
Photograph captioned, "I'll have mixed feelings when I leave. I'll be sad to go - and sad to see my house go. But I hope it'll be a good feeling once it's over. I'll be pleased to get to that stage and feel like I'm finally moving on".
A photograph captioned, "I was reading in the paper this morning about one of the people who was orange and then went red yesterday. They said they were really glad they'd gone red rather than green-blue. Green-blue is the one they're going to have problems with".
A photograph captioned, "In the 1930s the traffic in Gayhurst Road was so light that I can remember playing hockey and cricket with apple boxes for wickets. If a car or cart came along there was plenty of time to shift the boxes to let them past".
A photograph captioned, "I guess the only good thing that came out of the earthquake is that we know the residents better. It definitely bought people together, and the support was incredible. If you didn't know your neighbours before, you definitely knew them after the quake. We made friends out of this".
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, a photograph of a skateboarder has been inserted into a gap in the building. The photographer comments, "Although Cranmer Courts are in ruins pictures have been inserted into the windows to make them look more 'normal'".
A photograph captioned, "It feels like it has been a really on-going process. We weren't in the head space for it really, because when you retire, you think you're in your retirement home and you're there to stay. You don't expect to have to move on. To do all this".
A digital photograph in PDF format with caption. Image from the inside of a Red Zoned home in the Horseshoe Lake area. Image depicts the dining area where a poem had been written on the walls by a member of the family. Poem talks about the earthquake, living in Horseshoe Lake, and being Red Zoned and what that means.
A 'sand volcano' of liquefaction silt. The photograph has been rotated 180 degrees. The photographer comments, "This could be just a horrible hole caused by liquefaction pouring out of a hole after the Christchurch earthquake in January, but turn it upside down and it becomes an outcrop on the floor of an unseen tidal estuary".
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, a photograph of a young man working at a desk has been inserted into a gap in the building. The photographer comments, "Although Cranmer Courts are in ruins pictures have been inserted into the windows to make them look occupied".
A digitally manipulated photograph of a building on Poplar Lane. The photographer comments, "I felt that this building had a real Italian feel about it. It is actually in Christchurch, New Zealand. It appears on the list to be partially demolished after the Christchurch earthquake, so it might not be around for much longer".
Photograph captioned, "Dallington used to be the most popular suburb in New Zealand to live in. And that makes sense, because it's halfway between the beach and the city. It's close enough to town but far enough away, as well. There were good schools in the area. The mall was close. It's got the river and the tree lined sections, everything. It was special all right".
A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".
A digitally manipulated photograph of the foyer of the Christchurch Art Gallery. The photographer comments, "The Christchurch art gallery has been closed to the public since the February 2011 earthquake and its reopening seems to be in the distant future. I want to convey the feeling that if art is not looked at darkness starts to overcome it and the paint starts to peel off".
A digitally manipulated photograph of the badly twisted Medway Street footbridge. The photographer comments, "This bridge over the Avon River in Christchurch, New Zealand has been left in place since the first major earthquake back in September 2010. Graffiti artists or taggers are still leaving their marks on it even though it is nearly twisted at 90 degrees at one point".
A digitally manipulated photograph of broken windows on Shadbolt House. The photographer comments, "This was close to the start of the demolition of the earthquake damaged Shadbolt House building in the Port of Lyttelton, New Zealand. In the bright sun the glass reflected the blue sky, but the broken windows only reflected the blackness of the interior of the empty broken building".
A digitally manipulated photograph of a letterbox lying on the ground in front of a red-stickered house. The photographer comments, "An abandoned red stickered house just outside the four avenues that surround Christchurch CBD. The letterbox came down when the wall it was attached to collapsed. The occupants would have had strict instructions to stay out as the property is too dangerous to enter in case there is another earthquake or big aftershock".
A photograph captioned, "We get the young fellas to come in and do the upkeep on the government houses that have been sold. They cut down all the long grass and just tidy up all the fire risk sections. This one's easier cos the house is gone. If you keep it tidy it looks tidy from the road. There's people living here, and there's nothing worse than looking over your house and seeing grass this high".
A digitally manipulated image of a statue of the Virgin Mary in a broken window of the Cathedral of the Blessed Sacrament. The photographer comments, "Before the February 2011 earthquake the statue above was facing into the Cathedral looking down a corridor, but after it had turned 180 degrees to point towards the window. The statue of Mary turning like this gave a sign of hope for the people of Christchurch. It was amongst one of the most photographed things after the earthquake until it was removed".
A digitally manipulated photograph of twisted reinforcing rods amongst the rubble from the demolition of QEII. The photographer comments, "These rarely seen worms live in the pressurised earth under the foundations of buildings. They need a damp soil and be under at least 100 pounds of pressure per square inch. After the destructive force of an earthquake they swiftly rise to the surface through gaps in the rubble. Unfortunately they quickly die and then crystallise as hard as iron in the dry low pressure air".
A photograph captioned, "I miss living here, right by the river. I'd been there for quite a long time, 12 years or so. I realize now I took it for granted a bit. I used to get a bit bored with having a big old house that was cold, difficult to clean, and perhaps hard to keep warm. But now, when I go back there, I miss living in a big house by the river with an open fire and a big lounge and everything. I had the park there on the other side of the river. And there was a little bridge down there where you could walk over to it. There was actually a circuit you could do, up to the New Brighton Bridge and back. Yeah, it was beautiful".
In this paper we introduce CityViewAR, a mobile outdoor Augmented Reality (AR) application for providing AR information visualization on a city scale. The CityViewAR application was developed to provide geographical information about the city of Christchurch, which was hit by several major earthquakes in 2010 and 2011. The application provides information about destroyed buildings and historical sites that were affected by the earthquakes. The geo-located content is provided in a number of formats including 2D map views, AR visualization of 3D models of buildings on-site, immersive panorama photographs, and list views. The paper describes the iterative design and implementation details of the application, and gives one of the first examples of a study comparing user response to AR and non-AR viewing in a mobile tourism application. Results show that making such information easily accessible to the public in a number of formats could help people to have richer experience about cities. We provide guidelines that will be useful for people developing mobile AR applications for city-scale tourism or outdoor guiding, and discuss how the underlying technology could be used for applications in other areas.
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.