A PDF copy of pages 42-43 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Oxford Terrace Temporary Streetscape and Interpretation'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 224-225 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Viva Project'. Photos provided by Lin Roberts. With permission from The Viva Project.
A PDF copy of pages 314-315 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The New Zealand Institute of Architects Exhibition Pavilion'. Photo: Soo Ryu, Jasmax and NZIA
A PDF copy of pages 114-115 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Aibohphobia'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
At the start of an archaeological investigation we often consult historical documents to learn as much as we can about a site’s past. Such research can identify the buildings that were once present, the people associated with the site through … Continue reading →
A PDF copy of pages 234-235 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Concert'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 116-117 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Seem to Have Temporarily Misplaced My Sense of Humour'. Photos with permission: Gap Filler
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 232-233 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Clean Up'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 54-55 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'River of Flowers - Te Waitohi Maumahara'. Page 54 photographs: Healthy Chch. Page 55 photograph: Mike Moss.
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A PDF copy of pages 214-215 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: A Board Game'. Photo (top): Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation. Photo (bottom): Irene Boles.
A PDF copy of pages 316-317 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Art Beat'. Photos of stage and graffiti works fledge.co.nz. Photos of building and loss adjusters courtesy of the social.
Disasters that significantly affect people typically result in the production of documents detailing disaster lessons. This was the case in the 2010 and 2011 Canterbury earthquakes, as government and emergency response agencies, community organisations, and the media, engaged in the practice of producing and reporting disaster lessons. This thesis examines the disaster lessons that were developed by emergent groups following the Canterbury earthquakes (4 September 2010 and 22 February 2011). It adopts a Foucauldian analysis approach to investigate both the construction of disaster lessons and to document how this practice has come to dominate postdisaster activity following the Canterbury earthquakes. The study involved an analysis of academic literature, public documents and websites and interviews with key members of a range of Canterbury based emergent community groups. This material was used to generate a genealogy of disaster lessons, which was given in order to generate an account of how disaster lessons emerged and have come to dominate as a practice of disaster management. The thesis then examines the genealogy through the concept of governmentality so as to demonstrate how this discourse of disaster lessons has come to be used as a governing rationale that shapes and guides the emergent groups conduct in postdisaster New Zealand.
A PDF copy of pages 110-111 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Here are the People and There is the Steeple'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A PDF copy of pages 210-211 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'St Luke's Labyrinth'. Page 210 photos: Irene Boles. Page 211 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A document outlining Rosemary Du Plessis's background and work as the Research Coordinator for the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes. Du Plessis was the recipient of the May Fran Myers Award for 2014.
A document with photographs and details of the four researchers from the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes. The researchers include Amanda England (from 2011 - 2012), Elizabeth Ashby (from 2013 - 2014), Rosemary Baird (2012 - 2014) and Brigid Buckenham (2013 - 2014).
A document with a photograph and details of the Research Committee of the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes. The Research Committee consisted of Liz Gordon, Rosemary Du Plessis, Judith Sutherland, Helen Gibson, Maureen Fordham, and Cheryl Anderson.
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 206-207 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fulton Hogan BMX Pump Track'. Page 206 photos: Irene Boles. Page 207 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 282-283 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Co-Location of Secondary Schools in Christchurch Post 22 February 2011 Earthquake'. Photo: Phil Arvidson. With permission: St Bede's, Marian College and the Ministry of Education.
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A document outlining the Emergency Management Policy at the University of Canterbury in the time between the 4 September 2010 and 22 February 2011 earthquake. This policy was developed to provide a mandate for decisions that need to be taken to most appropriately and expeditiously respond to a planned event or unforeseen critical incident at the University of Canterbury.
The 2010–2011 Canterbury earthquake sequence began with the 4 September 2010, Mw7.1 Darfield earthquake and includes up to ten events that induced liquefaction. Most notably, widespread liquefaction was induced by the Darfield and Mw6.2 Christchurch earthquakes. The combination of well-documented liquefaction response during multiple events, densely recorded ground motions for the events, and detailed subsurface characterization provides an unprecedented opportunity to add well-documented case histories to the liquefaction database. This paper presents and applies 50 high-quality cone penetration test (CPT) liquefaction case histories to evaluate three commonly used, deterministic, CPT-based simplified liquefaction evaluation procedures. While all the procedures predicted the majority of the cases correctly, the procedure proposed by Idriss and Boulanger (2008) results in the lowest error index for the case histories analyzed, thus indicating better predictions of the observed liquefaction response.