After September 2010 earthquake. Was demolished after extensive damage from February 22nd 2011 6.3 aftershock.
A view after the 7.1 magnitude earthquake in Christchurch.
A view after the 7.1 magnitude earthquake in Christchurch.
Christchurch Earthquake 4th Sept 2010. Old Para Rubber building - Manchester St (between Tuam and St Asaph)
Very sad - was a nice looking building. These cracks are right through the bricks on several of the main columns.
Post February 22 Earthquake Damage PWS-2011-03-09-DSC9929
Post February 22 Earthquake Damage PWS-2011-03-09-DSC9928
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Friday 13 April 2012. File reference: CCL-2012-04-13IMG_1408 From the collection of Christchurch City Libraries.
Friday 13 April 2012. File reference: CCL-2012-04-13IMG_1402 From the collection of Christchurch City Libraries.
Monday 16 April 2012. File reference: CCL-2012-04-16-IMG_1684 From the collection of Christchurch City Libraries.
Monday 16 April 2012. File reference: CCL-2012-04-16-IMG_1685 From the collection of Christchurch City Libraries.
Knox Church rebuild on a walk around my neighbourhood September 9, 2014 Christchurch New Zealand.
Demolition underway on a walk around the city to catch up on events happening June 25, 2014 Christchurch New Zealand.
This thesis is a theoretical exploration of ‘remembrance’ and its production in the interactions between people/s and the landscape. This exploration takes place in the broad context of post earthquake Christchurch with a focus on public spaces along the Ōtākaro – Avon river corridor. Memory is universal to human beings, yet memories are subjective and culturally organized and produced - the relationship between memory and place therefore operates at individual and collective levels. Design responses that facilitate opportunities to create new memories, and also acknowledge the remembered past of human – landscape relationships are critical for social cohesion and wellbeing. I draw on insights from a range of theoretical sources, including critical interpretive methodologies, to validate subjective individual and group responses to memory and place. Such approaches also allowed me, as the researcher, considerable freedom to apply memory theory through film to illustrate ways we can re-member ourselves to our landscapes. The Ōtākaro-Avon river provided the site through and in which film strategies for remembrance are explored. Foregrounding differences in Māori and settler cultural orientations to memory and landscape, has highlighted the need for landscape design to consider remembrance - those cognitive and unseen dimensions that intertwine people and place. I argue it is our task to make space for such diverse relationships, and to ensure these stories and memories, embodied in landscape can be read through generations. I do not prescribe methods or strategies; rather I have sought to encourage thinking and debate and to suggest approaches through which the possibilities for remembrance may be enhanced.
A 150 metre memorial wall will be unveiled on the banks of the Avon today six years after the devastating earthquake hit Christchurch. Bruce McEachen says it is an inspiring place and the wall will perform every function the families need it to.
A 150 metre memorial wall will be unveiled on the banks of the Avon today six years after the devastating earthquake hit Christchurch. Bruce McEachen says it is an inspiring place and the wall will perform every function the families need it to.
A photograph of a flower in a road cone. On the anniversary of the 22 February 2011 earthquake, people were encouraged to place flowers in road cones as a way of honouring those who lost their lives during the earthquake.
A PDF copy of minutes from a meeting between Anglican Advocacy (formerly the Anglican Life Social Justice Unit), landowners, and the Christchurch Earthquake Recovery Authority (CERA). The meeting took place on 14 August 2012.
When it comes to researching properties and places around Christchurch, we historians review and compare a wide range of resources in order to figure out exactly what was happening there during the 19th century. By far one of the most … Continue reading →
A photograph captioned by BeckerFraserPhotos, "The Provincial Council Chambers on Durham Street. Shipping containers have been used to brace the facade of the building while more permanent solutions are put in place".
A photograph of an outdoor movie screening of Heavenly Creatures. The screening was part of Picture Palace Parade for FESTA 2014 and took place on the corner of Gloucester Street and Colombo Street.
A collection of 10 fact sheets describing SCIRT's work. These were put together at the start of SCIRT's programme in 2012, with some translated into other languages. These accessible, cost-effective tools were displayed in public places and taken to community meetings.
Photograph captioned by BeckerFraserPhotos, "Waygreen Avenue in New Brighton. This residential street was badly impacted by liquefaction and is now red zoned. Stagnant water still rests in several places in the street".