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Images, UC QuakeStudies

A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. The photograph has been taken from the footpath in front. Wire fencing has been placed around the outside of the property. A shipping container is resting on the footpath near the right of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".

Images, eqnz.chch.2010

8 Velsheda Street, Bexley, Christchurch, across the road from my house was demolished a week or so ago, just one of many demolitions of Red Zone properties at the moment. This house was about ten years old and suffered land damage during the 4th September 2010 and 22nd February 2011 earthquakes. The same fate awaits my house later in the year o...

Images, UC QuakeStudies

A photograph of the former site of the Locke family's house at 392 Oxford Terrace. The Locke's house was deconstructed after their land was zoned Red. The photographer comments, "The house was deconstructed and rebuilt on another site". Grass has grown over the site.

Research Papers, Lincoln University

An often overlooked aspect of urban housing development is the composition of the space between buildings; the streetscape. The pressures of suppressing suburban sprawl have seen housing developments respond by increasing residential density within more centralised city sites. Medium-density housing typologies are often used as urban infill in response to the challenge of accommodating an increasing population. A by-product of these renewed areas is the creation of new open space which serves as the fundamental public space for sociability to develop in communities. Street space should emphasise this public expression by encouraging social exchange and interaction. As a result, a neighbourhood owes its liveliness (or lack thereof) to its streets. The issue of density when applied to the urban housing landscape encompasses two major components: the occupancy of both the private realms, constituting the residential built form, and the public spaces that adjoins them, the streets. STREETSCAPE: dialogues of street + house. Continual transition between the realms of public and private (building and street space) enact active edges, giving way to public stimulation; the opportunity for experiencing other people. The advent of seeing and hearing other people in connection with daily comings and goings encourages social events to evolve, enhancing the notion of neighbourly conduct. Within New Zealand, and specifically in Christchurch as considered here, the compositions of current streetscapes lack the demeanor to really encourage and facilitate the idea of neighbourly interaction and public expression. Here lies the potential for new street design to significantly heighten the interplay of human activity. In response, this research project operates under the notion that the street spaces of urban residential areas are largely underutilised. This lack is particularly evident in the street. Street design should strive to produce spaces which stimulate the public life of residents. There exists a need to reassert eminence of the street as a space for vibrant neighbourhood life. This thesis employs design as a tool for researching and will involve using numerous concept generators to trigger the production of multiple scenarios. These scenarios are to explore the ways in which the streetscapes within medium-density urban communities could respond in the event of (re) development.

Images, Alexander Turnbull Library

In the first of two frames which represents 'now' is a row of houses in the bay; two old-style character villas flank a modern house built to look like a boat and someone inside the modern house says proudly that they 'built here because of the character of the bays'. In the second frame which represents 'soon' all of the houses have taken on the character of the modern house and someone from the original modern house can't put their finger on why they feel that 'It's not the same somehow'. Quantity: 1 digital cartoon(s).

Images, UC QuakeStudies

A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The photograph was taken from the empty lot next door. The front of the house has been covered with plastic sheeting. Wire fencing has been placed around the outside of the property as a cordon.