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Anyone keeping a global tally of recent disasters is likely to be asking: What role will the hazards and disasters of coastal plains play in the lives and economies of 21st century humanity? In this article, we reflect on this question using examples of how different types of coastal land performed during the Christchurch and other earthquake events to examine the complex of coastal-tectonic hazards that are being constructed in the Tokyo megacity
The city of Christchurch, New Zealand, was until very recently a “Junior England”—a small city that still bore the strong imprint of nineteenth-century British colonization, alongside a growing interest in the underlying biophysical setting and the indigenous pre-European landscape. All of this has changed as the city has been subjected to a devastating series of earthquakes, beginning in September 2010, and still continuing, with over 12,000 aftershocks recorded. One of these aftershocks, on February 22, 2011, was very close to the city center and very shallow with disastrous consequences, including a death toll of 185. Many buildings collapsed, and many more need to be demolished for safety purposes, meaning that over 80 percent of the central city will have gone. Tied up with this is the city’s precious heritage—its buildings and parks, rivers, and trees. The threats to heritage throw debates over economics and emotion into sharp relief. A number of nostalgic positions emerge from the dust and rubble, and in one form is a reverse-amnesia—an insistence of the past in the present. Individuals can respond to nostalgia in very different ways, at one extreme become mired in it and unable to move on, and at the other, dismissive of nostalgia as a luxury in the face of more pressing crises. The range of positions on nostalgia represent the complexity of heritage debates, attachment, and identity—and the ways in which disasters amplify the ongoing discourse on approaches to conservation and the value of historic landscapes.
Record fines for two companies and a director who illegally dumped contaminated demolition material has highlighted problems with the costs of dumping earthquake rubble from Christchurch.
Mental health experts in Christchurch are warning the worst could be still to come for people suffering from anxiety, depression and stress related to the earthquakes.
Today is census day; the first nationwide stocktake in seven years after the census was called off in 2011 because of the February earthquake in Christchurch.
A sign on the side of one of the containers in Re:Start mall reads, "Re:Start, proudly supported by Christchurch Earthquake Appeal. Tomorrow starts here".
An aerial photograph looking west over the northern part of the Christchurch central city with Bealey Avenue to the right and Hagley Park in the distance.
Christchurch looks set for a radical re-drawing of boundaries in six of its seven electorates to take account of its shifting population since the earthquakes.
The 2010 Darfield and 2011 Christchurch Earthquakes triggered extensive liquefaction-induced lateral spreading proximate to streams and rivers in the Christchurch area, causing significant damage to structures and lifelines. A case study in central Christchurch is presented and compares field observations with predicted displacements from the widely adopted empirical model of Youd et al. (2002). Cone penetration testing (CPT), with measured soil gradation indices (fines content and median grain size) on typical fluvial deposits along the Avon River were used to determine the required geotechnical parameters for the model input. The method presented attempts to enable the adoption of the extensive post-quake CPT test records in place of the lower quality and less available Standard Penetration Test (SPT) data required by the original Youd model. The results indicate some agreement between the Youd model predictions and the field observations, while the majority of computed displacements error on the side of over-prediction by more than a factor of two. A sensitivity analysis was performed with respect to the uncertainties used as model input, illustrating the model’s high sensitivity to the input parameters, with median grain size and fines content among the most influential, and suggesting that the use of CPT data to quantify these parameters may lead to variable results.
Liquefaction-induced lateral spreading in Christchurch and surrounding suburbs during the recent Canterbury Earthquake Sequence (2010-2011) caused significant damage to structures and lifelines located in close proximity to streams and rivers. Simplified methods used in current engineering practice for predicting lateral ground displacements exhibit a high degree of epistemic uncertainty, but provide ‘order of magnitude’ estimates to appraise the hazard. We wish to compare model predictions to field measurements in order to assess the model’s capabilities and limitations with respect to Christchurch conditions. The analysis presented focuses on the widely-used empirical model of Youd et al. (2002), developed based on multi-linear regression (MLR) of case history data from lateral spreading occurrence in Japan and the US. Two issues arising from the application of this model to Christchurch were considered: • Small data set of Standard Penetration Test (SPT) and soil gradation indices (fines content FC, and mean grain size, D50) required for input. We attempt to use widely available CPT data with site specific correlations to FC and D50. • Uncertainty associated with the model input parameters and their influence on predicted displacements. This has been investigated for a specific location through a sensitivity analysis.
More now on the Minister of Education sticking with her proposals in February to close or merge earthquake-hit Christchurch schools, with the exception of some New Brighton schools.
The Earthquake Commission has agreed to meet with the Institute of Surveyors next week over concerns about how assessments of earthquake damaged Christchurch homes are being done.
Poetica is a series of large-scale paintings of 20 different poems in twenty different languages, paying tribute to the different nationalities lost in the Christchurch earthquake.
A photograph of performers and spectators walking down Cashel Street on the opening night of FESTA 2013.
A photograph of crowds of people on Oxford Terrace during FESTA 2013.
A photograph of a person lying on an artificial turf-covered seating box in Cathedral Square.
A photograph of a sign advertising the SCIRT website on the banks of the Avon River.
A close-up photograph of the hands of one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A close-up photograph of the head of one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A photograph of people walking along the Worcester Street bridge on the night of Canterbury Tales. Blue tarpaulin flags have been strung across the bridge behind them.
A photograph of two men unloading one of The Friars. The Friars are large-scale puppets created for Canterbury Tales as part of FESTA 2013.
A photograph of The Knight, a large-scale puppet. The puppet is in the Re:START mall car park on Cashel Street. The puppet is part of Canterbury Tales, the main event of FESTA 2013.
A photograph of large-scale puppets: one of The Friars (left) and The Knight. The puppets are outside the Free Theatre warehouse space on Lismore Street. The puppets were part of the Canterbury Tales procession, which was the main event of FESTA 2013.
A close-up photograph of The Knight, a large-scale puppet. The puppet is in the Re:START mall car park on Cashel Street. The puppet is part of Canterbury Tales, the main event of FESTA 2013.
A photograph of portaloos near Cathedral Square during the Canterbury Tales event. Canterbury Tales was part of FESTA 2013.
A photograph of a FESTA volunteer wearing a mask in the shape of a building. The volunteer has a stack of FESTA programmes to hand out to visitors.
A photograph of a large frame being constructed in a car park in Re:START mall for Canterbury Tales. Canterbury Tales was the main event of FESTA 2013.
A photograph of a large frame being constructed in a car park in Re:START mall for Canterbury Tales. Canterbury Tales was the main event of FESTA 2013.
A photograph of two women wearing masks on the Worcester Boulevard bridge. The women are carrying FESTA programme guides.