A photograph of a band performing at the Outdoor Music Room.
A photograph of volunteers preparing the site for Foamapalooza.
A linear and non-linear model are developed to analyze the structural impact and response of two single degree of freedom structures, representing adjacent buildings or bridge sections. Different impact coefficients of restitution, normalized distances between structures and a range of different structural periods are considered. The probability of impact and the displacement changes that can result from these collisions are computed. The likelihood of an increase in displacement is quantified in a probabilistic sense. A full matrix of response simulations are performed to individually investigate and delineate the effects of inter-structure gap-ratio, period ratios, structural non-linearity and impact elasticity. Column inelasticity is incorporated through the use of a Ramberg-Osgood type hysteresis rule. The minimum normalized distance, or gap-ratio, required between two structures to ensure that the likelihood of increased displacement of more than 10% for either structure for 90% of the given earthquake ground motions is assessed as one of many possible design risk bounds. Increased gap ratio, defined as a percentage of spectral displacement, is shown to reduce the likelihood of impact, as well as close structural periods. Larger differences in the relative periods of the two structures were seen to significantly increase the likelihood of impact. Inclusion of column inelasticity and higher plasticity of impact reduce displacement increases from impact and thus possible further damage to the structures. Such information can be used as a guideline to manage undesirable effects of impact in design - a factor that has been observed to be very important during the recent Canterbury, New Zealand Earthquakes.
A community Book Exchange in a fridge, a Gap Filler project at the corner of Kilmore and Bardbadoes Streets. It is located on a vacant site left by the demolition of a building.
A community Book Exchange in a fridge, a Gap Filler project at the corner of Kilmore and Bardbadoes Streets. It is located on a vacant site left by the demolition of a building.
A community Book Exchange in a fridge, a Gap Filler project at the corner of Kilmore and Bardbadoes Streets. It is located on a vacant site left by the demolition of a building.
A video of interviews with four enterprising young Christchurch residents recorded two years after the 22 February 2011 earthquake. The video includes interviews with Gap Filler Director Coralie Winn, Arts Centre Director Andrew Lovatt, artist Mike Hewson, and Student Volunteer Army leader Jason Pembleton. The interviewees are asked four questions: 'What do you think Christchurch city centre will look like in 10 years?', 'What do you most want to see in the new city?', 'What do you miss most about the old city?', and 'What keeps you in Christchurch?'.
A photograph of the empty site where the Outdoor Music Room is to be created.
A photograph of an installation titled 'Halo', which is part of the LUXCITY event.
A photograph of volunteers holding the foam blocks which will be used to create Foamapalooza.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
Lane Perry and students make a chess board in a demolition space in Sydenham, Colombo St, 30.11.11 01- left to right Elliot Faulkner UC, Lane Perry UC, Oleg Sheremetor UC and Coralie Winn, Gap Filler.
An artist's impression of the installation 'Altitude', created as part of the LUXCITY event. Tutors: David Turner, Lester Mismash
A photograph of students from the Student Volunteer Army and Entré with a sign reading, 'Churchill Park'.
An artist's impression of the installation 'Altitude', created as part of the LUXCITY event. Tutors: David Turner, Lester Mismash
A photograph of volunteers digging soil to construct a BMX track.
A photograph of foam blocks and tires stacked on wooden pallets on the site of Foamapalooza.
A photograph of volunteers preparing the site for Foamapalooza. In the foreground, a sign describes the project.
A photograph of an installation titled 'Murmur'. The installation is part of the LUXCITY event. Tutor: Craig Moller
An artist's impression of the installation 'Archrobatics', created as part of the LUXCITY event. Tutors: David Turner, Lester Mismash
An artist's impression of the installation 'Archrobatics', created as part of the LUXCITY event. Tutors: David Turner, Lester Mismash
Between demolition and rebuild stands a time of opportunity in the earthquake ravaged city of Christchurch. Greening the Rubble and Gap Filler are temporary pockets of enterprise which began as early responses and have built in momentum to define the new city.
20100904_3322_1D3-200 Bridge Street bridge, Christchurch earthquake South Brighton Bridge. See the gap between the abutment and the bridge itself (just to right of lower person). #377
A photograph of an installation titled 'In Your Face'. The installation is part of the LUXCITY event. Tutor: Fraser Horton
An artist's impression of the installation 'eLITE', created as part of the LUXCITY event. Tutors: Cameron Rowe, Kate Rogan
A photograph of bricks laid as a pathway in Churchill Park. Each brick has a message written on it.
A photograph of students from the Student Volunteer Army and Entré on the site of Christchurch: A Board Game.
A photograph of students from the Student Volunteer Army and Entré with University of Canterbury Vice-Chancellor Rod Carr.