The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
In the wake of a series of devastating earthquakes, Christchurch, New Zealand is faced with a long, complicated mourning and memorialisation process. The initial intention of this research was to comparatively examine memorial design theory with popular memorial sentiment as expressed in Christchurch City Council's 'Share an Idea' initiative. The outcome of such an investigation was hypothesized to reveal conflicting perspectives which may potentially be reconciled by the development of a series of schematic models for memorial design. As the research was carried out, it became clear that any attempt to develop such models is counter-intuitive. This position is reinforced by the literature reviewed and the data examined. Subsequently, a fundamentally different approach to memorialisation focused on an active participation process is suggested.
A panoramic photograph taken at the front of Christ Church Cathedral. The front of the cathedral has steel bracing against it to limit further damage. The upper part of the front wall has crumbled completely, exposing the inside space. The Chalice sculpture is to the right and the BNZ building can be seen in the background.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
With many in Christchurch still living in earthquake damaged houses, the cold snap has prompted a call for temporary emergency shelters. Daphne Lewis-Mannix lives in a quake-damaged home in New Brighton. Her power was out last night, and she's been shivering overnight, already sick with a cold before the storm hit.
The song 'Antartica' is the latest offering from nine-year-old Christchurch songwriter Bob Gaudin. It's not the first song he's had released - in fact it's the third. He wrote his first song - a one minute thirty second symphony - when he was seven about the Christchurch earthquake, which was played and recorded by the NZ Symphony Orchestra!
A photograph of the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.
A photograph of volunteers standing in the centre of a labyrinth they have created on the former site of St Luke's church.
A digitally manipulated image of a broken window on Spicer House. The photographer comments, "One of the office blocks in Christchurch City, New Zealand. As the window has not been fixed I am presuming that this building will be slowly demolished at a later date".
A digitally manipulated image of two stained glass windows. The photographer comments, "This is an abstract of the stained glass window of St Peter's Church in Christchurch, New Zealand. The church was seriously damaged in the Christchurch earthquake".
A digitally manipulated image of people in Re:Start Mall. The photographer comments, "In Christchurch there is a temporary mall that is made out of shipping containers. The containers painted in nice bright colours, colourful shade sails and various advertisements give the place a very merry feel".
Flowers blooming in a vacant site left by the demolition of a building at the corner of Worcester Street and Stanmore Road. A sign on the ground says 'Commemorative service here Wed 22nd Feb. Bring flowers, seedheads and symbols of memory and hope". In the background, on the wall it says 'Do not demo!'.
Wall of the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls. On it is a sign that says '' Butterfly Gap, Come and rest your wings...All Welcome'. Butterfly Gap.
A photograph captioned, "It feels like it has been a really on-going process. We weren't in the head space for it really, because when you retire, you think you're in your retirement home and you're there to stay. You don't expect to have to move on. To do all this".
Its 12 years of accumulated stuff and I was thinking I was just going to get rid of everything. I had the feeling I didn't want to hang onto anything. We tried to get rid of a lot of stuff in a garage sale. Some of it went, some of it didn't. It's a long process".
The front of Christ Church Cathedral. The upper part of the front wall has crumbled leaving the inside space exposed. Steel bracing has been placed against it to limit further damage. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral.
A photograph of a letter on display in the Canterbury Quakes exhibition at the Canterbury Museum. The letter was found in a time capsule in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".
People gather in a fenced-off area of Cathedral Square to view the damage to the cathedral and surrounding buildings. In the centre is the plinth which formerly held the statue of John Robert Godley. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
This thesis was completed by Abigail Thompson for her Master of Architecture (Professional) at the University of Auckland in 2012. It was initiated with the aim of the addressing the destruction of many Christchurch buildings following the earthquakes, and investigates the role of architecture in public memory and ways of reconnecting people with the city. Note that some images in the thesis have been obscured in order to avoid copyright infringement.
A photograph of an exhibition sign next to the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.
A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.
Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.
Members of the public take photographs of the damaged Christ Church Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the cathedral. The tower and the front wall of the building have partially collapsed. Steel bracing has been added to the front wall for support.
A photograph of an exhibition sign next to two time capsules on display in the Canterbury Quakes exhibition at the Canterbury Museum. The time capsules were discovered in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.