Page 8 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Page 6 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Page 1 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Page 1 of The Box section of the Christchurch Press, published on Tuesday 20 January 2015.
Page 6 of The Box section of the Christchurch Press, published on Tuesday 6 January 2015.
Page 3 of The Box section of the Christchurch Press, published on Tuesday 6 January 2015.
Page 3 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Page 5 of The Box section of the Christchurch Press, published on Tuesday 13 January 2015.
Page 2 of The Box section of the Christchurch Press, published on Tuesday 6 January 2015.
Page 4 of The Box section of the Christchurch Press, published on Tuesday 6 January 2015.
Page 9 of The Box section of the Christchurch Press, published on Tuesday 13 January 2015.
Page 7 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Page 5 of The Box section of the Christchurch Press, published on Tuesday 27 January 2015.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/
Pages 8 and 9 of Section A of the Christchurch Press, published on Monday 19 January 2015.
People who want the Christchurch Town Hall restored are optimistic the City Council will today commit to saving the earthquake damaged building.
Pages 6 and 7 of the Escape section of the Christchurch Press, published on Monday 2 February 2015.
Pages 4 and 5 of the Escape section of the Christchurch Press, published on Monday 19 January 2015.
Pages 10 and 11 of Section A of the Christchurch Press, published on Saturday 24 January 2015.
Pages 8 and 9 of the Zest section of the Christchurch Press, published on Wednesday 28 January 2015.
Pages 8 and 9 of the Zest section of the Christchurch Press, published on Wednesday 21 January 2015.
LVS acts as site brokers for a creative Christchurch, finding short and medium-term uses for the many vacant sites and buildings of Christchurch.
A law change is being looked at to tackle the problem of property boundaries moving in the Canterbury earthquakes.
The empirical liquefaction triggering chart of Idriss and Boulanger (2008) is compared to direct measurements of the cyclic resistance of Christchurch silty sands via undisturbed and reconstituted lab specimens. Comparisons suggest that overall there is a reasonable agreement between the empirical triggering curve and the interpreted test data. However, the influence of fines on cyclic resistance appears to be over-predicted by the empirical method, particularly for non-plastic silty sands that are commonly encountered in flood over-bank deposits in Christchurch and nearby settlements
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The urban environment influences the way people live and shape their everyday lives, and microclimate sensitive design can enhance the use of urban streets and public spaces. Innovative approaches to urban microclimate design will become more important as the world’s population becomes ever more urban, and climate change generates more variability and extremes in urban microclimatic conditions. However, established methods of investigation based upon conventions drawn from building services research and framed by physiological concepts of thermal comfort may fail to capture the social dynamics of urban activity and their interrelationship with microclimate. This research investigates the relationship between microclimate and urban culture in Christchurch, New Zealand, based upon the concept of urban comfort. Urban comfort is defined as the socio-cultural (therefore collective) adaptation to microclimate due to satisfaction with the urban environment. It involves consideration of a combination of human thermal comfort requirements and adaptive comfort circumstances, preferences and strategies. A main methodological challenge was to investigate urban comfort in a city undergoing rapid physical change following a series of major earthquakes (2010-2011), and that also has a strongly seasonal climate which accentuates microclimatic variability. The field investigation had to be suitable for rapidly changing settings as buildings were demolished and rebuilt, and be able to capture data relevant to a cycle of seasons. These local circumstances meant that Christchurch was valuable as an example of a city facing rapid and unpredictable change. An interpretive, integrative, and adaptive research strategy that combined qualitative social science methods with biophysical measures was adopted. The results are based upon participant observation, 86 in-depth interviews with Christchurch residents, and microclimate data measurements. The interviews were carried out in a variety of urban settings including established urban settings (places sustaining relatively little damage) and emerging urban settings (those requiring rebuilding) during 2011-2013. Results of this research show that urban comfort depends on adaptive strategies which in turn depend on culture. Adaptive strategies identified through the data analysis show a strong connection between natural and built landscapes, combined with the regional outdoor culture, the Garden City identity and the connections between rural and urban landscapes. The results also highlight that thermal comfort is an important but insufficient indicator of good microclimate design, as social and cultural values are important influences on climate experience and adaptation. Interpretive research is needed to fully understand urban comfort and to provide urban microclimate design solutions to enhance the use of public open spaces in cities undergoing change.
While there are varying definitions of the term ‘social cohesion’, a number of common themes regularly surface to describe what cohesive societies look like. Previous studies using known indicators of social cohesion have often been conducted at the international level for cross-country comparison, while there has been less focus on social cohesion within countries. The purpose of this research is to identify if indicators of social cohesion can be used to map trends at the city level in order to draw meaningful conclusions, particularly in the aftermath of a natural disaster. Using known indicators of social cohesion and Christchurch City as the basis for this study, variations in social cohesion have been found within the city wards, that preceded but were affected by the events of the Canterbury earthquakes during 2010/11. These findings have significant policy implications for the future of Christchurch, as city leaders work towards the recovery of and subsequent rebuilding of communities.
Page 12 of Section B of the South Island edition of the Christchurch Press, published on Friday 16 January 2015.
A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.
A photograph of street art on St Asaph Street. The artwork was created by Christchurch artist Rob Hood in January 2014, and is titled "This Wall Can't Talk". It was funded by the Ministry of Justice and commissioned by Christchurch City Council.