A photograph of a large crack in the pavement of New Regent Street, near the tram tracks. Many of the pavement tiles have fallen into the crack.
A photograph of a United Kingdom International Search and Rescue Service tent in Latimer Square.
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' on the earthquake-damaged Cranmer Courts building.
The HMNZS Otago moored in Lyttelton. The ship travelled to Lyttelton after the 22 February 2011 earthquake to help in the relief effort.
The New Zealand Fire Department's headquarters in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.
The Wizard of Christchurch, who has launched a campaign to save the Christ Church Cathedral from demolition. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
Photograph captioned by BeckerFraserPhotos, "The lights are on at the new Press building, the first office workers to return to the central city red zone".
Photograph captioned by BeckerFraserPhotos, "A sign on the protective fence around the Arts Centre, Hereford Street. The sign reads, 'Danger, unsafe site, do not enter'".
A photograph of the large-scale puppet titled The Knight. The puppet is being assembled in the Re:START mall car park between Cashel Street and Lichfield Street.
A photograph of a group of tents in Latimer Square. The tents were set up as temporary accommodation for emergency management personnel after the 22 February 2011 earthquake.
Wayne Mapp, the Minister of Defence, shaking the hand of an officer during his visit to the HMNZS Otago in Lyttelton.
The collapsed brick wall along the side of a house in Christchurch. A tarpaulin has been placed over a hole to prevent weather damage to the inside of the building. Ironically, it is being held down by bricks.
New Zealand Army TPR Royle and Singapore Air Force LCPL Low guarding a cordon in the city centre.
A spray-painted message on a wall of Englefield Lodge reads "We will try to save this house." Wooden bracing supports the wall. The photographer comments, "A bike ride around the CBD. Englefield, Christchurch's oldest house in Fitzgerald Ave".
A damaged house in the Christchurch central city. "No go" has been spray painted on the front window and door. A red sticker in the front window indicates that the building is unsafe to enter.
A photograph of a protest sign reading, "Pillage People" and showing the faces of key figures in the Christchurch rebuild superimposed on the bodies of the Village People. The photograph is captioned by Paul Corliss, "Woodham Road, Linwood".
A photograph of a large-scale puppet titled The Wife of Bath. The puppet is in the Re:START mall car park between Cashel Street and Lichfield Street.
Photograph captioned by BeckerFraserPhotos, "Detail of Christ's College".
None
This one was really flowing out of the ground.
The increase in urban population has required cities to rethink their strategies for minimising greenhouse gas impacts and adapting to climate change. While urban design and planning policy have been guided by principles such as walkability (to reduce the dependence on cars) and green infrastructure (to enhance the quality of open spaces to support conservation and human values), there have been conflicting views on what spatial strategies will best prepare cities for a challenging future. Researchers supporting compact cities based upon public Transit Oriented Development have claimed that walkability, higher density and mixed-uses make cities more sustainable (Owen, 2009) and that, while green spaces in cities are necessary, they are dull in comparison with shopfronts and street vendors (Speck, 2012, p 250). Other researchers claim that green infrastructure is fundamental to improving urban sustainability and attracting public space users with improved urban comfort, consequently encouraging walkability (Pitman and Ely, 2013). Landscape architects tend to assume that ‘the greener the better’; however, the efficiency of urban greenery in relation to urban comfort and urbanity depends on its density, distribution and the services provided. Green infrastructure can take many forms (from urban forests to street trees) and provide varied services (amended microclimate, aesthetics, ecology and so forth). In this paper, we evaluate the relevance of current policy in Christchurch regarding both best practice in green infrastructure and urban comfort (Tavares, 2015). We focus on the Christchurch Blueprint for rebuilding the central city, and critically examine the post-earthquake paths the city is following regarding its green and grey infrastructures and the resulting urban environment. We discuss the performance and appropriateness of the current Blueprint in post-earthquake Christchurch, particularly as it relates to the challenges that climate change is creating for cities worldwide.
A photograph of one of the large-scale puppets titled The Friars. The puppet is in a car park at Re:START mall. The puppet was part of the Canterbury Tales procession for FESTA 2013.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork depicts four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of one of The Friars lying on the ground in a Re:START mall car park. The Friars are large-scale puppets created for FESTA's Canterbury Tales event,