A photograph of Barnaby Bennett giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
An aerial photograph of the Christchurch central city. The photograph is captioned by BeckerFraserPhotos, "BDO Lumley House which is in the process of being demolished. Knox Church is visible on the right hand side of the photo".
A photograph of New Zealand Army personnel and members of the public arriving at a Civil Defence Report Centre. The report centre was set up in the garage of a school in Christchurch after the 22 February 2011 earthquake.
A photograph of the earthquake damage to the Chinese Methodist Church on Papanui Road. The bricks at the top of the tower have crumbled, and the wooden bracing is hanging half off the building. The spire of the tower can be seen to the left where it was moved to following the 4 September 2010 earthquake.
A photograph of street art on the side of an electricity substation on St Asaph Street. The artwork includes a Maori heimatau (fish hook) motif. Search and rescue codes have been spray-painted on the door of the building.
An image from a Navy Today April 2011 article titled, "Earthquake Hits Close to Home". The image depicts two Pukaki Offices, SLT Blair Sneddon and LT Dave Luhrs. Both offices had families in Christchurch during the 22 February 2011 earthquake.
A PDF copy of a press release written by Jolyon White of Anglican Advocacy (formerly the Anglican Life Social Justice Unit) on the topic of social housing in post-quake Christchurch. The press release was written on 5 April 2013.
An image from a Army News March 2011 article titled, "Territorial Force". The image shows members of the Auckland and Northland Territorial Units clearing silt from a resident's garden in east Christchurch. The resident is out in the garden helping out.
A press release from the Office of the Press Secretary in the US White House about President Obama's call to Prime Minister John Key to express his condolences over the 22 February 2011 earthquake in Christchurch and to offer American assistance.
A plaque on the side of the Edmonds Band Rotunda on Cambridge Terrace. The plaque reads, "This rotunda shelter and circular seat were presented by T.J.Edmonds to celebrate fifty years of residence in Christchurch 26th September 1929".
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, where people are gathered for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of members of the Wellington Emergency Management Office Emergency Response Team examining the path between two houses in Christchurch. The path is covered in rubble from the collapsed house to the right. A dog is walking through the rubble.
A photograph of the first page of a copy of a Level 1 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A PDF copy of a 2016-2017 bicultural calendar published by All Right? for Matariki 2016. The calendar is dated according to the Maori year, is written in both English and Te Reo, and includes photographs of whānau around Christchurch.
A photograph of a line of army trucks parked on the side of a road in the Christchurch central city. A member of the New Zealand Army is tying a bundle of wood onto the roof of one of the trucks.
A photograph of the second page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the third page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the inside of ArtBox gallery, which was the venue for Something Super. This event was part of FESTA 2013 and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of members of the Wellington Emergency Management Office Emergency Response Team in the back of a New Zealand Army truck. The ERT members are in Christchurch to help out in the emergency response to the 22 February 2011 earthquake.
A photograph of the first page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
Furniture spray-painted with drawings and words by members of the public as part of the Words of Hope project. A message can be seen, reading, "Rebuild Christchurch, be proactive, don't be reactive. Don't miss this opportunity, kia kaha".
Micro - electro - mechanical system (MEMS) based accelerometers are now frequently used in many different parts of our day - to - day lives. It is also increasingly being used for structural testing applications. Researchers have had res ervation of using these devices as they are relatively untested, but now with the wider adoption, it provides a much cheaper and more versatile tool for structural engineering researchers. A number of damaged buildings in the Christchurch Central Business District (CBD) were instrumented with a number of low - cost MEMS accelerometers after the major Christchurch earthquakes. The accelerometers captured extremely high quality building response data as the buildings experienced thousands of aftershocks. This d ata set was amongst one of only a handful of data set s available around the world which provides building response data subjected to real ground motion. Furthermore, due to technological advances, a much larger than usual number of accelerometers has been deployed making the data set one of the most comprehensive available. This data set is utilised to extract modal parameters of the buildings. This paper summarises the operating requirements and preference for using such accelerometers for experimental mod al analysis. The challenges for adapting MEMS based devices for successful modal parameters identification are also discussed.
The standard way in which disaster damages are measured involves examining separately the number of fatalities, of injuries, of people otherwise affected, and the financial damage that natural disasters cause. Here, we implement a novel way to aggregate these separate measures of disaster impact and apply it to two catastrophic events from 2011: the Christchurch (New Zealand) earthquakes and the Greater Bangkok (Thailand) flood. This new measure, which is similar to the World Health Organization's calculation of Disability Adjusted Life Years (DALYs) lost due to the burden of diseases and injuries, is described in detail in Noy [7]. It allows us to conclude that New Zealand lost 180 thousand lifeyears as a result of the 2011 events, and Thailand lost 2644 thousand lifeyears. In per capita terms, the loss is similar, with both countries losing about 15 days per person due to the 2011 catastrophic events in these two countries. © This manuscript version is made available under the CC-BY-NC-ND 4.0 license https://creativecommons.org/licenses/by-nc-nd/4.0/
Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.
A PDF copy of an article published in the International Journal of Mental Health Promotion on 9 August 2016. The article is authored by Kristi Calder, Lucy D'Aeth, Sue Turner, Ciaran Fox and Annabel Begg. The article can be viewed in the online journal here: http://dx.doi.org/10.1080/14623730.2016.1210531
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
Player for the Blackburn Rovers football team, Ryan Nelson, with LT Gore. Ryan Nelson visited the HMNZS Otago in Lyttelton after the 22 February 2011 earthquake to thank the sailors for their support.