A photograph of a portrait of Liv Worsnop, painted by Julia Holden. The portrait was from a 'selfie' provided by Liv, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Bridget Kelly, painted by Julia Holden. The portrait was from a 'selfie' provided by Bridget, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Alex Wootton, painted by Julia Holden. The portrait was from a 'selfie' provided by Alex, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Rosalee Jenkin, painted by Julia Holden. The portrait was from a 'selfie' provided by Rosalee, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Michael Purdie, painted by Julia Holden. The portrait was from a 'selfie' provided by Michael, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Vicki Piper, painted by Julia Holden. The portrait was from a 'selfie' provided by Vicki, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of a portrait of Philip Trusttum, painted by Julia Holden. The portrait was from a 'selfie' provided by Philip, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of a portrait of Audrey Baldwin, painted by Julia Holden. The portrait was from a 'selfie' provided by Audrey, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Robin Neate, painted by Julia Holden. The portrait was from a 'selfie' provided by Robin, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Alex Quigley, painted by Julia Holden. The portrait was from a 'selfie' provided by Alex, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of a sign outside the Christchurch Art Gallery advertising the "Debuilding" exhibition which was on display when the 22 February 2011 earthquake hit.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
This week on the blog we’re sending you over to Pieces of the Past, an online exhibition we’ve curated as part of Beca Heritage Week here in Christchurch. The exhibition features the staff of Underground Overground Archaeology and their favourite … Continue reading →
A photograph of a portrait of John Christoffels with his cat, painted by Julia Holden. The portrait was from a 'selfie' provided by John, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Marie le Lievre, painted by Julia Holden. The portrait was from a 'selfie' provided by Marie, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Ben Reid and his children, painted by Julia Holden. The portrait was from a 'selfie' provided by Ben, and was part of Julia Holden's exhibition, 'its like now'.
This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.
The Ortszeit exhibition in an empty building site on Worcester Street.