A document which describes the purpose of the Bill Perry Safety Awards and outlines each winning submission.
A document which explains the rationale behind and development of City Care's Good to Go safety video.
A document which summarises each winning Bill Perry Safety Award submission.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
A photograph of a pad of brochures for The Stadium Broadcast, a 72-hour non-stop performance by Australian artist collective Field Theory. The launch event for The Stadium Broadcast was part of FESTA 2014.
A photograph of a performer suspended in the air by a harness during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in the air by a harness during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in the air by a harness during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A report created by BRANZ, the University of Auckland and Constructing Excellence New Zealand which was commissioned by the Productivity Partnership. It examines the use of KPIs by a number of rebuild organisations.
An article published in the August/September 2015 issue of BRANZ Build magazine. It summarises SCIRT's approach to innovation management and suggests some areas for improvement.
A pdf copy of a presentation delivered at Building a Better New Zealand (BBNZ 2014) Conference. The presentation examines the relationship between innovation and productivity improvement in the construction industry.
A report created by the University of Canterbury Quake Centre and the University of Auckland, funded by the Building Research Levy. It shows how an innovation process was initiated and managed throughout the rebuilding of the horizontal infrastructure after the Canterbury earthquakes.
A paper delivered at Building a Better New Zealand (BBNZ 2014) Conference. The paper examines the relationship between innovation and productivity improvement in the construction industry.
People waiting for a performance at Gap Filler's cycle-powered cinema.
A photograph of Hera Hjartardottir and Ben Campbell from Fledge standing on a circular platform at the location of 'Sound Cone'. 'Sound Cone' is a performance space at LUXCITY, and is next to Cathedral Junction.
A photograph of a performer suspended in the air by a harness during a rehearsal for a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a poetry performance during Under the Fale. Under the Fale was organised by Pacific Underground and took place as part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.FESTA 2013.
A photograph of people listening to poetry performances during Under the Fale. Under the Fale was organised by Pacific Underground and took place as part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.FESTA 2013.
The purpose of this research is to investigate men’s experiences of the 2016 7.8 magnitude Kaikōura earthquake and Tsunami. While, research into the impacts of the earthquake has been conducted, few studies have examined how gender shaped people’s experiences of this natural hazard event. Analysing disasters through a gender lens has significantly contributed to disaster scholarship in identifying the resilience and vulnerabilities of individuals and communities pre- and post-disaster (Fordham, 2012; Bradshaw, 2013). This research employs understandings of masculinities (Connell, 2005), to examine men’s strengths and challenges in responding, recovering, and coping following the earthquake. Qualitative inquiry was carried out in Northern Canterbury and Marlborough involving 18 face-to-face interviews with men who were impacted by the Kaikōura earthquake and its aftermath. Interview material is being analysed using thematic and narrative analysis. Some of the preliminary findings have shown that men took on voluntary roles in addition to their fulltime paid work resulting in long hours, poor sleep and little time spent with family. Some men assisted wives and children to high ground then drove into the tsunami zone to check on relatives or to help evacuate people. Although analysis of the findings is currently ongoing, preliminary findings have identified that the men who participated in the study have been negatively impacted by the 2016 Kaikōura earthquake. A theme identified amongst participants was an avoidance to seek support with the challenges they were experiencing due to the earthquake. The research findings align with key characteristics of masculinity, including demonstrating risky behaviours and neglecting self or professional care. This study suggests that these behaviours affect men’s overall resilience, and thus the resilience of the wider community.
This thesis presents an assessment of historic seismic performance of the New Zealand stopbank network from the 1968 Inangahua earthquake through to the 2016 Kaikōura earthquake. An overview of the types of stopbanks and the main aspects of the design and construction of earthen stopbanks was presented. Stopbanks are structures that are widely used on the banks of rivers and other water bodies to protect against the impact of flood events. Earthen stopbanks are found to be the most used for such protection measures. Different stopbank damage or failure modes that may occur due to flooding or earthquake excitation were assessed with a focus on past earthquakes internationally, and examples of these damage and failure modes were presented. Stopbank damage and assessment reports were collated from available reconnaissance literature to develop the first geospatial database of stopbank damage observed in past earthquakes in New Zealand. Damage was observed in four earthquakes over the past 50 years, with a number of earthquakes resulting in no stopbank damage. The damage database therefore focussed on the Edgecumbe, Darfield, Christchurch and Kaikōura earthquakes. Cracking of the crest and liquefaction-induced settlement were the most common forms of damage observed. To understand the seismic demand on the stopbank network in past earthquakes, geospatial analyses were undertaken to approximate the peak ground acceleration (PGA) across the stopbank network for ten large earthquakes that have occurred in New Zealand over the past 50 years. The relationship between the demand, represented by the peak ground acceleration (PGA) and damage is discussed and key trends identified. Comparison of the seismic demand and the distribution of damage suggested that the seismic performance of the New Zealand stopbank network has been generally good across all events considered. Although a significant length of the stopbank networks were exposed to high levels of shaking in past events, the overall damage length was a small percentage of this. The key aspect controlling performance was the performance of the underlying foundation soils and the effect of this on the stopbank structure and stability
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a rehearsal for a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A document which describes the SCIRT model and how it drove both collaboration and competition.
A photograph of two people standing on Oxford Terrace during FESTA 2013. On the right, George Parker from Free Theatre Christchurch is holding a megaphone. On the left, a woman is reading from a piece of paper and holding a hard hat.