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Audio, Radio New Zealand

Fleur Beale is one of New Zealand's most prolific authors and the winner of many awards for children and young adult books. Her latest work is a novel that tells the story of a young girl who experienced the February 2011 Christchurch earthquake. It's part of an international series called Through my Eyes - Natural Disaster Zones, which is a series written by different authors focusing on war zones and disasters throughout the world. Fleur's book is based on real accounts of what happened in Christchurch told through the eyes of a young girl, Lyla. Fleur, who has won the Margaret Mahy Medal for her outstanding contribution to children's writing, and was awarded the New Zealand Order of Merit for services to literature, joins Kathryn to talk about her latest work, and why young adult fiction is the best and the process of getting a story right.

Images, Alexander Turnbull Library

The globe is depicted as a hand grenade; the skeletal remains of a hand reach out to 'pull the pin'. Context - the fragility of the world from a New Zealand point of view seen in the light of the Christchurch earthquakes of 4 September 2010 and 22 February 2011 and the Japanese earthquake and tsunami of 22 February 2011 and the present threat of a nuclear catastrophe caused by damaged nuclear power plants. Quantity: 1 digital cartoon(s).

Research papers, University of Canterbury Library

This paper provides a comparison between the strong ground motions observed in the Christchurch central business district in the 4 September 2010 Mw7.1 Darfield, and 22 February 2011 Mw6.3 Christchurch earthquakes with those observed in Tokyo during the 11 March 2011 Mw9.0 Tohoku earthquake. Despite Tokyo being located approximately 110km from the nearest part of the causative rupture, the ground motions observed from the Tohoku earthquake were strong enough to cause structural damage in Tokyo and also significant liquefaction to loose reclaimed soils in Tokyo bay. Comparisons include the strong motion time histories, response spectra, significant durations and arias intensity. The implications for large earthquakes in New Zealand are also briefly discussed.

Images, Alexander Turnbull Library

Commentary from the cartoonist 'The Earthquake Commission's leak of 83,000 files is like a storyline from Alfred Hitchcock: : a loon attempts to shock a nation that has already been rendered braindead from previous shocks.Note: EQC is ued here as an 'echo' of the term ECT [electro convulsive therapy...ie shock treatment].' In March 2013, there was a massive leak of of some 83,000 EQC files relating to individual claims relating to the Christchurch earthquakes. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Finance Minister Bill English takes a chain saw to a huge tome that represents the 'NZ Government BUDGET May 2011'. Context - the Government says cutting budget spending is necessary because it is going to have to pay back money borrowed to rebuild Christchurch. The Government will face the biggest budget deficit in New Zealand's history at the end of the current financial year, Finance Minister Bill English says. (NZ Herald 31 March 2011) Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows Prince William during his visit to New Zealand following the Christchurch earthquake on 22 February. He is sitting in a deckchair at the beach wearing a jersey with Canterbury colours and a paper hat with 'King of NZ' printed on it; he holds a sausage on a stick in one hand and a can of beer in the other and appears to be enjoying himself mightily. On either side of him is a fern. Quantity: 1 digital cartoon(s).

Images, eqnz.chch.2010

As buildings are demolished as a result of the earthquake in 2011, Wilson Carparking are waiting to pounce on each bit of vacant land. Someone suggested about a year ago that the city be renamed "Wilson" as that name appears more in the central city than Christchurch does! In the background the CERES NZ nibbler attacks the support structure fo...

Images, UC QuakeStudies

A photograph of volunteers from the Wellington Emergency Management Office being photographed in front of a truck. The volunteers are preparing to travel to Christchurch to help out after the 22 February 2011 earthquake. In the background is the Wellington Emergency Management Office building.

Images, UC QuakeStudies

A photograph of members of the Wellington Emergency Management Office at a graduation ceremony in the Wellington Town Hall. The volunteers were awarded certificates of appreciation at the ceremony, for their work in the emergency response to the 22 February 2011 earthquake in Christchurch.

Images, UC QuakeStudies

A photograph of a young girl at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of a poster above the staircase at The Auricle Sonic Arts Gallery on New Regent Street. The poster is advertising the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Videos, UC QuakeStudies

A video of a tour through the Christchurch central city Red Zone. The video includes footage of the Hotel Grand Chancellor, Victoria Square, the Forsyth Barr building, Colombo Street, Gloucester Street, Cathedral Square, the BNZ building, Cashel Mall, and the Kathmandu store on High Street.

Videos, UC QuakeStudies

A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates visits former festival venues in the Christchurch central city and the new performance venues for the 2014 festival, to show how the city has changed since the 2010 and 2011 earthquakes.

Images, UC QuakeStudies

A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.