A story submitted by Nicky Taylor to the QuakeStories website.
A story submitted by Michelle Paterson to the QuakeStories website.
Summary of oral history interview with Peggy Kelly about her experiences of the Canterbury earthquakes.
Transcript of Libi Carr's earthquake story, captured by the UC QuakeBox project.
Transcript of Colleen's earthquake story, captured by the UC QuakeBox project.
The "Lyttelton Review" newsletter for 12 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 10 October 2011, produced by the Lyttelton Harbour Information Centre.
A digitally manipulated image of damaged Music Centre. The photographer comments, "The destruction caused by the demolition of the heritage buildings damaged in the Christchurch earthquakes looks similar to the scenes in London during the second world war. The building was the Catholic Cathedral College, Christchurch. It was an integrated Catholic co-educational secondary school. It was founded in 1987, but its origins go back more than a 100 years earlier. The college was an amalgamation of two schools: Sacred Heart College for girls, and Xavier College for boys".
The cartoon shows a monstrous machine with an enormous crushing ball attached to a giant crane. It moves past a signpost that points towards Christchurch. A man watches and tells his friend 'Gerry Brownlee borrowed it from Auckland! Context - Brownlee has caused a stir by suggesting that if he had his way some of Christchurch's older buildings would be "down tomorrow". He also said the price of saving some historic buildings badly damaged in the February 22 earthquake was too high. People had died in the quake because of attempts to save historic buildings badly damaged in the September 4 quake. Brownlee said he had no regrets despite the stir his comments caused - but he was annoyed by suggestions the Cathedral and Riccarton House were among buildings he thought should be bowled. He believed those buildings should be saved, and they would be. "I'm not a philistine; I was chairman of the trust that actually saved Riccarton House from the bulldozers in 1990. "I understand conservation architecture very well and I do have an appreciation of heritage buildings." Colour and black and white versions available Quantity: 2 digital cartoon(s).
This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.
As a result of the 4 September 2010 Darfield earthquake and the more damaging 22 February 2011 Christchurch earthquake, considerable damage occurred to a significant number of buildings in Christchurch. The damage that occurred to the Christchurch Roman Catholic Cathedral of the Blessed Sacrament (commonly known as the Christchurch Basilica) as a result of the Canterbury earthquakes is reported, and the observed failure modes are identified. A previous strengthening intervention is outlined and the estimated capacity of the building is discussed. This strengthening was completed in 2004, and addressed the worst aspects of the building's seismic vulnerability. Urgent work was undertaken post-earthquake to secure parts of the building in order to limit damage and prevent collapse of unstable parts of the building. The approach taken for this securing is outlined, and the performance of the building and the previously installed earthquake strengthening intervention is evaluated.A key consideration throughout the project was the interaction between the structural securing requirements that were driven by the requirement to limit damage and mitigate hazards, and the heritage considerations. Lessons learnt from the strengthening that was carried out, the securing work undertaken, and the approach taken in making the building "safe" are discussed. Some conclusions are drawn with respect to the effectiveness of strengthening similar building types, and the approach taken to secure the building under active seismic conditions. AM - Accepted Manuscript
A photograph submitted by Jenny to the QuakeStories website. The description reads, "Hereford Street a couple of minutes after the quake. Dust from collapsed buildings visible in the background looking towards High Street.".
A photograph submitted by Grant Fife to the QuakeStories website. The description reads, "February Quake. Cranmer Court apartments 03/04/2011. The February quake was too much for the already damaged buildings.".
A photograph submitted by Raymond Morris to the QuakeStories website. The description reads, "Domo store (McKenzie and Willis) 236 Tuam St. is one of many paintings completed by artist Raymond Morris of earthquake demolished buildings.".
A story submitted by Hilary Lakeman to the QuakeStories website.
A story submitted by Tim Kerr to the QuakeStories website.
A story submitted by Jo Wicken to the QuakeStories website.
A story submitted by Celina Elliott to the QuakeStories website.
A story submitted by Ian Longhorn to the QuakeStories website.
A story submitted by Sue Freeman to the QuakeStories website.
A story submitted by Julie Lee to the QuakeStories website.
A story submitted by Mark Buckley to the QuakeStories website.
A story submitted by Peter Low to the QuakeStories website.
A story submitted by Dee Dawson to the QuakeStories website.
A story submitted by Catherine to the QuakeStories website.
A story submitted by Kerry Grant Donnelly to the QuakeStories website.
A story submitted by Anonymous to the QuakeStories website.
A story submitted by Philip Broderick Willis to the QuakeStories website.
A story submitted by Scott Franklin to the QuakeStories website.
A story submitted by Hebe Kearney to the QuakeStories website.