A document which describes best practice for dewatering guidelines.
An entry from Deb Robertson's blog for 8 July 2011 entitled, "Recycling...".
An entry from Deb Robertson's blog for 29 June 2011 entitled, "Tins...".
A photograph of a notice giving information for Heathcote residents.
A photograph of a notice giving information for Heathcote residents.
The information board for the Riccarton House earthquake repairs and strengthening project.
An entry from Deb Robertson's blog for 27 February 2014 entitled, "#havethechat".
The badly-damaged McKenzie and Willis building, with bracing for support.
An entry from Sue Davidson's blog for 24 October 2012 entitled, "Media".
A copy of a letter from Hugo Kristinsson which was sent to Roger Sutton on 19 September 2013. The letter was sent on behalf of Empowered Christchurch. In the letter, Kristinsson expresses his concern about changes to the Building Act which he states, 'waive liability for the Building Consent Authority when repairs are carried out on homes with land damage'. He also discusses the CERA community forums, which he feel are not fufilling their purpose of supporting and informing the Canterbury community. Lastly, Kristinsson lodges an Official Information Act request, asking for all forum notices and minutes to be released to the public and for access to land information to be provided.
Imagined landscapes find their form in utopian dreaming. As ideal places, utopias are set up according to the ideals of their designers. Inevitably, utopias become compromised when they move from the imaginary into the actual. Opportunities to create utopias rely largely on a blank slate, a landscape unimpeded by the inconveniences of existing occupation – or even topography. Christchurch has seen two utopian moments. The first was at the time of European settlement in the mid-nineteenth century, when imported ideals provided a model for a new city. The earthquakes of 2010 and 2011 provided a second point at which utopian dreaming spurred visions for the city. Christchurch’s earthquakes have provided a unique opportunity for a city to re-imagine itself. Yet, as is the fate for all imaginary places, reality got in the way.
Numerous rockfalls released during the 2010–2011 Canterbury earthquake sequence affected vital road sections for local commuters. We quantified rockfall fatality risk on two main routes by adapting a risk approach for roads originally developed for snow avalanche risk. We present results of the collective and individual fatality risks for traffic flow and waiting traffic. Waiting traffic scenarios particularly address the critical spatial-temporal dynamics of risk, which should be acknowledged in operational risk management. Comparing our results with other risks commonly experienced in New Zealand indicates that local rockfall risk is close to tolerability thresholds and likely exceeds acceptable risk.
A truck laying gravel on Lichfield Street in preparation for a building demolition.
The sign for the Te Puna Wanaka building at the CPIT.
A truck laying gravel on Lichfield Street in preparation for a building demolition.
A sign for the Cranmer Centre remains as a digger clears the site.
Bricks made from liquefaction silt, for sale at the Canterbury A&P Show.
A photograph of a sign for the Electorate Office of MP Brendon Burns.
Cars slow for road works on Lineside Road, outside Kaiapoi, near the intersection with Revells Road.
Cars slow for road works on Lineside Road, outside Kaiapoi, near the intersection with Revells Road.
An entry from Deb Robertson's blog for 4 September 2010 entitled, "Earthquake!".
An entry from Deb Robertson's blog for 15 July 2011 entitled, "Thankful...".
Semi-empirical models based on in-situ geotechnical tests have become the standard of practice for predicting soil liquefaction. Since the inception of the “simplified” cyclic-stress model in 1971, variants based on various in-situ tests have been developed, including the Cone Penetration Test (CPT). More recently, prediction models based soley on remotely-sensed data were developed. Similar to systems that provide automated content on earthquake impacts, these “geospatial” models aim to predict liquefaction for rapid response and loss estimation using readily-available data. This data includes (i) common ground-motion intensity measures (e.g., PGA), which can either be provided in near-real-time following an earthquake, or predicted for a future event; and (ii) geospatial parameters derived from digital elevation models, which are used to infer characteristics of the subsurface relevent to liquefaction. However, the predictive capabilities of geospatial and geotechnical models have not been directly compared, which could elucidate techniques for improving the geospatial models, and which would provide a baseline for measuring improvements. Accordingly, this study assesses the realtive efficacy of liquefaction models based on geospatial vs. CPT data using 9,908 case-studies from the 2010-2016 Canterbury earthquakes. While the top-performing models are CPT-based, the geospatial models perform relatively well given their simplicity and low cost. Although further research is needed (e.g., to improve upon the performance of current models), the findings of this study suggest that geospatial models have the potential to provide valuable first-order predictions of liquefaction occurence and consequence. Towards this end, performance assessments of geospatial vs. geotechnical models are ongoing for more than 20 additional global earthquakes.
Photograph captioned by BeckerFraserPhotos, "Clarendon Tower being readied for deconstruction".
An entry from Sue Davidson's blog for 14 December 2012 entitled, "More supprises".
An entry from Sue Davidson's blog for 14 October 2012 entitled, "Electricians challenged".
An entry from Sue Davidson's blog for 14 October 2012 entitled, "Dora's Roof".
An entry from Sue Davidson's blog for 14 October 2012 entitled, "Mast testing".
An entry from Sue Davidson's blog for 15 October 2012 entitled, "Dora's sponsors".
An entry from Sue Davidson's blog for 23 October 2013 entitled, "Rehua Marae".