A photograph of Tracey Chambers and Deputy Mayor Vicki Buck watching balloons being released. Sarina Dickson from Kotuku Creative is in the background. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A photograph of a flag in a planter box which reads, "It's all right to feel proud of how we've coped". The flag is part of the All Right wellbeing campaign led by the Canterbury District Health Board and the Mental Health Foundation of New Zealand.
An aerial photograph of the Christchurch central city looking over the Tuam and Durham Streets intersection. The photograph has been captioned by BeckerFraserPhotos, "Tuam Street is the most prominent street in this photograph. Durham Street runs across the foreground, and St Michael of all Angels is in the bottom right corner".
Photograph captioned by BeckerFraserPhotos, "City Council admin building (centre), Cathedral Square (lower left), Arts Centre (centre right) and public hospital (upper right)".
Photograph captioned by BeckerFraserPhotos, "Westpac Bank (left), Grant Thornton building (white right of the Westpac in the distance), ANZ Bank (white with vertical stripes below the Grant Thornton), and Holiday Inn (right) all under demolition".
Photograph captioned by BeckerFraserPhotos, "Clarendon Tower (left), Westpac Bank (centre), Grant Thornton building (white right of the Westpac in the distance), ANZ Bank (white with vertical stripes below the Grant Thornton), BNZ bank (red), and Holiday Inn (right) all under demolition, viewed from Alice in Videoland".
Photograph captioned by BeckerFraserPhotos, "The site of the CTV Building on Madras Street where 118 people died. All that remains is the elevator shaft and stairwell to the right".
Photograph captioned by BeckerFraserPhotos, "Looking north along Cambridge Terrace and Durham Street from St Michael and All Angels Church. New Cashel Mall is at centre right".
Photograph captioned by BeckerFraserPhotos, "An aerial photograph with Horseshoe Lake residential area in the foreground (all red zoned), Avon River left and the Shirley golf course right and centre".
An aerial photograph of a residential area in Avonside. The photograph has been captioned by BeckerFraserPhotos, "Sullivan Park, Avonside. All of this is residential red zoned except for a tiny piece in the top right hand corner".
Foam hearts with uplifting messages pegged to the fence surrounding Knox Presbyterian Church. The heart on the left reads, "We're all in this together. Christchurch, we love you! Xx". The heart on the right reads, "'We can do no great things; only small things with great love.' Mother Teresa
An aerial photograph captioned by BeckerFraserPhotos, "The Avon River windings its way through densely pupulated housing. The Gayhurst Road bridge can be seen. The piece of land circumscribed by the loop of the river is all zoned red, as is the land to the left of the photo. On the right, most of the land is zoned green or orange".
An aerial photograph of the Christchurch central city. The photograph has been captioned by BeckerFraserPhotos, "This photograph shows nearly all of the CBD. The two streets which are prominent in this photograph are Manchester Street on the left and Colombo Street on the right of the photograph. This photograph is from the north, looking towards the southern part of the city. Cathedral Square is about half way up, towards the right. It shows the extent of demolition that has happened already close to the river and near the Manchester/Gloucester Street intersection where there is a lot of bare land surrounding Radio Network House".
A photograph of a section of a mural on the corner of Byron Street and Colombo Street. The section contains a palm tree. A horse is also partially visible. On the left there is the message, "Occupy love and light right here and now. We'll all meet up on Equality Street anyhow. Love light power." Below the message are a variety of hearts in red, white, and different shades of pink.
Damage to buildings along Norwich Quay in Lyttelton. To the left is the Lyttelton Hotel with a crumbled top. Bricks have fallen on the awning and all along the footpath. To the right is a cafe that was damaged severely in the earthquake. The front wall of the top storey has crumbled onto the street, crushing a car. Wire fencing and road cones have been used to create a cordon around the buildings.
Damage to buildings along Norwich Quay in Lyttelton. To the left is the Lyttelton Hotel with a crumbled top. Bricks have fallen on the awning and all along the footpath. To the right is a cafe that was damaged severely in the earthquake. The front wall of the top storey has crumbled onto the street, crushing a car. Wire fencing and road cones have been used to create a cordon around the buildings.
An aerial photograph of a residential area in Avonside. The photograph has been captioned by BeckerFraserPhotos, "The dominant road in this picture is Avondale Road which crosses the River Avon. To the left of this photograph is all zoned red apart from a small piece on the other side of the river. On the right-hand side of Avondale Road, some streets are zoned green although the streets closest to the river are red-zoned".
This dissertation explores the advocacy for the Christchurch Town Hall that occurred in 2012-2015 after the Canterbury Earthquakes. It frames this advocacy as an instance of collective-action community participation in a heritage decision, and explores the types of heritage values it expressed, particularly social values. The analysis contextualises the advocacy in post-quake Christchurch, and considers its relationship with other developments in local politics, heritage advocacy, and urban activism. In doing so, this dissertation considers how collective action operates as a form of public participation, and the practical implications for understanding and recognising social value. This research draws on studies of practices that underpin social value recognition in formal heritage management. Social value is held by communities outside institutions. Engaging with communities enables institutions to explore the values of specific places, and to realise the potential of activating local connections with heritage places. Such projects can be seen as participatory practices. However, these processes require skills and resources, and may not be appropriate for all places, communities and institutions. However, literature has understudied collective action as a form of community participation in heritage management. All participation processes have nuances of communities, processes, and context, and this dissertation analyses these in one case. The research specifically asked what heritage values (especially social values) were expressed through collective action, what the relationship was with the participation processes, communities, and wider situation that produced them, and the impact on institutional rhetoric and decisions. The research analysed values expressed in representations made to council in support of the Town Hall. It also used documentary sources and interviews with key informants to analyse the advocacy and decision-making processes and their relationships with the wider context and other grassroots activities. The analysis concluded that the values expressed intertwined social and professional values. They were related to the communities and circumstance that produced them, as an advocacy campaign for a civic heritage building from a Western architectural tradition. The advocacy value arguments were one of several factors that impacted the decision. They have had a lasting impact on rhetoric around the Town Hall, as was a heritage-making practice in its own right. This dissertation makes a number of contributions to the discussion of social value and community in heritage. It suggests connections between advocacy and participation perspectives in heritage. It recommends consideration of nuances of communities, context, and place meanings when using heritage advocacy campaigns as evidence of social value. It adds to the literature on heritage advocacy, and offers a focused analysis of one of many heritage debates that occurred in post-quake Christchurch. Ultimately, it encourages practice to actively integrate social and community values and to develop self-reflexive engagement and valuation processes. Despite inherent challenges, participatory processes offer opportunities to diversify understandings of value, co-produce heritage meanings with communities, and empower citizens in democratic processes around the places they live with and love.