Members of the USAID Disaster Assistance Response Team (DART) on the Smiths City car park, which was severely damaged during the 22 February 2011 earthquake.
Members of the USAID Disaster Assistance Response Team (DART) on the Smiths City car park, which was severely damaged during the 22 February 2011 earthquake.
Members of the USAID Disaster Assistance Response Team (DART) on the Smiths City car park, which was severely damaged during the 22 February 2011 earthquake.
Members of the USAID Disaster Assistance Response Team (DART) on the Smiths City car park, which was severely damaged during the 22 February 2011 earthquake.
Members of the USAID Disaster Assistance Response Team (DART) on the Smiths City car park, which was severely damaged during the 22 February 2011 earthquake.
An entry from Jennifer Middendorf's blog for 24 February 2011 entitled, "Checking in".
A story submitted by Sarndra to the QuakeStories website.
An entry from Ruth Gardner's blog for 11 March 2011 entitled, "Day 18, 6pm - inside the red zone".
A pdf transcript of Heather's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Sripana Saha. Transcriber: Samuel Hope.
A story submitted by Sean Scully to the QuakeStories website.
A story submitted by Bettina to the QuakeStories website.
Summary of oral history interview with Jenny May about her experiences of the Canterbury earthquakes.
A story submitted by Candy Green to the QuakeStories website.
A photograph of crates of supplies outside the USAID tent in Latimer Square. In the background members of the USAID Disaster Assistance Response Team have congregated.
Summary of oral history interview with Teruyo about her experiences of the Canterbury earthquakes.
Transcript of Participant number LY677's earthquake story, captured by the UC QuakeBox project.
Transcript of participant number NB763's earthquake story, captured by the UC QuakeBox project.
Transcript of Mark Elstone's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Caroline about her experiences of the Canterbury earthquakes.
Summary of oral history interview with Genevieve Togiaso about her experiences of the Canterbury earthquakes.
Transcript of Vic Bartley's earthquake story, captured by the UC QuakeBox project.
Transcript of Jan's earthquake story, captured by the UC QuakeBox project.
A pdf transcript of Andrew Oxenburgh's earthquake story, captured by the UC QuakeBox project.
The "Lyttelton Review" newsletter for 6 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 29 July 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 5 August 2013, produced by the Lyttelton Harbour Information Centre.
New Zealand's devastating Canterbury earthquakes provided an opportunity to examine the efficacy of existing regulations and policies relevant to seismic strengthening of vulnerable buildings. The mixed-methods approach adopted, comprising both qualitative and quantitative approaches, revealed that some of the provisions in these regulations pose as constraints to appropriate strengthening of earthquake-prone buildings. Those provisions include the current seismic design philosophy, lack of mandatory disclosure of seismic risks and ineffective timeframes for strengthening vulnerable buildings. Recommendations arising from these research findings and implications for pre-disaster mitigation for future earthquake and Canterbury's post-disaster reconstruction suggest: (1) a reappraisal of the requirements for earthquake engineering design and construction, (2) a review and realignment of all regulatory frameworks relevant to earthquake risk mitigation, and (3) the need to develop a national programme necessary to achieve consistent mitigation efforts across the country. These recommendations are important in order to present a robust framework where New Zealand communities such as Christchurch can gradually recover after a major earthquake disaster, while planning for pre-disaster mitigation against future earthquakes. AM - Accepted Manuscript
Disaster recovery is significantly affected by funding availability. The timeliness and quality of recovery activities are not only impacted by the extent of the funding but also the mechanisms with which funding is prioritised, allocated and delivered. This research addresses the impact of funding mechanisms on the effectiveness and efficiency of post-disaster demolition and debris management programmes. A qualitative assessment of the impacts on recovery of different funding sources and mechanisms was carried out, using the 2010 Canterbury Earthquake as well as other recent international events as case studies. The impacts assessed include: timeliness, completeness, environmental, economic and social impacts. Of the case studies investigated, the Canterbury Earthquake was the only disaster response to rely solely on a privatised approach to insurance for debris management. Due to the low level of resident displacement and low level of hazard in the waste, this was a satisfactory approach, though not ideal. This approach has led to greater organisational complexity and delays. For many other events, the potential community wide impacts caused by the prolonged presence of disaster debris means that publicly funded and centrally facilitated programmes appear to be the most common and effective method of managing disaster waste.
This research investigates creativity in a post-disaster setting. The data explore creativity at the intersection of the affected community of Christchurch, New Zealand and the social processes that followed the earthquakes of 2010 - 2012. Personal and contextual influences on creative ideas implemented for community or commercial benefit are also examined. Viewed as creative, unique approaches to post-disaster problem solving were celebrated locally, nationally and internationally (Bergman, 2014; Wesener, 2015; Cloke & Conradson, 2018). Much has been written about creativity, particularly creativity in organisations and in business. However, little is known with regards to who creates after a disaster, why individuals choose to do so and what impact the post-disaster context has on their creative activity. This exploratory study draws on the literature from the fields of creativity, disasters, psychology, sociology and entrepreneurship to interpret first-hand accounts of people who acted on creative ideas in a physically and socially altered environment. A mixed method - albeit predominantly qualitative - approach to data gathering was adopted that included interviews (n=45) with participants who had been the primary drivers of creative ideas implemented in Christchurch after September 2010 – the first major (7.1 magnitude) earthquake in a prolonged sequence of thousands of aftershocks. Key findings include that a specific type of creativity results from the ‘collision’ between individuals and social processes activated by a disaster situation. This type of creativity could be best categorised as ‘little c’ or socially adaptive and emerges through a prosocial filter. There is wide consensus amongst creativity researchers - principally social psychologists - that for output to be considered creative it must be both novel and useful (Runco & Jaegar, 2012). There is greater tolerance for the novelty component after a disaster as novelty itself has greater utility, either as a distraction or because alternatives are few. Existing creativity models show context as input – an additional component of the creative process – but after a disaster the event itself becomes the catalyst for social processes that result in the creativity seen. Most participants demonstrated characteristics commonly associated with creativity and could be categorised as either a ‘free thinker’ and/or an ‘opportunist’. Some appear preadapted to create and thrive in unstable circumstances. Findings from participants’ completion of a Ten Item Personality Inventory (TIPI) showed an apparent reduced need for extraversion in relation to implementing creative ventures in society. This factor, along with higher levels of agreeableness may indicate a potentially detrimental effect on the success of creative ideas established after a disaster, despite earnest intentions. Three new models are presented to illustrate the key findings of this study. The models imply that disasters enhance both the perceived value of creativity and the desire to act creatively for prosocial ends. The models also indicate that these disaster influenced changes are likely to be temporary.
When people first settled in Aotearoa, they had no idea that they were sitting upon a slice of one of two supercontinents; Gondwanaland. Around eighty-three million years ago this slice we now live on, known to us as Zealandia, broke … Continue reading →