A photograph of one of the large-scale puppets titled The Friars. The puppet is in a car park at Re:START mall. The puppet was part of the Canterbury Tales procession for FESTA 2013.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork depicts four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of one of the large-scale puppets titled The Friars. The puppet is in a car park at Re:START mall. The puppet was part of the Canterbury Tales procession for FESTA 2013.
A photograph of an advertising image in the window of Sugar Hair and Beauty, on the ground floor of the Inland Revenue Building. There are search and rescue codes spray-painted on the window, and a pile of rubble on the footpath in front.
A photograph of paper flowers and hearts attached to a wire fence outside Knox Church. Messages of encouragement for Christchurch have been written in the centres of the flowers. Famous quotes have been written on the hearts.
Photograph captioned by BeckerFraserPhotos, "Cathedral Square walk through, which allowed citizens of Christchurch to view the Cathedral freely for the first time since 22 February when it was put behind a cordon for safety reasons".
These research papers explore the concept of vulnerability in international human rights law. In the wake of the Christchurch earthquakes of 2010-2011, this research focuses on how "vulnerability" has been used and developed within the wider human rights discourse. They also examine jurisprudence of international human rights bodies, and how the concept of "vulnerability" has been applied. The research also includes a brief investigation into the experiences of vulnerable populations in disaster contexts, focusing primarily on the experiences of "vulnerable persons" in the Christchurch earthquakes and their aftermath.
Developing a holistic understanding of social, cultural, and economic impacts of disasters can help in building disaster risk knowledge for policy making and planning. Many methods can help in developing an understanding of the impacts of a disaster, including interviews and surveys with people who have experienced disaster, which may be invasive at times and create stress for the participants to relive their experiences. In the past decade, social media, blog posts, video blogs (i.e. “vlogs”), and crowdsourcing mechanisms such as Humanitarian OpenStreetMap and Ushahidi, have become prominent platforms for people to share their experiences and impacts of an event from the ground. These platforms allow for the discovery of a range of impact information, from physical impacts, to social, cultural, and psychological impacts. It can also reveal interesting behavioural information such as their decision to heed a warning or not, as people tend to share their experiences and their reactions online. This information can help researchers and authorities understand both the impacts as well as behavioural responses to hazards, which can then shape how early warning systems are designed and delivered. It can also help to identify gaps in desired behavioural responses. This poster presents a selection of cases identified from the literature and grey literature, such as the Haiti earthquake, the Christchurch earthquake, Hurricane Sandy, and Hurricane Harvey, where online platforms were widely used during and after a disaster to document impacts, experiences, and behavioural responses. A summary of key learnings and areas for future research is provided.
Asset management in power systems is exercised to improve network reliability to provide confidence and security for customers and asset owners. While there are well-established reliability metrics that are used to measure and manage business-as-usual disruptions, an increasing appreciation of the consequences of low-probability high-impact events means that resilience is increasingly being factored into asset management in order to provide robustness and redundancy to components and wider networks. This is particularly important for electricity systems, given that a range of other infrastructure lifelines depend upon their operation. The 2010-2011 Canterbury Earthquake Sequence provides valuable insights into electricity system criticality and resilience in the face of severe earthquake impacts. While above-ground assets are relatively easy to monitor and repair, underground assets such as cables emplaced across wide areas in the distribution network are difficult to monitor, identify faults on, and repair. This study has characterised in detail the impacts to buried electricity cables in Christchurch resulting from seismically-induced ground deformation caused primarily by liquefaction and lateral spread. Primary modes of failure include cable bending, stretching, insulation damage, joint braking and, being pulled off other equipment such as substation connections. Performance and repair data have been compiled into a detailed geospatial database, which in combination with spatial models of peak ground acceleration, peak ground velocity and ground deformation, will be used to establish rigorous relationships between seismicity and performance. These metrics will be used to inform asset owners of network performance in future earthquakes, further assess component criticality, and provide resilience metrics.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Quake Aftermath: Christchurch journalists' collective trauma experience and the implications for their reporting". It was written by Sean Scanlon.
A photograph of George Parker from Free Theatre Christchurch (left) and Lawrence Wallen of University of Technology, Sydney, sitting at a table at Black Betty cafe during the Canterbury Tales symposium. The symposium was part of FESTA 2013.
A photograph of a volunteer from the Wellington Emergency Management Office sitting on a bed in a campervan. The campervan served as temporary accommodation for emergency management personnel who travelled to Christchurch after the 22 February 2011 earthquake.
A photograph of an earthquake-damaged house in Christchurch. The bricks on the side of the house have crumbled and damaged the fence. A red sticker on the front window indicates that the building is unsafe to enter.
In the last two decades, the retail sector has experienced unprecedented upheaval, having severe implications for economic development and sustenance of traditional inner-city retail districts. In the city of Christchurch, New Zealand, this effect has been exacerbated by a series of earthquakes in 2010/2011 which destroyed much of the traditional retail precinct of the city. After extensive rebuild activity of the city’s infrastructure, the momentum of retailers returning to the inner city was initially sluggish but eventually gathered speed supported by increased international visitation. In early 2020, the return to retail normality came to an abrupt halt after the emergence of the COVID-19 pandemic. This study uses spending and transaction data to analyze the compounding impact of the earthquake’s aftermath, shift to online shopping, and the retail disruption in the Christchurch central retail precinct because of COVID-19. The findings illustrate how consumers through their spending respond to different types of external shocks, altering their consumption patterns and retail mode (offline and online) to cope with an ever-changing retail landscape. Each event triggers different spending patterns that have some similarities but also stark differences, having implications for a sustainable and resilient retail industry in Christchurch. Implications for urban retail precinct development are also discussed.
Plant beds made out of corrugated iron, greening the empty building sites along Colombo Street. These were placed here by Greening the Rubble, a community project in Christchurch to create temporary public parks and gardens on the sites of demolished buildings.
Photograph captioned by BeckerFraserPhotos, "Cathedral Square with the Cathedral in the foreground, the Novotel Hotel behind and BNZ building under deconstruction on the right".
A photograph of a UK Fire and Rescue International Search and Rescue tent in Latimer Square. Cordon tape and plastic mesh has been placed around the tent.
Photograph captioned by BeckerFraserPhotos, "25 Seabreeze Close, Bexley. View through the window shows the crack in the floor slab, and a pile of silt in the corner of the room".
A photograph of a crowd gathered around the large-scale puppets created for FESTA's 2013 Canterbury Tales event. The puppets are in the Re:START mall car park on Cashel Street.
Photograph captioned by BeckerFraserPhotos, "Looking between Madras and Manchester Streets with High Street at the very bottom and Moorhouse Avenue at the top".
A photograph captioned by BeckerFraserPhotos, "The clock tower of Science Alive, formerly the Christchurch Railway Station, on Moorhouse Road. The clock has stopped at 4.36 am on 4 September 2010 and has been left that way".
Photograph captioned by BeckerFraserPhotos, "CBD with Christ's College in the foreground, Canterbury Museum and the Arts Centre".
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' being installed on plywood covering the earthquake-damaged Cranmer Courts building.
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' being installed on plywood covering the earthquake-damaged Cranmer Courts building.