
A sticker produced by SPCA Canterbury for residents to stick on their doors, indicating that there is an animal inside the property. This was produced after the 2010 and 2011 Canterbury earthquakes to help emergency personnel determine whether an animal is inside the building.
A photograph of the former site of Robin Duff's house at 386 Oxford Terrace. Duff's house was demolished after his land was zoned Red. Grass has begun to grow on the site.
A large crack where the foundation of a building has moved away from the adjoining carpark. The photographer comments, "The gap between Robbies restaurant and bar in New Brighton and the car park after the Christchurch Earthquake".
Photograph captioned by Fairfax, "Jill Weston and husband Peter with three of their six children: Tahlia (10), Nathan and Liam (12). Jill has been driven to tears in her dealings with EQC after their house was badly damaged in the 4 September earthquake".
Photograph captioned by Fairfax, "Rob Gould of the Honeypot Cafe located at 114 Lichfield St and about 85 other retailers are having a pop-up market day on High Street on Sunday - trying to pick themselves up after the September earthquake".
Part one of a video series about the first stage of the Tonkin & Taylor Geotechnical Land Damage Assessment and Reinstatement Report. The report was prepared for the Earthquake Commission after the 4 September 2010 earthquake.
Photograph captioned by Fairfax, "Huriaa Martin plays on SingStar at the Linwood Welfare Centre set up in the Linwood College Hall. Her extended family of 31 spread across four houses have all been accommodated at the centre after all their houses were condemned".
A photograph of the former site of Doug Sexton's house at 378 Oxford Terrace. Sexton's house was demolished after his land was zoned Red. Grass has begun to grow in the site.
A photograph of the former site of Doug Sexton's house at 378 Oxford Terrace. Sexton's house was demolished after his land was zoned Red. Grass has begun to grow in the site.
A photograph of the former site of Robin Duff's house at 386 Oxford Terrace. Duff's house was demolished after his land was zoned Red. Grass has begun to grow on the site.
Members of the public view the damaged tower of Christ Church Cathedral. Bracing has been placed on the front wall to the right to limit further damage. In the centre of the crowd stands a wire cage filled with stones. After the earthquake, love notes to Christchurch were written on the stones.
A video of an interview with Robyn Simpson about her property in the Flockton Basin. Simpson had to leave her house after flooding made in unliveable. This video was part of a series of videos about residents in the flood-prone Flockton Basin.
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson (L) organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
A photograph of a member of SPCA helping a member of Massy University's Veterinary Emergency Response Team (VERT) to load medical supplies into their vehicles. VERT travelled to Christchurch after the 22 February 2011 earthquake in order to assist with caring for animals.
Photograph captioned by Fairfax, "Huriaa Martin plays on Singstar at the Linwood Welfare Centre set up in the Linwood College Hall. Her extended family of 31 spread across four houses have all been accommodated at the centre after their houses were condemned".
Hundreds of Christchurch homeowners have discovered extensive damage to the on-sold properties they purchased after the 2010/2011 earthquakes. Licenced Building Practictioner Dan Paltridge talks to Logan Church about what people need to look out for, and what they need to do before buying a home in the city.
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. The state of emergency has been extended for a further 7 days and more army personnel have been brought into the city".
Photograph captioned by Fairfax, "Prime Minister John Key visited Christchurch after its 7.1 magnitude earthquake at 0435 Saturday morning. Civil Defence have set up base at Christchurch Art Gallery. Pictured with Mayor Bob Parker and Canterbury Earthquake Recovery Minister Gerry Brownlee".
Photograph captioned by Fairfax, "Prime Minister John Key visited Christchurch after its 7.1 magnitude earthquake at 0435 Saturday morning. Civil Defence have set up base at Christchurch Art Gallery. Pictured with Mayor Bob Parker and Canterbury Earthquake Recovery Minister Gerry Brownlee".
Photograph captioned by Fairfax, "Prime Minister John Key visited Christchurch after its 7.1 magnitude earthquake at 0435 Saturday morning. Civil Defence have set up base at Christchurch Art Gallery. Pictured with Mayor Bob Parker and Canterbury Earthquake Recovery Minister Gerry Brownlee".
Photograph captioned by Fairfax, "Prime Minister John Key visited Christchurch after its 7.1 magnitude earthquake at 0435 Saturday morning. Civil Defence have set up base at Christchurch Art Gallery. Pictured with Mayor Bob Parker and Canterbury Earthquake Recovery Minister Gerry Brownlee".
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson (L) organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson (C) organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
Photograph captioned by Fairfax, "Christchurch Earthquake. University student Sam Johnson (C) organised through Facebook students to go into the suburbs to help residents clean up after Saturday morning's earthquake. They gathered in Halswell to help residents clean up the silt from their properties".
Father and daughter Peter and Cait O'Connor set up the Teaspoon of Light theatre company in Christchurch after the earthquakes, working with young children in the most quake-affected schools. Lynn Freeman speaks with Peter and Cait ahead of a trip to Mexico for similar work.
The Sendai Framework for Disaster Risk Reduction 2015-2030 finds that, despite progress in disaster risk reduction over the last decade “evidence indicates that exposure of persons and assets in all countries has increased faster than vulnerability has decreased, thus generating new risk and a steady rise in disaster losses” (p.4, UNISDR 2015). Fostering cooperation among relevant stakeholders and policy makers to “facilitate a science-policy interface for effective decisionmaking in disaster risk management” is required to achieve two priority areas for action, understanding disaster risk and enhancing disaster preparedness (p. 13, p. 23, UNISDR 2015). In other topic areas, the term science-policy interface is used interchangeably with the term boundary organisation. Both terms are usually used refer to systematic collaborative arrangements used to manage the intersection, or boundary, between science and policy domains, with the aim of facilitating the joint construction of knowledge to inform decision-making. Informed by complexity theory, and a constructivist focus on the functions and processes that minimize inevitable tensions between domains, this conceptual framework has become well established in fields where large complex issues have significant economic and political consequences, including environmental management, biodiversity, sustainable development, climate change and public health. To date, however, there has been little application of this framework in the disaster risk reduction field. In this doctoral project the boundary management framework informs an analysis of the research response to the 2010-2011 Canterbury Earthquake Sequence, focusing on the coordination role of New Zealand’s national Natural Hazards Research Platform. The project has two aims. It uses this framework to tell the nuanced story of the way this research coordination role evolved in response to both the complexity of the unfolding post-disaster environment, and to national policy and research developments. Lessons are drawn from this analysis for those planning and implementing arrangements across the science-policy boundary to manage research support for disaster risk reduction decision-making, particularly after disasters. The second aim is to use this case study to test the utility of the boundary management framework in the disaster risk reduction context. This requires that terminology and concepts are explained and translated in terms that make this analysis as accessible as possible across the disciplines, domains and sectors involved in disaster risk reduction. Key findings are that the focus on balance, both within organisations, and between organisations and domains, and the emphasis on systemic effects, patterns and trends, offer an effective and productive alternative to the more traditional focus on individual or organisational performance. Lessons are drawn concerning the application of this framework when planning and implementing boundary organisations in the hazard and disaster risk management context.
This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.
Creative temporary or transitional use of vacant urban open spaces is seldom foreseen in traditional urban planning and has historically been linked to economic or political disturbances. Christchurch, like most cities, has had a relatively small stock of vacant spaces throughout much of its history. This changed dramatically after an earthquake and several damaging aftershocks hit the city in 2010 and 2011; temporary uses emerged on post-earthquake sites that ran parallel to the “official” rebuild discourse and programmes of action. The paper examines a post-earthquake transitional community-initiated open space (CIOS) in central Christchurch. CIOS have been established by local community groups as bottom-up initiatives relying on financial sponsorship, agreements with local landowners who leave their land for temporary projects until they are ready to redevelop, and volunteers who build and maintain the spaces. The paper discusses bottom-up governance approaches in depth in a single temporary post-earthquake community garden project using the concepts of community resilience and social capital. The study analyses and highlights the evolution and actions of the facilitating community organisation (Greening the Rubble) and the impact of this on the project. It discusses key actors’ motivations and values, perceived benefits and challenges, and their current involvement with the garden. The paper concludes with observations and recommendations about the initiation of such projects and the challenges for those wishing to study ephemeral social recovery phenomena.