A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers.
A photograph of the outside of the building housing the As Far As Eye Can See exhibition. Posters in the window advertise the exhibition.
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of the 'Thinking Outside the Square' installation in the window of the Beggs Music building on Colombo Street.
A photograph of volunteers painting the Poetica Urban Poetry wall.
A photograph of bicycles mounted in generator stands at Gap Filler's cycle-powered cinema. Cyclists are pedalling the bicycles to provide power for the cinema.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of people arriving at the site of Gap Filler's cycle-powered cinema. In the foreground, a sign advertises the films to be shown.
A photograph of volunteers testing the bicycle stand and generator mechanism that will power Gap Filler's cycle-powered cinema.
A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.
A photograph of members of the Kaiapoi Menzshed group standing in front of the stands they have built for an outdoor art gallery.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of part of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of people looking at the photographs in the Orzeit/Local Time exhibition.
A photograph of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of people looking at the photographs in the Orzeit/Local Time exhibition.
A photograph of a poster describing the Orzeit/Local Time exhibition.
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A photograph of some of the craft artists who were involved in creating the As Far As Eye Can See exhibition.
A photograph of children's play equipment on the site of the Gap Filler office. In the background, a mural reads, "The things which I have seen I now can see no more".
A photograph taken at the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers, and their shadows are being cast onto the wall.
A photograph of bricks stacked to spell out the word 'Lyttelton'. Behind the letters, plant pots have been laid out to form a temporary garden.
A photograph of Coralie Winn standing next to a Lyttelton resident at the Lyttelton Petanque Club.
A photograph of a child painting a bookshelf during the 'Words of Hope' event. An assortment of furniture has been painted white, and the public invited to spray-paint messages onto the pieces.
A photograph of a musician performing at the Lyttelton Petanque Club.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers, and their shadows are being cast onto the wall.
A photograph of people dancing at the Gap Filler Dance-O-Mat.
A photograph of the empty site where Gap Filler's Dance-O-Mat will be constructed.