A photograph of the partially-demolished Christchurch Club on Worcester Street.
A photograph of the earthquake damage to the Christchurch Club on Worcester Street.
A photograph of the visitor's bell of the Christchurch Club on Worcester Street.
A photograph of the entrance to the Christchurch Club on Worcester Street.
A photograph of a detail of the Christchurch Club on Worcester Street.
A photograph of a window of the Christchurch Club on Worcester Street.
A photograph of the earthquake damage to the Christchurch Club on Worcester Street.
A photograph of the earthquake damage to the Christchurch Club on Worcester Street.
A photograph of the earthquake damage to the Christchurch Club on Worcester Street.
A photograph of a window of the Christchurch Club on Worcester Street.
Images from the Christchurch earthquake which struck on 22 February 2011
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
Photograph captioned by Fairfax, "Australian heritage architects Edward Clode and Barney Collis survey the earthquake damage to the Cranmer Courts, which have been converted into apartments".
A page banner promoting articles titled, "This one's saved: Peterborough building" and "Square open".
Photograph captioned by Fairfax, "Australian heritage architects Barney Collis (left) and Edward Clode survey the earthquake damage to the Cranmer Courts which have been converted into apartments".
Lincoln University was commissioned by the Avon-Otakaro Network (AvON) to estimate the value of the benefits of a ‘recreation reserve’ or ‘river park’ in the Avon River Residential Red Zone (ARRRZ). This research has demonstrated significant public desire and support for the development of a recreation reserve in the Avon River Residential Red Zone. Support is strongest for a unique natural environment with native fauna and flora, healthy wetlands and rivers, and recreational opportunities that align with this vision, such as walking, cycling and water-based sporting and leisure activities. The research also showed support for a reserve that promotes and enables community interaction and wellbeing, and is evident in respondents’ desires for community gardens, regular festivals and markets, and the physical linking of the CBD with eastern suburbs through a green corridor. There is less support for children’s playgrounds, sports fields or open grassed areas, all of which could be considered as more typical of an urban park development. Benefits (willing to pay) to Christchurch residents (excluding tourists) of a recreation reserve could be as high as $35 million each year. Savings to public health costs could be as high as $50.3 million each year. The incorporation or restoration of various ecosystems services, including water quality improvements, flood mitigation and storm water management could yield a further $8.8 million ($19, 600) per hectare/year at 450 ha). Combined annual benefits of a recreational reserve in the ARRRZ are approximately $94.1 million per annum but this figure does not include potentially significant benefits from, for example, tourism, property equity gains in areas adjacent to the reserve, or the effects of economic rejuvenation in the East. Although we were not able to provide costing estimates for park attributes, this study does make available the value of benefits, which can be used as a guide to the scope of expenditure on development of each park attribute.
And just like that, another year is over. This year’s been a big one for us. We’ve excavated some large sites, found some cool artefacts, and on top of all that we moved offices. This fortnight on the blog we’re … Continue reading →
Board Chair of the Christchurch Symphony Orchestra on the future of the ensemble post-earthquake.
We are taking a look at some of Christchurch's icon and heritage buildings lost, or at least badly damaged by last Tuesdays earthquake.
A PDF copy of pages 130-131 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CityView AR'. Photo with permission: HITLABNZ
A heritage advocate says he is over the moon to see a special piece of this country's history restored for future generations to enjoy. Three second world war era gun emplacements have been officially opened at Godley Head near Christchurch. The concrete bunkers and network of tunnels were badly damaged in the 2011 earthquakes and have only now been repaired and had screeds of graffiti removed. At the height of the war, the guns at the entry to Lyttelton Harbour were home to two thousand army personnel. They were the main defence from an anticipated Japanese invasion. The Godley Heads Heritage Trust chair, Peter Wilkins, told Conan Young the restored emplacements will ensure this history is never forgotten.
A video of people protesting outside the Christchurch City Council offices on Worcester Street. The are protesting the demolition of the Manchester Courts building.
A public talk by Carolyn Gullery, General Manager Planning and Funding at the Christchurch District Health Board. This talk, entitled 'Health foundations for the future', formed part of the Plenary Four session, 'Laying the foundations'.
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
Some Christchurch building owners say a bulldozer's the best option, despite the city council calling for government help to rebuild heritage buildings damaged by the earthquake.
A video of a tour of the Christchurch Arts Centre, lead by Director Ken Franklin. Franklin talks about the strengthening work which was done to the Arts Centre before the earthquakes, the damage caused by the 4 September 2010 earthquake, and the importance of preserving the character of the buildings.
<b>Construction and Demolition (C&D) waste contributes to over 50% of New Zealand’s overall waste. Materials such as timber, plasterboard, and concrete make up 81% of the C&D waste that goes into landfills each year. Alongside this, more than 235 heritage-listed buildings have been demolished in Christchurch since the 2011 earthquakes. This research portfolio aims to find a solution to decrease C&D waste produced by demolishing heritage buildings.</b> With the recent announcement of The Cathedral of the Blessed Sacrament’s demolition, this will be another building added to the list of lost heritage in Christchurch. This research portfolio aims to bridge the relationship between heritage and waste through the recycling and reuse of the demolished materials, exploring the idea that history and heritage are preserved through building material reuse. This research portfolio mainly focuses on reducing construction and demolition waste in New Zealand, using the design of a new Catholic Cathedral as a vessel. This thesis will challenge how the construction and design industry deals with the demolition of heritage buildings and their contribution to New Zealand’s waste. It aims to explore the idea of building material reuse not only to reduce waste but also to retain the history and heritage of the demolished building within the materials.
As part of the future of Christchurch it is expected a third of all Catholic and almost half of all Presbyterian churches damaged in Christchurch's February earthquake might not be rebuilt.