Photograph captioned by BeckerFraserPhotos, "The Christchurch Club, 154 Worcester Street".
A photograph of a detail of damage to the Music Centre of Christchurch.
Earthquake damage to the Christchurch Chinese Methodist Church at 163 Papanui Road.
A photograph of a detail of damage to the Music Centre of Christchurch.
A photograph of the Townsend Telescope in the Observatory at the Christchurch Arts Centre. This image was used by Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, to identify the telescope's parts after the 22 February 2011 earthquake.
A photograph of the Townsend Telescope in the Observatory at the Christchurch Arts Centre. This image was used by Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, to identify the telescope's parts after the 22 February 2011 earthquake.
A photograph of the Townsend Telescope in the Observatory at the Christchurch Arts Centre. Graeme Kershaw, Technician at the University of Canterbury Department of Astronomy and Physics, is standing to the left. This image was used by Kershaw to identify the telescope's parts after the 22 February 2011 earthquake.
A photograph of the middle section of the Townsend Telescope. The telescope is in the Observatory at the Christchurch Arts Centre. This image was used by Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, to identify the telescope's parts after the 22 February 2011 earthquake.
A document outlining the history of the Townsend Telescope and Observatory at the Christchurch Arts Centre.
Earthquake damage to the Christchurch Chinese Methodist Church at 163 Papanui Road.
This dissertation explores the advocacy for the Christchurch Town Hall that occurred in 2012-2015 after the Canterbury Earthquakes. It frames this advocacy as an instance of collective-action community participation in a heritage decision, and explores the types of heritage values it expressed, particularly social values. The analysis contextualises the advocacy in post-quake Christchurch, and considers its relationship with other developments in local politics, heritage advocacy, and urban activism. In doing so, this dissertation considers how collective action operates as a form of public participation, and the practical implications for understanding and recognising social value. This research draws on studies of practices that underpin social value recognition in formal heritage management. Social value is held by communities outside institutions. Engaging with communities enables institutions to explore the values of specific places, and to realise the potential of activating local connections with heritage places. Such projects can be seen as participatory practices. However, these processes require skills and resources, and may not be appropriate for all places, communities and institutions. However, literature has understudied collective action as a form of community participation in heritage management. All participation processes have nuances of communities, processes, and context, and this dissertation analyses these in one case. The research specifically asked what heritage values (especially social values) were expressed through collective action, what the relationship was with the participation processes, communities, and wider situation that produced them, and the impact on institutional rhetoric and decisions. The research analysed values expressed in representations made to council in support of the Town Hall. It also used documentary sources and interviews with key informants to analyse the advocacy and decision-making processes and their relationships with the wider context and other grassroots activities. The analysis concluded that the values expressed intertwined social and professional values. They were related to the communities and circumstance that produced them, as an advocacy campaign for a civic heritage building from a Western architectural tradition. The advocacy value arguments were one of several factors that impacted the decision. They have had a lasting impact on rhetoric around the Town Hall, as was a heritage-making practice in its own right. This dissertation makes a number of contributions to the discussion of social value and community in heritage. It suggests connections between advocacy and participation perspectives in heritage. It recommends consideration of nuances of communities, context, and place meanings when using heritage advocacy campaigns as evidence of social value. It adds to the literature on heritage advocacy, and offers a focused analysis of one of many heritage debates that occurred in post-quake Christchurch. Ultimately, it encourages practice to actively integrate social and community values and to develop self-reflexive engagement and valuation processes. Despite inherent challenges, participatory processes offer opportunities to diversify understandings of value, co-produce heritage meanings with communities, and empower citizens in democratic processes around the places they live with and love.
A photograph of cracks in the masonry of the Observatory tower at the Christchurch Arts Centre. The cracks formed as a result of the 4 September 2010 earthquake.
A photograph of the rubble of the Observatory tower in the South Quad of the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake. A digger was used to clear the rubble away from the building.
A photograph of parts of the Townsend Telescope recovered from the rubble of the Observatory tower. The telescope was housed in the tower at the Christchurch Arts Centre. It was severely damaged when the tower collapsed during the 22 February 2011 earthquake.
A photograph of the rubble of the Observatory tower in the South Quad of the Christchurch Arts Centre. The tower collapsed during the 22 February 2011 earthquake. A digger was used to clear the rubble away from the building. In the foreground is Chris Whitty, Site Manager of the Christchurch Arts Centre.
A close-up photograph of parts of the Townsend Telescope recovered from the rubble of the Observatory tower. The telescope was housed in the tower at the Christchurch Arts Centre. It was severely damaged when the tower collapsed during the 22 February 2011 earthquake.
A photograph of the bottom storey of the Observatory tower at the Christchurch Arts Centre. Rubble from the top two storeys of the tower has spilled into the courtyard in front of the tower. A digger was used to clear the rubble away from the building.
A photograph of the earthquake damage to the second story of the Observatory tower at the Christchurch Arts Centre. The front of the storey has collapsed, exposing the inside. A tarpaulin has been draped over the top and the roof of the building behind.
A crane on the Hereford Street side of the Arts Centre. Wire fencing has been placed along the road to keep people away.
The Rolleston Avenue face of the Arts Centre. The building has been cordoned off with wire fencing and road cones. One of the spires has been removed from the building and is resting safely on the footpath. Above, a crane can be seen.
The foundation stone removed from the Church Hall at 165 Papanui Road. The stone reads, "A.D.1902".
A photograph of an 'All Rightie' wearing a 'Visionarium' t-shirt. The Visionarium was a mobile hub in a shipping container for visitors to come and learn about the recovery and rebuild of Christchurch. All Right? posted the photograph on their Facebook page on 9 January 2015 at 11:07am.
A photograph of cracks around a window of the Observatory tower at the Christchurch Arts Centre. The cracks formed as a result of the 4 September 2010 earthquake.
A photograph of cracks around a window of the Observatory tower at the Christchurch Arts Centre. The cracks formed as a result of the 4 September 2010 earthquake.
A photograph of cracks around a window of the Observatory tower at the Christchurch Arts Centre. The cracks formed as a result of the 4 September 2010 earthquake.
A poster which was prepared to go with the award application for the Canterbury Heritage Awards 2016.
On 4 September 2010, a 7.1 magnitude earthquake struck near Darfield, 40 kilometres west of Christchurch, New Zealand. The quake caused significant damage to land and buildings nearby, with damage extending to Christchurch city. On 22 February 2011, a 6.3 magnitude earthquake struck Christchurch, causing extensive and significant damage across the city and with the loss of 185 lives. Years on from these events, occasional large aftershocks continue to shake the region. Two main entomological collections were situated within close proximity to the 2010/11 Canterbury earthquakes. The Lincoln University Entomology Research Collection, which is housed on the 5th floor of a 7 storey building, was 27.5 km from the 2010 Darfield earthquake epicentre. The Canterbury Museum Entomology Collection, which is housed in the basement of a multi-storeyed heritage building, was 10 km from the 2011 Christchurch earthquake epicentre. We discuss the impacts of the earthquakes on these collections, the causes of the damage to the specimens and facilities, and subsequent efforts that were made to prevent further damage in the event of future seismic events. We also discuss the wider need for preparedness against the risks posed by natural disasters and other catastrophic events.
A photograph of the Observatory tower at the Christchurch Arts Centre. There are cracks in the masonry of the tower near where the two storeys join. The cracks formed as a result of the 4 September 2010 earthquake.
A photograph of the damaged Christ Church Cathedral.
A photograph of the damaged Christ Church Cathedral.