Damage to a house in Richmond. Part of a brick wall has slumped, leaving a large gap between the wall and a window frame. The photographer comments, "Sunroom window frame".
A wall exposed by the removal of a damaged building has been decorated by Gap Filler with a knitting-like pattern. The adjoining wall has been graffitied.
Detail of damage to a building on Ferry Road. The side walls have partially collapsed, and part of the brick wall is bowing outwards in danger of further collapse.
The Coffee House on Montreal Street with a damaged side wall. Plywood and weather proof paper has been placed over the wall to keep wind and rain out of the building.
The east wall of St Luke's Church on Manchester Street. The top of the wall has broken away and is now covered with plastic to prevent weather damage inside the building.
A photograph of a flying pig painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Decorated retaining wall in Cunningham Terrace, Lyttelton".
A photograph of flying pigs painted on concrete blocks in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Decorated retaining wall in Cunningham Terrace, Lyttelton".
A photograph of street art. The artwork is on the wall surrounding Waltham Pool and faces towards Waltham Park.
A photograph of the earthquake damage to a room inside a house in Christchurch. Large sections of the plaster have crumbled from the walls, revealing the brick wall underneath.
The half-completed "Knit Happens" mural on the exposed brick wall of a building. The mural has been designed to look like a knitted pattern.
Damage to a car parking building on Lichfield Street. Part of the concrete wall has crumbled, exposing steel reinforcing rods within, and damaging an artwork painted on the wall.
A photograph of a broken brick wall beside the Amuri Courts car park building on Armagh Street. USAR codes have been spray painted in yellow on the wall.
Scaffolding on the side of the Windsor Hotel which has been bent by the collapse of the building's brick wall. The hotel's fire escape has buckled and become detached from the wall.
A detail of damage to the interior wall of the Durham Street Methodist Church. Plaster and concrete have fallen away from the wall, baring the stone work.
Damage to a house in Richmond. Part of the brick wall is visibly out of alignment, leaving large gaps at the corner of the house. The photographer comments, "Dining room exterior wall".
A photograph of a blue moon painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Decorated retaining wall in Cunningham Terrace, Lyttelton".
An artwork in the walls of the Gap Filler Headquarters office building in Sydenham. The wall is made out of perspex which reveals recycled materials underneath.
An artwork in the walls of the Gap Filler Headquarters office building in Sydenham. The wall is made out of perspex which reveals recycled materials underneath.
Bracing against the front wall of the Arts Centre on Worcester Boulevard, helping to keep the wall together. Wire fencing has also been placed around the building as a cordon.
Detail of the side wall of St Mary & St Athanaslos church on Edgeware Road. The bricks at the top of the wall have crumbled, revealing the second layer of bricks inside.
A view of the interior of the Durham Street Methodist Church hall. The floor has been coated with plaster from the walls and ceiling, and items of furniture have been stacked up around the walls.
A photograph of a Christmas message written on the wall of a house at Cannon Hill Crescent in Mt Pleasant. Paper Christmas decorations have been stuck on the window above the wall.
Cracking in the plaster work of the side wall of a building in the central city. The bricks that make up the wall have shaken apart and are threatening to topple.
A house on Canterbury Street in Lyttelton with a damaged outer wall. The bricks have fallen away to expose the insulation. Cracks can be seen running diagonally along the remaining wall. Fencing and tape have been placed around the building to warn people off.
A photograph of a damaged building on Norwich Quay in Lyttelton. A section of brickwork on the side wall has crumbled leaving the inside space exposed. Security fencing has been placed around the damaged wall.
A spray-painted message on a wall of Englefield Lodge reads "We will try to save this house." Wooden bracing supports the wall. The photographer comments, "A bike ride around the CBD. Englefield, Christchurch's oldest house in Fitzgerald Ave".
A cracked concrete wall on Avonside Drive.
The wall alongside the Lyttelton Petanque Club.
The connections between walls of unreinforced masonry (URM) buildings and flexible timber diaphragms are critical building components that must perform adequately before desirable earthquake response of URM buildings may be achieved. Field observations made during the initial reconnaissance and the subsequent damage surveys of clay brick URM buildings following the 2010/2011 Canterbury, New Zealand earthquakes revealed numerous cases where anchor connections joining masonry walls or parapets with roof or floor diaphragms appeared to have failed prematurely. These observations were more frequent for the case of adhesive anchor connections than for the case of through-bolt connections (i.e. anchorages having plates on the exterior façade of the masonry walls). Subsequently, an in-field test program was undertaken in an attempt to evaluate the performance of adhesive anchor connections between unreinforced clay brick URM walls and roof or floor diaphragm. The study consisted of a total of almost 400 anchor tests conducted in eleven existing URM buildings located in Christchurch, Whanganui and Auckland. Specific objectives of the study included the identification of failure modes of adhesive anchors in existing URM walls and the influence of the following variables on anchor load-displacement response: adhesive type, strength of the masonry materials (brick and mortar), anchor embedment depth, anchor rod diameter, overburden level, anchor rod type, quality of installation and the use of metal foil sleeve. In addition, the comparative performance of bent anchors (installed at an angle of minimum 22.5o to the perpendicular projection from the wall surface) and anchors positioned horizontally was investigated. Observations on the performance of wall-to-diaphragm connections in the 2010/2011 Canterbury earthquakes and a snapshot of the performed experimental program and the test results are presented herein http://hdl.handle.net/2292/21050
The shadow mural painted by Jeremy Sauzier on the side of the building facing Gap Filler's Dance-O-Mat.