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Images for weather; more images...

Images, UC QuakeStudies

Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.

Images, UC QuakeStudies

Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.

Images, UC QuakeStudies

A photograph of the earthquake damage to the Cranmer Courts on the corner of Montreal and Kilmore Streets. A chimney has fallen from the roof, damaging many of the roof tiles. A tarpaulin has been placed over a hole to protect the interior of the building from weather damage. Wire fencing has been placed around the building as a cordon.

Images, UC QuakeStudies

Scaffolding that has been constructed on the Manchester Street face of the Octagon Live Restaurant (formerly Trinity Church), which is being repaired. Masonry has fallen from one of the building's gables, and the resultant gap has been weather proofed with plywood and a tarpaulin. The site has been enclosed in a safety fence that cuts off one lane of the road.

Images, UC QuakeStudies

Police and army personnel at a cordon checkpoint near the Casino. An armoured vechicle is parked beside the cordon. The photographer comments, "The army are doing a fine job manning the cordon around the city centre. It must be pretty dull work and the weather isn't that flash at the moment. It's still surreal to see armed vehicles guarding entrances to the city though".

Images, UC QuakeStudies

Damage to the church hall of St John the Baptist Church in Latimer Square. Masonry has fallen from one of the building's gables and has been piled against its base. The site has been enclosed in a safety fence. A spray-painted sign can be seen at the base of the building reading, "Danger! Wall unstable, stay clear". A piece of plywood is also visible weather proofing the building's roof.

Images, UC QuakeStudies

A police officer talks to a cyclist at a cordon checkpoint near the Casino. An armoured vechicle is parked beside the cordon. The photographer comments, "The army are doing a fine job manning the cordon around the city centre. It must be pretty dull work and the weather isn't that flash at the moment. It's still surreal to see armed vehicles guarding entrances to the city though".

Images, UC QuakeStudies

A photograph of the earthquake damage to R&R Sport on the corner of Colombo and Tuam Streets. Most of the side wall has crumbled, the bricks spilling onto the footpath below. Plywood and plastic sheeting has been used to weather proof the building. Wire fencing and road cones have been placed around the building as a cordon. A cherry picker is parked on the footpath in between the building and the fence.

Research papers, The University of Auckland Library

While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.