Ian Lochhead, Canterbury University Press, 1999, page 153.) Preparation for erecting the scaffolding was reported in the Christchurch Star 15 January 1902. The cross was replaced on the top of the new copper covered wooden section of the spire on 29 June 1903. Source of descriptive information - Notes on file print. Source of title - Title supplied by Library Quantity: 1 b&w original negative(s). Physical Description: Glass negative

Research papers, University of Canterbury Library

Recent seismic events, such as the 2010-2011 Canterbury earthquakes and the 2016 Kaikōura earthquakes, have shed light on issues with the seismic performance of glazing systems. This is attributed to the limited amount of research and consideration of glazing systems in design and assessments. Previous research and evidence from post-earthquake reconnaissance have shown that glazing systems pose a hazard due to falling glass. As such, it is vital to ensure that glazing systems are designed with the necessary levels of seismic performance. Furthermore, the post-earthquake repair of glass facades can be costly and time-consuming. Some previous research has been conducted to highlight the seismic performance and fragility of glazing systems. However, most prior research only focussed on life-safety issues of glazing systems and rarely on the serviceability of glazing systems. The serviceability of glazing systems, such as water-tightness, is a vital aspect of glazing systems as a low serviceability capacity will increase the likelihood of further damage which will increase economic losses. This is the aim of this research, to provide insight towards the seismic performance of glazing systems considering both the serviceability and ultimate limit state by generating insight into the behaviour of glazing systems and developing tools for the consideration of glazing systems in design and assessment. This will allow a value proposition for seismic detailing of glazing to be evaluated. In order to provide insight into the behaviour of glazing systems and a means for evaluating their seismic performance, this research firstly develops an applicable experimental testing procedure that allows for serviceability limit state tests on glazing units. This experimental testing procedure is used to obtain data on the vulnerability of general New Zealand glazing systems’ performance, specifically unitised glazing systems that are commonly used as commercial shopfront glazing system types. These glazing systems typically realised using aluminium framing with gaskets connecting the frame to the glass. After the experimental testing, numerical analyses calibrated to the experimental testing results are conducted to enable robust analyses of glazing systems’ fragility. Finally, a value proposition for glazing systems with seismic detailing is made by comparing the performance of glazing systems with seismic detailing and conventional glazing systems. This comparison is done using the PEER-PBEE method and the economic implications of each glazing system is shown. Suggestions for designers and stakeholders aimed at reducing costs related to the seismic performance of glazing systems is also shown. Using the novel experimental method developed in this research, three different full-scale glazing systems were tested. A total of 10 unitised glazing specimens were tested; three with standard detailing, three with seismic detailing and four that were structurally glazed. These tests evaluated three damage states (DS): loss of water-tightness (DS1), gasket damage (DS2), and glass or framing failure (DS3). The experimental method that was adopted is considered to be more desirable than the optional procedures set out in New Zealand glazing standards. The method does not require high-speed testing equipment and is easy to replicate by the industry. The test results show that water-tightness was lost at low drift levels, with the first leakage occurring at just 0.15% drift for one specimen, while a standard glazing system had a median drift capacity of 0.35%. In contrast, seismic glazing systems detailed to better accommodate in-plane movements, demonstrated a significantly higher median drift capacity of 1.88%. The numerical approach proposed in this research has shown that it is possible to numerically model the glazing-gasket interaction to conservatively predict the water-leakage drift (damage state 1). The modelling approach still needs further development if it were to be used for damage states DS2 and DS3. The last part of the research considered the value proposition for seismic glazing systems. This was achieved by applying the FEMA P-58 performance assessment framework to a number of case study buldings that are typical of New Zealand design. The results suggest that it may not be economically worthwhile to use well-detailed seismic glazing systems despite the considerably larger drift capacity they possess relative to standard systems. However, as the cost of seismic glazing systems reduces, and more information on repair costs for different damage states is obtained, the value proposition may change.

Images, Alexander Turnbull Library

Text at the top of the cartoon reads 'NZ city strengthening?' A whole city enclosed in a glass dome and balanced on huge springs intended to make it earthquake resistant rocks as another aftershock hits. Context - Two earthquakes and hundreds of aftershocks have hit Christchurch, the first on 4 September 2010 and a second more devastating one on 22 February 2011. There has been great emphasis on making heritage buildings that are rebuilt and all new buildings earthquake resistant. The example in the cartoon is perhaps a Springs-with-damper base isolator. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

In the living room of a house half-ruined by the Christchurch earthquake a decrepit and useless-looking man in a grubby white singlet doses in his armchair with a glass of beer in his hand; his wife whispers to a friend 'Just between you and me, I'm hoping to have him red-stickered!' Context - The two Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the technique of using different coloured stickers to designate the degree of damage to buildings - 'red' indicates that it needs to be demolished. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Text above the image reads 'Time capsules unearthed in Christchurch' A man reads a newspaper which says 'Petrol is so cheap you can actually afford to run one of these new-fangled motor cars...' Context - when a bronze statue of Christchurch founder John Robert Godley, which stood in Cathedral Square, toppled during the Christchurch earthquake of 22 February 2011, a crane driver clearing rubble discovered two time capsules. One is a small glass capsule with a hand-written letter on gold parchment inside, while the other is a large metal-like object, yet to be opened. A Nelson newspaper 'The Colonist' in an article published in 1918, about the time capsule in Christchurch said, "This statute of John Robert Godley executed by Thomas Woolner was erected in the west side of the Cathedral Square by the Provincial Government of Canterbury, and unveiled by the late Sir Charles Christopher Bowen on August 6 1867, it was moved to this site in March 1918." The man in the cartoon reads a bout the cost of petrol being incredibly cheap and thinks it refers to today's prices. Quantity: 1 digital cartoon(s).

Research papers, The University of Auckland Library

As part of a seismic retrofit scheme, surface bonded glass fiber-reinforced polymer (GFRP) fabric was applied to two unreinforced masonry (URM) buildings located in Christchurch, New Zealand. The unreinforced stone masonry of Christchurch Girls’ High School (GHS) and the unreinforced clay brick masonry Shirley Community Centre were retrofitted using surface bonded GFRP in 2007 and 2009, respectively. Much of the knowledge on the seismic performance of GFRP retrofitted URM was previously assimilated from laboratory-based experimental studies with controlled environments and loading schemes. The 2010/2011 Canterbury earthquake sequence provided a rare opportunity to evaluate the GFRP retrofit applied to two vintage URM buildings and to document its performance when subjected to actual design-level earthquake-induced shaking. Both GFRP retrofits were found to be successful in preserving architectural features within the buildings as well as maintaining the structural integrity of the URM walls. Successful seismic performance was based on comparisons made between the GFRP retrofitted GHS building and the adjacent nonretrofitted Boys’ High School building, as well as on a comparison between the GFRP retrofitted and nonretrofitted walls of the Shirley Community Centre building. Based on detailed postearthquake observations and investigations, the GFRP retrofitted URM walls in the subject buildings exhibited negligible to minor levels of damage without delamination, whereas significant damage was observed in comparable nonretrofitted URM walls AM - Accepted Manuscript