A photograph of street art on a brick wall near the corner of Alfred Street and Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of street art on the side of the Couplands Bakery on Hawke Street in New Brighton. The artwork includes the tag "Aroha" and a painting of a man and a young child playing in the water.
A photograph of street art on a transformer building in Waltham.
A PDF copy of a newsletter sent by All Right? to their mailing list in July 2015.
A photograph of street art on the rear wall of Wicked Campers on Ferry Road, taken from Leeds Street. AMI stadium is visible in the background. The photographer believes that the artist may be '007'.
A photograph of street art on a wall in New Brighton. The artwork is signed 'Porta'.
A photograph of the Hororata Hotel, which was damaged in the 4 September earthquake. A sign outside the hotel reads, "This is not the Hororata Pub. Private residence. No parking. No thoroughfare".
A photograph of street art on the public toilets on Shaw Avenue. The artwork is signed by 'Minx'.
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.
A photograph of street art by the DTR crew located on a factory wall in the central city. The artwork depicts the word "Freak" with the letters "DTR" written above it and topped with a crown. The window below the art is broken.
A scan of page 252 of the Townsend Telescope Visitors' Book.
An entry from Deb Robertson's blog for 8 August 2015 entitled, "Sociology of the City {part 1(4) Sociology 355}".The entry was downloaded on 2 November 2016.
An entry from Deb Robertson's blog for 21 September 2015 entitled, "Living with tics {by Reuben}".The entry was downloaded on 2 November 2016.
An entry from Deb Robertson's blog for 24 September 2015 entitled, "Journalists at Work {Part 3(3) COMS 304}".The entry was downloaded on 3 November 2016.
An entry from Deb Robertson's blog for 10 October 2015 entitled, "why love is like shallots".The entry was downloaded on 3 November 2016.
An entry from Deb Robertson's blog for 1 February 2015 entitled, "The Gift of the Mundane Task".The entry was downloaded on 3 November 2016.
An entry from Deb Robertson's blog for 21 August 2015 entitled, "Sociology of the City {Part 2(4) Sociology 355}".The entry was downloaded on 2 November 2016.
An entry from Deb Robertson's blog for 24 September 2015 entitled, "Sociology of the City {Part 4(4) Sociology 355}".The entry was downloaded on 2 November 2016.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/
Unrestrained unreinforced clay brick masonry (URM) parapets are found atop a large number of vintage URM buildings. Parapets are typically non-structural cantilevered wall elements that form a fire barrier and in most cases form decorative and ornamental features of vintage URM buildings. Parapets are considered to be one of the most vulnerable elements that are prone to out-of-plane collapse when subjected to earthquake induced shaking. An in-depth analysis of the damage database collected following the 2010/2011 Canterbury earthquakes was performed to obtain information about the distribution, characteristics and observed performance of both the as-built and retrofitted parapets in the Christchurch region. Results, statistical interpretation and implications are presented herein. http://www.aees.org.au/downloads/conference-papers/2015-2/
Perimeter Moment resisting steel frames (PMRSFs) are a commonly used seismic resisting system, placed around the perimeter of the building for maximum torsional stiffness. They are typically designed as “strong column weak beam” systems with fixed column bases. When subjected to severe earthquake demand, sufficient to push the beams into the inelastic range, it is expected that plastic hinging at the column bases will occur. However, the response of PMRSF systems to the severe 2010/2011 Christchurch earthquake series did not generate column base hinging in systems which exhibited beam yielding.