A photograph of three Aranui Primary School pupils and an adult looking at a trail map. The photograph was taken at the launch of the Aranui AWA trail at Aranui School.
Photograph captioned by BeckerFraserPhotos, "The north-west corner of Manchester and Gloucester Streets (Map World). Extensive frontal collapse of the Gloucester Street frontage during the 13 June 2011 earthquake".
One of the new directions signs at key points around the edge of the cordon, which show a map of the Red Zone and walking times and directions to various landmarks.
The latest two great earthquake sequences; 2010- 2011 Canterbury Earthquake and 2016 Kaikoura Earthquake, necessitate a better understanding of the New Zealand seismic hazard condition for new building design and detailed assessment of existing buildings. It is important to note, however, that the New Zealand seismic hazard map in NZS 1170.5.2004 is generalised in effort to cover all of New Zealand and limited to a earthquake database prior to 2001. This is “common” that site-specific studies typically provide spectral accelerations different to those shown on the national map (Z values in NZS 1170.5:2004); and sometimes even lower. Moreover, Section 5.2 of Module 1 of the Earthquake Geotechnical Engineering Practice series provide the guidelines to perform site- specific studies.
A photograph of a map used by the Wellington Emergency Management Office Emergency Response Team. The block of buildings between Montreal, Acton, St Asaph, and Antigua Streets has been outlined in red. Halkett Street has also been coloured in red. Various buildings around these areas have been highlighted in orange and blue.
A photograph of a map used by the Wellington Emergency Management Office Emergency Response Team. The block of buildings between Montreal, Acton, St Asaph, and Antigua Streets has been outlined in red. Halkett Street has also been coloured in red. Various buildings around these areas have been highlighted in orange and blue.
A photograph of a map used by emergency management personnel to inspect buildings after the 22 February 2011 earthquake. The block between St Asaph, Antigua, Montreal, and Acton Street has been outlined with a red felt-tip pen. Some of the buildings in the block and below Acton Streets have been coloured orange. A few other buildings have been coloured blue.
A PDF copy of the FESTA 2012 programme. The programme includes a site map of FESTA events and projects, and key information about each one. It is designed to fold out into a poster.
A PDF copy of the FESTA 2014 programme. The programme includes a site map of FESTA events and projects, and key information about each one. It is designed to fold out into a poster.
Photograph captioned by BeckerFraserPhotos, "267 Manchester Street".
A photograph of 'All Righties' about to squirt Guy Langford's Captain Cook as he shows his treasure map to a child. The photograph was taken at the 2014 SCIRT World Buskers Festival in Hagley Park.
A photograph of two posters attached to the fence of Chisnallwood Intermediate. The poster on the left shows the AWA Trails map. The poster on the right identifies this spot as Location 1 on the Chisnallwood Trail. The photograph was taken at the launch of the Chisnallwood AWA trail at Chisnallwood Intermediate. All Right? posted the photograph on their Facebook page on 2 September 2015 at 3:56pm.
A PDF copy of an advertisement for the AWA Trails. The advertisement reads, "Walk, talk and explore the East. Four trails to enjoy, twenty five spots to discover. Download your own printable map today at allright.org.nz/AWA".
A photograph of two people looking at an AWA Trail map. The photograph was taken at the launch of the Aranui AWA trail at Aranui School. All Right? posted the photograph on their Facebook page on 2 September 2015 at 3:55pm.
Civil Defence staff conferring at their headquarters in the Christchurch Art Gallery during the immediate aftermath of the 22 February earthquake. On the back wall maps of the city on which areas of importance have been marked with stickers and marker pens can be seen.
A photograph of cars on Manchester Street which has been crushed by falling rubble. Bricks and other rubble from the earthquake-damaged shops above are scattered across the road in front. The word "clear" has been spray-painted on the side of the cars.
Photograph captioned by BeckerFraserPhotos, "Intersection of Gloucester and Manchester Streets (north-west view)".
The entrance to 'Camp Hollywood', the American Civil Defence Force headquarters in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square. The entrance way has a wooden sign reading, "Camp Hollywood" and a series of maps of Christchurch and New Zealand.
A zip file containing:Drawing Register template spreadsheetsA full collection of multi-discipline symbols used within the SCIRT drawingsGroup and Catalogue files for setting up the SCIRT AutoCAD Tool PalettesA 12d to AutoCAD Export Map File which 12d uses to export plans from 12d format to dwg format.
A photograph of four St James School pupils presenting the AWA Trails project. One of the pupils (centre-right) holds an AWA Trails map. The photograph was taken at the launch of the St James AWA Trail at St James School. All Right? uploaded the photograph to their Facebook Timeline on 2 September 2015 at 3:56pm.
A photograph of signs on the side of the Christchurch Art Gallery. The art gallery served as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake. The signs read, "Media Info, Christchurch Earthquake Response" and "Media Briefings, every day 10:30 and 17:30 hours in auditorium". There is also a map showing access points into the central city.
A photograph of signs on a wall in the Christchurch Art Gallery. The signs read, "Final media trip to the CTV building, 15:00 hours, media opportunity with National Controller and rescue services. This is the last scheduled media hour into the red zone", "Media Briefings, Tuesday 8 March: 10:30 hours, Wednesday 9 March: 15:00 hours, in auditorium" and "Please switch off your cell phones before entering media briefings. Thank you". There is also a diagram of the first and ground floor of the art gallery. The Christchurch Art Gallery served as the temporary Civil Defence headquarters after the 22 February 2011 earthquake.
This paper presents the preliminary conclusions of the first stage of Wellington Case Study project (Regulating For Resilience in an Earthquake Vulnerable City) being undertaken by the Disaster Law Research Group at the University of Canterbury Law School. This research aims to map the current regulatory environment around improving the seismic resilience of the urban built environment. This work provides the basis for the second stage of the project which will map the regulatory tools onto the reality of the current building stock in Wellington. Using a socio-legal methodology, the current research examines the regulatory framework around seismic resilience for existing buildings in New Zealand, with a particularly focus on multi-storey in the Wellington CBD. The work focusses both on the operation and impact of the formal seismic regulatory tools open to public regulators (under the amended Building Act) as other non-seismic regulatory tools. As well as examining the formal regulatory frame, the work also provides an assessment of the interactions between other non-building acts (such as Health and Safety at Work Act 2015) on the requirements of seismic resilience. Other soft-law developments (particularly around informal building standards) are also examined. The final output of this work will presents this regulatory map in a clear and easily accessible manner and provide an assessment of the suitability of this at times confusing and patchy legal environment as Wellington moves towards becoming a resilient city. The final conclusion of this work will be used to specifically examine the ability of Wellington to make this transition under the current regulatory environment as phase two of the Wellington Case Study project.
A member of the Los Angeles County Fire Department Search and Rescue Team with an Australian Police Officer at the entrance to 'Camp Hollywood', the headquarters of the American Civil Defence Forces in Latimer Square. After the 22 February 2011 earthquake, emergency service agencies set up their headquarters in Latimer Square.
A photograph of four St James School pupils presenting the AWA Trails project. Two of the pupils (left and centre-left) hold 'Five Ways to Wellbeing' posters and one of the pupils (centre-right) holds an AWA Trails map. In the background is Ciaran Fox (left) and members of the St James School community, including Burwood-Pegasus Community Board member Tim Baker (right). The photograph was taken at St James School at launch of the St James AWA Trail at St James School.
Background and methodology The Mw 7.8, 14th November 2016 earthquake centred (item b, figure 1) in the Hurunui District of the South Island, New Zealand, damaged critical infrastructure across North Canterbury and Marlborough. We investigate the impacts to infrastructure and adaptations to the resulting service disruption in four small rural towns (figure 1): Culverden (a), Waiau (c), Ward (d) and Seddon (e). This is accomplished though literary research, interviews and geospatial analysis. Illustrating our methods, we have displayed here a Hurunui District hazard map (figure 2b) and select infrastructure inventories (figures 2a, 3).
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. After nearly five years of 'Emergency Response' where sustainability has been sacrificed in the interests of speed, we can assume that this phase is now behind us. We see no reason why this period should be extended until April 2016. Lessons must be learned from the past. It is time to move into the 'Restoration Phase'. Once seismic and building standards are corrected, and risks are notified, mapped and accepted, sustainability will be ensures. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents. We support option 3+."
Damage distribution maps from strong earthquakes and recorded data from field experiments have repeatedly shown that the ground surface topography and subsurface stratigraphy play a decisive role in shaping the ground motion characteristics at a site. Published theoretical studies qualitatively agree with observations from past seismic events and experiments; quantitatively, however, they systematically underestimate the absolute level of topographic amplification up to an order of magnitude or more in some cases. We have hypothesized in previous work that this discrepancy stems from idealizations of the geometry, material properties, and incident motion characteristics that most theoretical studies make. In this study, we perform numerical simulations of seismic wave propagation in heterogeneous media with arbitrary ground surface geometry, and compare results with high quality field recordings from a site with strong surface topography. Our goal is to explore whether high-fidelity simulations and realistic numerical models can – contrary to theoretical models – capture quantitatively the frequency and amplitude characteristics of topographic effects. For validation, we use field data from a linear array of nine portable seismometers that we deployed on Mount Pleasant and Heathcote Valley, Christchurch, New Zealand, and we compute empirical standard spectral ratios (SSR) and single-station horizontal-to-vertical spectral ratios (HVSR). The instruments recorded ambient vibrations and remote earthquakes for a period of two months (March-April 2017). We next perform two-dimensional wave propagation simulations using the explicit finite difference code FLAC. We construct our numerical model using a high-resolution (8m) Digital Elevation Map (DEM) available for the site, an estimated subsurface stratigraphy consistent with the geomorphology of the site, and soil properties estimated from in-situ and non-destructive tests. We subject the model to in-plane and out-of-plane incident motions that span a broadband frequency range (0.1-20Hz). Numerical and empirical spectral ratios from our blind prediction are found in very good quantitative agreement for stations on the slope of Mount Pleasant and on the surface of Heathcote Valley, across a wide range of frequencies that reveal the role of topography, soil amplification and basin edge focusing on the distribution of ground surface motion.
This article is a critical commentary of how political documentary embodies the traits and functions of alternative journalism. I explore this notion through Obrero (‘worker’) my independent documentary project about the labour migration of Filipino workers to Christchurch, Aotearoa New Zealand, after the earthquake in 2011. This article maps out the points at where the theories and practices of alternative media and documentary intersect. Analysing political documentary as a format of alternative journalism has links to the long tradition of film and video production as a tool for social critique. As a form of practice-based research, Obrero falls under the rubric of alternative journalism—able to represent the politically marginal sectors of the polity and report on issues underreported in the mainstream press. This article concludes that a distribution plan that is responsive to fragmenting audiences works best when alternative journalism no longer targets a niche but transborder audiences.
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.