Time Capsule from the Oxford Terrace Baptist Church investigated by left to right Rev Chris Chamberlain, Senior Minister OTBC. Mike Crudge, Minister OTBC Lynn Campbell, Paper Conservator Christchurch Art Gallery Jeff Palmer, archivist Jill Durney from the Macmillan Brown library. 15.7.11
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. Johnny McFarlane of Beca is talking about project management of transitional architecture. The talk was part of a tour of the Cathedral, during FESTA 2013.
A photograph of a member of SPCA helping a member of Massy University's Veterinary Emergency Response Team (VERT) to load medical supplies into their vehicles. VERT travelled to Christchurch after the 22 February 2011 earthquake in order to assist with caring for animals.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. A tour of the Cathedral was part of FESTA 2013. The tour included a talk by Johnny McFarlane of Beca about project management of transitional architecture.
People cast flowers into the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. In the background is the string quartet from Christchurch Girls High School which played before the event.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of people gathered in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. A tour of the Cathedral was part of FESTA 2013. The tour included a talk by Johnny McFarlane of Beca about project management of transitional architecture.
A lawyer says a District Court ruling could set a precedent for hundreds of people with PTSD. The ruling directs ACC to cover the medical costs of a Christchurch builder who volunteered in the earthquake rescue effort, but was later hit with PTSD.
Nikki Ross is still waiting on an insurance settlement almost seven years after her family home was damaged in the February, 2011 Christchurch earthquake. Trish Keith from EQC says they're hoping to offer the family a settlement in the next three weeks.
It's been revealed earthquake damage was only one factor considered by the Ministry of Education when it decided to close schools in Christchurch and that it was just as much to do with reducing the overall number of schools in the city.
This week marked the 4th anniversary of the Christchurch and Canterbury earthquake. New research from the University of Otago in Christchurch with earthquake survivors is shedding some light on the question of what makes some people cope better with trauma than others. A group of psychiatrists and psychologists from the University have been studying a group of more than 100 Cantabrians exposed to high levels of stress during the earthquakes who coped well. They compared this group against a group of patients with post-earthquake trauma, being treated by the Adult Specialist Services Earthquake Treatment Team, or ASSETT, set up by the Canterbury DHB. Dr Gini McIntosh from the Otago University is part of the research team, and one of the psychologists with ASSETT.
A video of a presentation by Antony Gough, New Zealand property developer, during a panel at the 2016 Seismics in the City Conference. The panel has three themes:A City on the Move: Collaboration and Regeneration: "'Christchurch is now moving rapidly from the recovery phase into a regeneration stage with Central and Local Government working with the wider community, including the business community to ensure we get optimal outcomes for greater Christchurch' (CECC)."Looking Back: Remembering and Learning: "What are the milestones? What are the millstones? What have we learnt? What have we applied?"Looking Forward: Visioning and Building: "What do we aspire to? What are the roadblocks? What is the way forward?"
In this edition: The report into the collapse of the CTV building in the Christchurch earthquake a year ago is released, the Maori Council lodges claims with the Waitangi tribunal that could throw a spanner in the works of the Government's asset sales programme, the Earthquake Recovery Minister nearing the end of his tether with the Christchurch City Council, more from the Pike River Royal Commission, Radio Live could face a potential one hundred thousand dollar fine under the electoral act over John Key's hour long radio show in the run up to the 2011 election, banks lift their collective profits for the second half of 2011 by 25 percent and the winners are announced at the 2012 Halberg Awards.
The cartoon shows the joined hands of two people. Context - Those who have suffered from the earthquakes of 4 September 2010 and 22 February 2011 in Christchurch and those who have suffered from the earthquake, tsunami and nuclear catastrophe in Japan that struck on 11 March 2011. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
Located on the edge of two tectonic plates, New Zealand has numerous fault lines and seismic risk across the whole country. The way this risk is communicated affects whether people prepare effectively or at all. Research has shown that perceptions of risk are affected by slight changes in wording, and that probabilities commonly reported by experts and media are often interpreted subjectively based on context. In the context of volcanoes, research has found that given a certain probability of a volcano in a specific time window, people perceive risk as higher in later time intervals within that window. The present study examines this pattern with regard to earthquakes and aftershocks in the New Zealand context. Participants in both Wellington (N = 102) and Christchurch (N = 98) were presented an expert statement of earthquake risk within a given time window in Wellington and aftershock risk in Christchurch, and asked to rate their perception of risk in specific intervals across the time window. For a Wellington earthquake, participants perceived risk as incrementally higher toward the end of the 50 year time window whereas for a Christchurch aftershock, risk perception increased slightly for the first three intervals of the 12 month time window. Likelihood of preparing was constant over the time windows, with Wellington citizens rating themselves more likely than Christchurch citizens to prepare for either an earthquake or aftershock, irrespective of current level of preparedness. These findings suggest that people view earthquakes as more likely later toward the end of a given time window and that they view aftershocks very differently to scientific predictions.
Small, tight-knit communities, are complex to manage from outside during a disaster. The township of Lyttelton, New Zealand, and the communities of Corsair Bay, Cass Bay, and Rapaki to the east, are especially more so difficult due to the terrain that encloses them, which caused them to be cut-off from Christchurch, the largest city in the South Island, barely 10 km away, after the Mw 7.1 Darfield Earthquake and subsequent Canterbury Earthquake Sequence. Lyttelton has a very strong and deep-rooted community spirit that draws people to want to be a part of Lyttelton life. It is predominantly residential on the slopes, with retail space, service and light industry nestled near the harbour. It has heritage buildings stretching back to the very foundation of Canterbury yet hosts the largest, modern deep-water port for the region. This study contains two surveys: one circulated shortly before the Darfield Earthquake and one circulated in July 2011, after the Christchurch and Sumner Earthquakes. An analytical comparison of the participants’ household preparedness for disaster before the Darfield Earthquake and after the Christchurch and Sumner Earthquakes was performed. A population spatiotemporal distribution map was produced that shows the population in three-hourly increments over a week to inform exposure to vulnerability to natural hazards. The study went on to analyse the responses of the participants in the immediate period following the Chrsitchurch and Sumner Earthquakes, including their homeward and subsequent journeys, and the decision to evacuate or stay in their homes. Possible predictors to a decision to evacuate some or all members of the household were tested. The study also asked participants’ views on the events since September 2010 for analysis.
A photograph of a group of tents set up in Latimer Square next to the USAID tent. The tents were used as temporary accommodation for emergency management personnel after the 22 February 2011 earthquake.
Photograph captioned by BeckerFraserPhotos, "25 Seabreeze Close, Bexley. View through the window shows the crack in the floor slab, and a pile of silt in the corner of the room".
A photograph of a performer suspended in the air by a harness during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a crowd gathered around the large-scale puppets created for FESTA's 2013 Canterbury Tales event. The puppets are in the Re:START mall car park on Cashel Street.
The cartoon is drawn as a game of 'Quakeopoly' in which earthquakes, aftershocks, assessment waits, stress etc. allow one to move from one square to the next but players are always forced backwards and can never win. Context - The Canterbury earthquakes of 4 September 2010 and 22 February 2011 and the continuing aftershocks. Quantity: 1 digital cartoon(s).
It is night and a man and his wife are lifting their chemical toilet over the garden fence with the intention of emptying it into the neighbour's longdrop. The man confidently tells his wife to relax as the neighbour hasn't a clue they are planning to do this. The neighbour, meanwhile, sits in the outhouse holding a cricket bat at the ready. Context - toilet problems in Christchurch post earthquake 22 February 2011. Colour and black and white versions available Quantity: 2 digital cartoon(s).
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a rehearsal for a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in the air by a harness during a rehearsal for a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of the base of The Bouffante Cart being unloaded from a flatbed truck in a Re:START mall car park. The cart is part of Canterbury Tales, which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in the air by a harness during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.