The site where a building once stood has been turned into a Wilson's car park.
Flowers blooming in a vacant site left by the demolition of a building in Edgeware.
Flowers blooming in a vacant site left by the demolition of a building in Edgeware.
Looking through the cordon fence, an empty site left after the demolition of a building.
Flowers on the fence around the empty site where the CTV building used to be.
Flowers around the section next to the site where the CTV building use to be.
Demolition rubble and furniture on a site at the corner of Armagh and Durham Street.
A pile of demolition rubble on Gloucester Street. The site was formerly that of the Brannigans building.
A pile of demolition rubble on Gloucester Street. The site was formerly that of the Brannigans building.
Hundreds of sunflowers have been planted in empty Christchurch sites to brighten up the city centre.
A black and white photograph of a steel structure on a demolition site filled with building rubble.
A wall on the former site of Piko Wholefoods, with loose bricks protuding from the corner.
Weeds growing on the site of a demolished building. In the foreground is an abandoned shoe.
The Triton Dairy has reopened in a container on the site of its demolished former building.
Detail of fence around the site of the demolished St. John's Anglican Church on Latimer Square.
Cultural heritage is a dynamic concept, incorporating the ideas and values of many different organisations and individuals; it is heavily dependent on the context of the item or site being conserved, and transforms something from an old article into a historically significant object. A formal definition of cultural heritage did not appear in the Antarctic Treaty System until 1995, however Antarctic heritage value has been applied to various sites and monuments since the inception of the Treaty, from Shackleton’s Nimrod Hut to a heavy tractor. This report examines a number of case studies to determine the various ways in which heritage items and sites can be managed – such as the removal of the South Pole Dome – as well as their conservation after natural disasters, for instance the Christchurch earthquakes.
A photograph of excavators clearing rubble from the site of the partially-demolished Cranmer Centre.
A photograph of excavators clearing rubble from the site of the partially-demolished Cranmer Centre.
A photograph of the empty site where the Outdoor Music Room is to be created.
A photograph of scarecrows leaning against a shed at the Gap Filler Butterfly Gap site.
A photograph of the empty site where Gap Filler's Dance-O-Mat will be constructed.
A photograph of the empty site which is to become the Fitzgerald Avenue Community Garden.
A photograph of an vacant site on Madras Street where the YWCA used to stand.
Liquefaction features and the geologic environment in which they formed were carefully studied at two sites near Lincoln in southwest Christchurch. We undertook geomorphic mapping, excavated trenches, and obtained hand cores in areas with surficial evidence for liquefaction and areas where no surficial evidence for liquefaction was present at two sites (Hardwick and Marchand). The liquefaction features identified include (1) sand blows (singular and aligned along linear fissures), (2) blisters or injections of subhorizontal dikes into the topsoil, (3) dikes related to the blows and blisters, and (4) a collapse structure. The spatial distribution of these surface liquefaction features correlates strongly with the ridges of scroll bars in meander settings. In addition, we discovered paleoliquefaction features, including several dikes and a sand blow, in excavations at the sites of modern liquefaction. The paleoliquefaction event at the Hardwick site is dated at A.D. 908-1336, and the one at the Marchand site is dated at A.D. 1017-1840 (95% confidence intervals of probability density functions obtained by Bayesian analysis). If both events are the same, given proximity of the sites, the time of the event is A.D. 1019-1337. If they are not, the one at the Marchand site could have been much younger. Taking into account a preliminary liquefaction-triggering threshold of equivalent peak ground acceleration for an Mw 7.5 event (PGA7:5) of 0:07g, existing magnitude-bounded relations for paleoliquefaction, and the timing of the paleoearthquakes and the potential PGA7:5 estimated for regional faults, we propose that the Porters Pass fault, Alpine fault, or the subduction zone faults are the most likely sources that could have triggered liquefaction at the study sites. There are other nearby regional faults that may have been the source, but there is no paleoseismic data with which to make the temporal link.
A digitally manipulated image of Michael Parekowhai's scuplture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "One of the two bulls on pianos by Michael Parekowhai called 'On First Looking into Chapman's Homer'. They have been placed on the site of a building that was demolished after earthquake damage.
Aerial footage of a site in Avondale where several liquefaction remediation options are being tested. Gelignite explosives have been buried throughout the site. These will be set off to simulate liquefaction caused by an earthquake. The result, if successful, will help EQC protect people's houses from future earthquakes, and settle land claims. The video was recorded using a drone aircraft.
A video of a tour of the Christchurch central city Red Zone. The video shows footage of the Edmond's Band Rotunda, Gloucester Street, the CTV building site, Poplar Lane, the McKenzie & Willis building, High Street, Lichfield Street, Colombo Street, Cathedral Square, and ChristChurch Cathedral.
A poster around the empty site where the CTV building used to be, it stays 'stand tall'.
A pile of brick in front a damaged building in Christchurch central. The site grounds are overgrown.
An overgrown site in Christchurch Central. Some damaged building and fences can be seen in the background.