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Articles, UC QuakeStudies

A PDF copy of eight signs from phase 2 of the All Right? campaign, depicting different ways that people can improve their wellbeing. The signs are from phase 2 of the All Right? campaign, promoting the Five Ways to Wellbeing. The Five Ways to Wellbeing is a simple, evidence-based approach to improving wellbeing, promoted by the Mental Health Foundation.

Images, UC QuakeStudies

An image used as a cover photo on the All Right? Facebook page. The image reads, "Into it or over it? Live Brighter." 'Live Brighter' was an All Right? campaign to encourage happier, healthier behaviours and lifestyles that began in 2016. All Right? used the image as a Facebook cover photo on 11 March 2016 at 10:51am and 30 March 2016 at 1:06pm.

Images, UC QuakeStudies

A photograph of signs in the front door of the Bai Yok restaurant on Colombo Street. One of the sign reads, "Closed, Will Return". No time or date has been added to the sign. A ripped yellow sticker stuck to the glass indicates that the access to the building is restricted. The Phanyou Family have also taped a piece of paper to the door with their contact numers.

Articles, UC QuakeStudies

A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting people in Akaroa. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Akaroa has changed a lot and we all see things a little differently. And that's all right".

Images, UC QuakeStudies

A photograph of a tape artwork on the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of some of the tape artworks on the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of several earthquake-damaged buildings on Lichfield Street. A section of the top storey of the building in the middle has collapsed. USAR codes have been spray-painted on the front door, columns, and windows of all of the buildings. A red sticker has also been stuck to the door of the closest building, indicating that it is unsafe to enter.

Images, UC QuakeStudies

A photograph of mannequins lying on the footpath outside the R.N.A clothing store on Colombo Street. The mannequins are dressed in adventure gear. USAR codes have been spray-painted on the glass door and window of the store. A yellow sticker has also been stuck to the door, indicating that access to the building is restricted.

Images, UC QuakeStudies

A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".

Images, UC QuakeStudies

A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".

Images, UC QuakeStudies

A photograph of a tape artist with her creation - two daisies in a garden. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of tape artists creating tape art bubbles for the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of tape artists with their tape art creation - a house with a footpath. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of a tape artist ripping down a section of the tape art mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A car on Rowses Road has its wheels embedded in liquefaction. The photographer comments, "The most common sight was extensive damage to the roads. Papanui, Breezes, Wainoni, Shortland Street and many more roads had large cracks and large sink holes. There were approximately 6 cars and 1 large Ready Mix cement truck that had fallen into holes within a few blocks of each other. All people appear to have escaped without serious injury as far as I could tell".

Articles, UC QuakeStudies

Caption reads: "I lived in London all through the Blitz, you get used to these things. Living here after the earthquakes didn’t bother me. I had a small battery operated radio and the neighbour lent me her generator. Initially I used it to run the fridge but after a while I couldn’t get it started. I don’t want to move, to be quite honest. There’s nothing that will be able to replace the life I built here."

Images, UC QuakeStudies

A photograph of some of the tape artworks on the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of tape artists and musicians in front of the tape art mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A car stuck in a large pothole on River Road. The wheels on the right hand side of the car have fallen into the hole, leaving the car grounded against the road surface. The photographer comments, "This car belonged to a postal delivery worker - the NZ Post bike rack is mounted on the towbar. The owner must have biked home. Later a tow truck arrived to extract the car from the hole that had opened under its front wheel".

Images, UC QuakeStudies

A photograph of tape artists from Skillwise creating tape artworks on the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, UC QuakeStudies

A photograph of a tape artist in front of the mural. The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.

Images, eqnz.chch.2010

I didn't even know the bookshelf had fallen on me till later that morning. When I saw the bookcase and books all over the bed, I was glad to be only 5 foot tall or my legs would have been crushed by sturdy books like 'A day in the life of the Soviet Union' and some thumping big art books, or even the cheapo board bookcase with half its shelves...

Research papers, The University of Auckland Library

This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.

Research papers, University of Canterbury Library

Geospatial liquefaction models aim to predict liquefaction using data that is free and readily-available. This data includes (i) common ground-motion intensity measures; and (ii) geospatial parameters (e.g., among many, distance to rivers, distance to coast, and Vs30 estimated from topography) which are used to infer characteristics of the subsurface without in-situ testing. Since their recent inception, such models have been used to predict geohazard impacts throughout New Zealand (e.g., in conjunction with regional ground-motion simulations). While past studies have demonstrated that geospatial liquefaction-models show great promise, the resolution and accuracy of the geospatial data underlying these models is notably poor. As an example, mapped rivers and coastlines often plot hundreds of meters from their actual locations. This stems from the fact that geospatial models aim to rapidly predict liquefaction anywhere in the world and thus utilize the lowest common denominator of available geospatial data, even though higher quality data is often available (e.g., in New Zealand). Accordingly, this study investigates whether the performance of geospatial models can be improved using higher-quality input data. This analysis is performed using (i) 15,101 liquefaction case studies compiled from the 2010-2016 Canterbury Earthquakes; and (ii) geospatial data readily available in New Zealand. In particular, we utilize alternative, higher-quality data to estimate: locations of rivers and streams; location of coastline; depth to ground water; Vs30; and PGV. Most notably, a region-specific Vs30 model improves performance (Figs. 3-4), while other data variants generally have little-to-no effect, even when the “standard” and “high-quality” values differ significantly (Fig. 2). This finding is consistent with the greater sensitivity of geospatial models to Vs30, relative to any other input (Fig. 5), and has implications for modeling in locales worldwide where high quality geospatial data is available.