A PDF copy of pages 304-305 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fitzgerald Ave Community Garden'. Photos with permission from Greening the Rubble
A PDF copy of pages 306-307 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Salisbury St Garden'. Photos with permission from Greening the Rubble
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A PDF copy of pages 302-303 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Outdoor Music Room'. Photos with permission from Greening the Rubble
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A PDF copy of pages 336-337 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Green Frame Exhibition'.
A PDF copy of pages 272-273 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Events Village'. Photos with permission: CCC
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 150-151 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bobo'. Drawings: Andrew Just, Jen McBride
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
A PDF copy of pages 194-195 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sumner Community-Led Masterplan'.
A PDF copy of pages 202-203 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sumner Skate Park'. Photos: Sabrina Weber (page 202), Eugenio Boidi (page 203)
A PDF copy of pages 102-103 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Dog Park Art Project Space'. Photo: Stacey Weaver Photography
A PDF copy of pages 308-309 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Beach Garden'. Photos with permission from Greening the Rubble
A PDF copy of pages 262-263 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Flying Cup and Just a Couple of Strangers'. Photos: Jess de Boer
A PDF copy of pages 40-41 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary City Libraries'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 364-365 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Deconstruction'.
A PDF copy of pages 314-315 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The New Zealand Institute of Architects Exhibition Pavilion'. Photo: Soo Ryu, Jasmax and NZIA
A PDF copy of pages 88-89 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch Transitional Cathedral'. Photos with permission: The Anglican Church
A PDF copy of pages 48-49 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Reconstruction: Conversations on a City'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 316-317 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Art Beat'. Photos of stage and graffiti works fledge.co.nz. Photos of building and loss adjusters courtesy of the social.
A PDF copy of pages 152-153 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arcades Project'. Drawings and Photos: Andrew Just, F3 Design, LIVS
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A PDF copy of pages 114-115 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Aibohphobia'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A PDF copy of pages 64-65 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Life in Vacant Spaces HQ'. Photos: Tim Bishop and LiVS
Six stands located on different land forms in mixed old-growth Nothofagus forests in the Matiri Valley (northwest of South Island, New Zealand) were sampled to examine the effects of two recent large earthquakes on tree establishment and tree-ring growth, and how these varied across land forms. 50 trees were cored in each stand to determine age structure and the cores were cross-dated to precisely date unusual periods of radial growth. The 1968 earthquake (M = 7.1, epicentre 35 km from the study area) had no discernible impact on the sampled stands. The impact of the 1929 earthquake (M = 7.7, epicentre 20 km from the study area) varied between stands, depending on whether or not they had been damaged by soil or rock movement. In all stands, the age structures showed a pulse of N. fusca establishment following the 1929 earthquake, with this species dominating establishment in large gaps created by landslides. Smaller gaps, created by branch or tree death, were closed by both N. fusca and N. menziesii. The long period of releases (1929-1945) indicates that direct earthquake damage was not the only cause of tree death, and that many trees died subsequently most likely of pathogen attack or a drought in the early 1930s. The impacts of the 1929 earthquake are compared to a storm in 1905 and a drought in 1974-1978 which also affected forests in the region. Our results confirm that earthquakes are an important factor driving forest dynamics in this tectonically active region, and that the diversity of earthquake impacts is a major source of heterogeneity in forest structure and regeneration.
Question: Does canopy tree regeneration response to different large disturbances vary with soil drainage? Location: Old-growth conifer (Dacrydium and Dacrycarpus), angiosperm (Nothofagus and Weinmannia) rain forest, Mount Harata, South Island, New Zealand. Methods: Trees were aged (1056 cores) to reconstruct stand history in 20 (0.12 - 0.2 ha) plots with different underlying drainage. Spatial analyses of an additional 805 tree ages collected from two (0.3 - 0.7 ha) plots were conducted to detect patchiness for five canopy tree species. Microsite preferences for trees and saplings were determined. Results: There were clear differences in species regeneration patterns on soils with different drainage. Conifer recruitment occurred infrequently in even-aged patches (> 1000 m²) and only on poorly drained soils. Periodic Nothofagus fusca and N. menziesii recruitment occurred more frequently in different sized canopy openings on all soils. Weinmannia recruitment was more continuous on all soils reflecting their greater relative shade-tolerance. Distinct periods of recruitment that occurred in the last 400 years matched known large disturbances in the region. These events affected species differently as soil drainage varied. Following earthquakes, both conifers and N. menziesii regenerated on poorly drained soils, while Nothofagus species and Weinmannia regenerated on well-drained soils. However, Dacrydium failed to regenerate after patchy storm damage in the wetter forest interior; instead faster-growing N. fusca captured elevated microsites caused by uprooting. Conclusions: Underlying drainage influenced species composition, while variation in the impacts of large disturbance regulated relative species abundances on different soils.
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.