A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A panoramic photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of performance artist Audrey Baldwin sitting in her Kissing Booth at the Addington Fun Fair.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
In 2013 Becca Wood, Spatial Performance Practitioner, and Molly Mullen, Applied Theatre Practitioner, collaborated to create a short ambulatory performance with audio score for a group of drama educators attending a conference workshop on the possibilities of walking as performance. The performance was created remotely from the intended site: Rangi Ruru Girls’ School, in Christchurch, New Zealand. Following the destruction of the 2012 earthquake, this site was in a state of transformation and recovery. The performance walk attended to the histories, geographies and politics of this place, somatically, architecturally and socially. This paper engages with three critical questions: How might mediated listening and walking activate the coming together of bodies and place? What performative shifts occurred for the participants in the walk and workshop? How might we come to our senses? Through a performative practice of mediated site-based listening and walking, this paper is a reflection on the creative process and performance. We consider the potential for technologically mediated performance to offer new modes for learning and creative practice through interdisciplinary and evolving intermedial practices http://www.tandfonline.com/toc/crde20/current AM - Accepted Manuscript
A document summarising the establishment, structure and outcomes of the Value of SCIRT initiative.
The M7.1 Darfield earthquake shook the town of Christchurch (New Zealand) in the early morning on Saturday 4th September 2010 and caused damage to a number of heritage unreinforced masonry buildings. No fatalities were reported directly linked to the earthquake, but the damage to important heritage buildings was the most extensive to have occurred since the 1931 Hawke‟s Bay earthquake. In general, the nature of damage was consistent with observations previously made on the seismic performance of unreinforced masonry buildings in large earthquakes, with aspects such as toppled chimneys and parapets, failure of gables and poorly secured face-loaded walls, and in-plane damage to masonry frames all being extensively documented. This report on the performance of the unreinforced masonry buildings in the 2010 Darfield earthquake provides details on typical building characteristics, a review of damage statistics obtained by interrogating the building assessment database that was compiled in association with post-earthquake building inspections, and a review of the characteristic failure modes that were observed
A photograph of spectators at 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of a crowd gathered in the Re:START mall car park on Cashel Street for a performance during FESTA 2013.
A photograph of a crowd gathered in the Re:START mall car park on Cashel Street for a performance during FESTA 2013.
A photograph of spectators at 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
A photograph of a musician at 'Silencio Ensemble', an outdoor acoustic performance using tubular bells and road cones. The event was part of FESTA 2012.
Principal contractors can achieve better financial performance in civil construction projects by increasing the proportion of works delivered by subcontractors. However, anecdotally the use of subcontractors is thought to be make principal contractors less competitive due to compounding profit margins. This study found that projects with a higher proportion of subcontracted work exhibit better financial results than projects with less work delivered by subcontractors. This study uses the Christchurch Infrastructure Alliance (known as the Stronger Christchurch Infrastructure Rebuild Team, SCIRT) as a case study to observe why principal contracting firms engage subcontractors and the effect subcontracting has on the overall performance of a construction project. Five top tier civil contracting firms (known as ‘delivery teams’) participated in the alliance. Each team was responsible for the delivery of individual projects. A sample of 334 individual SCIRT projects were analysed, and key delivery team staff were surveyed, to investigate the effect subcontractor engagement has on performance. Between the five delivery teams there were clear differences in how much work was delivered via subcontracts. The extent of this subcontractor engagement had a significant effect on the relative performance of the principal contractor. A positive correlation between subcontractor engagement and overall financial performance is observed, and a negative correlation is observed between subcontractor engagement and non-financial performance. Although the causes of these relationships appear complex, the primary reason appears to be that subcontracting fosters increased productivity by cascading financial performance incentives closer to the physical construction task. To maximise competitiveness and financial performance, principal contractors must embrace the use of subcontractors and develop efficient systems of managing subcontracted work.
To identify key ground characteristics that led to different liquefaction manifestations during the Canterbury earthquakes
Structural engineering is facing an extraordinarily challenging era. These challenges are driven by the increasing expectations of modern society to provide low-cost, architecturally appealing structures which can withstand large earthquakes. However, being able to avoid collapse in a large earthquake is no longer enough. A building must now be able to withstand a major seismic event with negligible damage so that it is immediately occupiable following such an event. As recent earthquakes have shown, the economic consequences of not achieving this level of performance are not acceptable. Technological solutions for low-damage structural systems are emerging. However, the goal of developing a low-damage building requires improving the performance of both the structural skeleton and the non-structural components. These non-structural components include items such as the claddings, partitions, ceilings and contents. Previous research has shown that damage to such items contributes a disproportionate amount to the overall economic losses in an earthquake. One such non-structural element that has a history of poor performance is the external cladding system, and this forms the focus of this research. Cladding systems are invariably complicated and provide a number of architectural functions. Therefore, it is important than when seeking to improve their seismic performance that these functions are not neglected. The seismic vulnerability of cladding systems are determined in this research through a desktop background study, literature review, and postearthquake reconnaissance survey of their performance in the 2010 – 2011 Canterbury earthquake sequence. This study identified that precast concrete claddings present a significant life-safety risk to pedestrians, and that the effect they have upon the primary structure is not well understood. The main objective of this research is consequently to better understand the performance of precast concrete cladding systems in earthquakes. This is achieved through an experimental campaign and numerical modelling of a range of precast concrete cladding systems. The experimental campaign consists of uni-directional, quasi static cyclic earthquake simulation on a test frame which represents a single-storey, single-bay portion of a reinforced concrete building. The test frame is clad with various precast concrete cladding panel configurations. A major focus is placed upon the influence the connection between the cladding panel and structural frame has upon seismic performance. A combination of experimental component testing, finite element modelling and analytical derivation is used to develop cladding models of the cladding systems investigated. The cyclic responses of the models are compared with the experimental data to evaluate their accuracy and validity. The comparison shows that the cladding models developed provide an excellent representation of real-world cladding behaviour. The cladding models are subsequently applied to a ten-storey case-study building. The expected seismic performance is examined with and without the cladding taken into consideration. The numerical analyses of the case-study building include modal analyses, nonlinear adaptive pushover analyses, and non-linear dynamic seismic response (time history) analyses to different levels of seismic hazard. The clad frame models are compared to the bare frame model to investigate the effect the cladding has upon the structural behaviour. Both the structural performance and cladding performance are also assessed using qualitative damage states. The results show a poor performance of precast concrete cladding systems is expected when traditional connection typologies are used. This result confirms the misalignment of structural and cladding damage observed in recent earthquake events. Consequently, this research explores the potential of an innovative cladding connection. The outcomes from this research shows that the innovative cladding connection proposed here is able to achieve low-damage performance whilst also being cost comparable to a traditional cladding connection. It is also theoretically possible that the connection can provide a positive value to the seismic performance of the structure by adding addition strength, stiffness and damping. Finally, the losses associated with both the traditional and innovative cladding systems are compared in terms of tangible outcomes, namely: repair costs, repair time and casualties. The results confirm that the use of innovative cladding technology can substantially reduce the overall losses that result from cladding damage.
A photograph of an acrobat practicing a performance for 'Sound Cone' at LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone' at LUXCITY.