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Images, Canterbury Museum

One steel, brick and concrete brooch created from debris collected after the 22 February 2011 earthquake; steel from a gas heater has been woven to create three enclosures for the piece of brick and two pieces of concrete; a stainless steel pin has been woven on the reverse for attachment. Worn by numerous people as part of the Host A Brooch pro...

Research papers, University of Canterbury Library

Decision making on the reinstatement of the Christchurch sewer system after the Canterbury (New Zealand) earthquake sequence in 2010–2011 relied strongly on damage data, in particular closed circuit television (CCTV). This paper documents that process and considers how data can influence decision making. Data are analyzed on 33,000 pipes and 13,000 repairs and renewals. The primary findings are that (1) there should be a threshold of damage per pipe set to make efficient use of CCTV; (2) for those who are estimating potential damage, care must be taken in direct use of repair data without an understanding of the actual damage modes; and (3) a strong correlation was found between the ratio of faults to repairs per pipe and the estimated peak ground velocity. Taken together, the results provide evidence of the extra benefit that damage data can provide over repair data for wastewater networks and may help guide others in the development of appropriate strategies for data collection and wastewater pipe decisions after disasters.

Research papers, University of Canterbury Library

With sea level rise (SLR) fast becoming one of the most pressing matters for governments worldwide, there has been mass amounts of research done on the impacts of SLR. However, these studies have largely focussed on the ways that SLR will impact both the natural and built environment, along with how the risk to low-lying coastal communities can be mitigated, while the inevitable impacts that this will have on mental well-being has been understudied. This research has attempted to determine the ways in which SLR can impact the mental well-being of those living in a low-lying coastal community, along with how these impacts could be mitigated while remaining adaptable to future environmental change. This was done through conducting an in-depth literature review to understand current SLR projections, the key components of mental well-being and how SLR can influence changes to mental well-being. This literature review then shaped a questionnaire which was distributed to residents of the New Brighton coastline. This questionnaire asked respondents how they interact with the local environment, how much they know about SLR and its associated hazards, whether SLR causes any level of stress or worry along with how respondents feel that these impacts could be mitigated. This research found that SLR impacts the mental well-being of those living in low-lying coastal communities through various methods: firstly, the respondents perceived risk to SLR and its associated hazards, which was found to be influenced by the suburbs that respondents live in, their knowledge of SLR, their main sources of information and the prior experience of the Canterbury Earthquake Sequence (CES). Secondly, the financial aspects of SLR were also found to be drivers of stress or worry, with depreciating property values and rising insurance premiums being frequently noted by respondents. It was found that the majority of respondents agreed that being involved in and informed of the protection process, having more readable and accurate information, and an increased engagement with community events and greenspaces would help to reduce the stress or worry caused by SLR, while remaining adaptable to future environmental change.

Images, UC QuakeStudies

A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Images, UC QuakeStudies

A photograph of a large sign at Agropolis that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Images, UC QuakeStudies

A photograph of people walking past two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Videos, UC QuakeStudies

A video about the Red Zone in the Christchurch Central City after the 22 February 2011 earthquake. The video includes footage of damaged buildings and cars, the New Zealand Police and Army patrolling the streets, and an interview with Michael Harvey, a squad leader in the New Zealand Urban Search and Rescue.

Images, UC QuakeStudies

A photograph of two large signs at Agropolis that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Images, UC QuakeStudies

A photograph of a large sign at The Commons that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Images, UC QuakeStudies

A photograph of two large signs at Cathedral Junction that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Videos, UC QuakeStudies

A video of a tour through the Christchurch central city Red Zone. The video includes footage of the cordon checkpoint on Armagh Street, Oxford Terrace, Colombo Street, the Edmond's Band Rotunda, Manchester Street, Gloucester Street, Worcester Street, the Octagon Live restaurant, Hereford Street, Bedford Row, the Hotel Grand Chancellor, and High Street.

Articles, UC QuakeStudies

An PDF copy of a poster featuring Ilam resident Lupe Manu. The poster quotes Manu: "I am excited to be a young Tongan woman living in Christchurch." The poster is from the All Right? I am ... Identity project, which sought to celebrate identity and its importance to Pacific youth and their wellbeing.

Images, UC QuakeStudies

Looking south west across Cathedral Square showing the eastern side of Christchurch Cathedral (left), the Godley statue (centre left) with the (from left to right) Chief Post Office, the Regent Theatre Building (directly behind the statue on the corner of Worcester Street), the AMP Building, the Government Life Building and the Grand Theatre.

Images, UC QuakeStudies

A photograph of a large sign at The Commons that is part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.

Articles, UC QuakeStudies

An PDF copy of two posters encouraging the celebration of Pacific culture in Christchurch's Pacific communities. Each poster reads, "It's all right to love your Pacific culture". The first poster also reads, "Communication is the heartbeat of healthy family relationships," and the second reads, "Spirituality is a journey of purpose, faith and love.

Images, UC QuakeStudies

A view down Chancery Lane through cordon fencing. A sign reading "No Entry" is posted on the fence, and fallen leaves have accumulated around the fence and buildings. The photographer comments, "Chancery Lane in the Christchurch CBD red zone looks like it has had no one through at all since the February earthquake".

Images, UC QuakeStudies

The entrance to the West Avon building on Montreal Street. The photographer comments, "This very wonderful Art Deco heritage building in Christchurch had residents living in it until another visit from the building engineers re-re-checking for earthquake damage. Now it is fenced off and on the list for possible demolition".

Videos, UC QuakeStudies

An video recording of Rev Darryl Tempero's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 3 October 2012. At the time, Darryl Tempero was a Minister at Hope Presbyterian Hornby, the Presbyterian Earthquake Coordinator, and the Co-Chair of Christchurch Post Earthquake Churches' Forum.

Audio, UC QuakeStudies

An audio recording of Rev Darryl Tempero's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 3 October 2012. At the time, Darryl Tempero was a Minister at Hope Presbyterian Hornby, the Presbyterian Earthquake Coordinator, and the Co-Chair of Christchurch Post Earthquake Churches' Forum.

Images, UC QuakeStudies

A fence along the side of the Avon River near the Retour Restaurant has broken and is leaning towards the river. The photographer comments, "After the Christchurch earthquakes the land moved towards the river Avon and in a lot of places buildings and walls sagged down in the direction of the waterway".

Research papers, Victoria University of Wellington

Architecture and music have a long intertwining history.These respective creative forces many times have collaborated into monumental place, harboured rich occasion, been catalyst for cultural movement and defined generations. Together they transcend their respective identities. From dinky local church to monstrous national stadia, together they are an intense concentration, a powerfully addictive dosage where architecture is the place, music is the faith, and people are the reason.  Music is a programme that architecture often celebrates in poetic and grand fashion; a superficial excuse to symbolise their creative parallels. But their relationship is much richer and holds more value than just the opportunity to attempt architectural metaphor.While music will always overshadow the architecture in the sense of a singular event, architecture is like the soundman behind the mixing desk. It’s not the star front and centre grabbing your attention, but is responsible for framing the star. It is the foundational backdrop, a critical pillar. Great architecture can help make great music. In this sense music is a communication of architecture, it is the ultimate creative function.  Christchurch, New Zealand, is a city whose story changed in an instant. The seismic events of 2010 and 2011 have become the overriding subject of its historical narrative, as it will be for years to come. Disaster redefines place (the town of Napier, struck by an earthquake in 1931, exemplifies this). There is no quantifiable justification for an exploration of architecture and music within the context of Christchurch. The Town Hall, one of New Zealand’s most architecturally significant buildings, is under repair. The Christ Church Cathedral will more than likely be rebuilt to some degree of its former self. But these are echoes of the city that Christchurch was.They are saved because they are artefact. Evidence of history.This thesis makes the argument for the new, the better than before, and for the making of opportunity from disaster, by proposing a ‘new’ town hall, conceived from the sound of old.

Audio, Radio New Zealand

Is organising anarchists like herding cats? Apparently not. Sage Forest talks to an anarchists' collective with a deep faith in human nature. Beyond Resistance is a nation-wide anarchists' collective based in Christchurch. They hold regular meetings with the primary goal of empowering workers. But their faith in human nature has proven itself in the response to the earthquake crises. This, they say, is true anarchy at work.

Images, UC QuakeStudies

A member of the Los Angeles County Fire Department Search and Rescue Team looking at the maps at the entrance to 'Camp Hollywood', the headquarters of the American Civil Defence Forces in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.

Images, UC QuakeStudies

A member of the Los Angeles County Fire Department Search and Rescue Team looking at the maps at the entrance to 'Camp Hollywood', the headquarters of the American Civil Defence Forces in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.

Images, UC QuakeStudies

The Cathedral of the Blessed Sacrament on Barbadoes Street, severely damaged after the 22 February 2011 earthquake. The domes on either side of the Cathedral have collapsed and are lying in the area in front. To the right, a crushed car can just be seen.

Images, UC QuakeStudies

The Cathedral of the Blessed Sacrament on Barbadoes Street, severely damaged after the 22 February 2011 earthquake. The domes on either side of the Cathedral have collapsed and are lying in the area in front. To the right, a crushed car can just be seen.

Images, UC QuakeStudies

A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.