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Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "The Heathcote Valley entrance to the Bridal Track to Lyttelton was closed for a year because of the danger of falling rocks. It opened on the morning of December 23. The earthquake at lunchtime then closed it again when more rocks fell".

Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "The Heathcote Valley entrance to the Bridle Track to Lyttelton was closed for a year because of the danger of falling rocks. It opened on the morning of December 23. The earthquake at lunchtime then closed it again when more rocks fell".

Images, UC QuakeStudies

A blackboard announcing live music on Saturdays at the Lyttelton Petanque Club, a Gap Filler project in the empty site of the Ground Culinary Centre. In the distance, the Port Hole can be seen, a temporary bar made out of shipping containers where the Volcano Cafe used to be.

Images, UC QuakeStudies

A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City III, Tunnel control' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.

Images, UC QuakeStudies

A digital copy of a painting by Hamish Allan. The painting is titled, 'Double Bill' and was painted in 2011. The original painting is acrylic on canvas and measures 1010 by 410mm.

Images, UC QuakeStudies

A felt heart sewn to the wire fence in front of the Lyttelton Borough Council Chambers Building, a pile of bricks fallen from which are visible on the street. The heart provides a bit of beauty and hope to an otherwise depressing scene, the words "say yes often" embroided on the felt.

Images, UC QuakeStudies

Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting representing Nero fiddling while Rome burnt. The painting was executed on a large curved concrete block of a temporary retaining wall in Cunningham Terrace, Lyttelton. Artist The retaining walls above and below Cunningham Terrace were severely damaged by the 22 Feb...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade figure of Humpty Dumpty with a bandaged head sitting on a fence on top of a retaining wall awaiting repair. Contractor involved in repair work The retaining walls above and below Cunningham Terrace wer...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 on the corner of Norwich Quay and Canterbury Street, Lyttelton. The photograph shows the Mitre Hotel surrounded by temporary fencing. Three years after the 2010-2011 earthquakes there are still many uncertainties about which buildings can or will be retained. These buildings, or parts...