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Research papers, University of Canterbury Library

This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.

Images, Alexander Turnbull Library

The title is 'Gambling on the rise in Christchurch'. Several vignettes show two men running in the 'Porta-loo stakes (runs)'; people betting on the 'size of the next shake'; people betting on 'who will have the last chimney standing'; a man sitting over a pot on a little gas ring wondering 'How long will it take to boil a 3 minute egg... when it's minus 10 in the kitchen'; someone in a car wondering 'Whose street can wipe out the most engine sumps'; and someone wondering 'Which power company will be first to put people before profits'. Context: The way of things following the earthquakes of September 4 2010, 22 February 2011 and 13 June 2011. The Problem Gambling Foundation says it is concerned more Christchurch people are turning to gambling to combat stress from earthquakes. It says spending on pokie machines in Christchurch has risen by almost $4 million, going against a downward national trend. The foundation says the data released by the Department of Internal Affairs shows spending on gaming machines rose by more than $3,800,000 in Christchurch city to almost $23 million. (Radio NZ News 26 July 2011) Colour and black and white versions available Quantity: 2 digital cartoon(s).

Audio, Radio New Zealand

A new office building in central Christchurch has multiple flaws in its earthquake design that the city council was warned about almost two years ago. Construction of the seven-storey building above the busy shopping precinct at 230 High Street, continued even after those warnings in December 2017. Three leading engineering firms have found critical faults - the latest are detailed in a Government-ordered report that's been leaked to RNZ. Phil Pennington joins Corin Dann with the details.

Audio, Radio New Zealand

Protecting live music venues is taking on a new urgency in Christchurch, with the popular 12 Bar announcing it will close at the end of the month. With people flocking back to live in the central city after the earthquakes, there have been more complaints about noise from entertainment venues. But the local music scene says positive changes are in the works, so residents and live venues can live in harmony. Niva Chittock reports.

Research papers, University of Canterbury Library

Recent severe earthquakes, such as the 2010-2011 Christchurch earthquake series, have put emphasis on building resilience all over the world. To achieve such resilience, procedures for low damage seismic design have been developed to satisfy both life safety requirements and the need to minimize undesirable economic effects of required building repair or structural member replacement following a major earthquake. Seismic resisting systems following this concept are expected to withstand severe earthquakes without requiring major post-earthquake repairs, using isolating mechanisms or sacrificial systems that either do not need repair or are readily repairable or replaceable. These include the sliding hinge joint with asymmetric friction connections (SHJAFCs) in beam-to-column connections of the moment resisting steel frames (MRSFs) and symmetric friction connections (SFCs) in braces of the braced frames. A 9 m tall, configurable three-storey steel framed composite floor building incorporating frictionbased connections is to be tested using two linked bi-directional shake tables at the International joint research Laboratory of Earthquake Engineering (ILEE) facilities, Shanghai, China. The structural systems are configurable, allowing different moment and braced frame structural systems tested in two horizontal directions. The structure is designed and detailed to undergo, at worst, minor damage under a planned series of severe earthquakes.

Research papers, The University of Auckland Library

The M7.1 Darfield earthquake shook the town of Christchurch (New Zealand) in the early morning on Saturday 4th September 2010 and caused damage to a number of heritage unreinforced masonry buildings. No fatalities were reported directly linked to the earthquake, but the damage to important heritage buildings was the most extensive to have occurred since the 1931 Hawke‟s Bay earthquake. In general, the nature of damage was consistent with observations previously made on the seismic performance of unreinforced masonry buildings in large earthquakes, with aspects such as toppled chimneys and parapets, failure of gables and poorly secured face-loaded walls, and in-plane damage to masonry frames all being extensively documented. This report on the performance of the unreinforced masonry buildings in the 2010 Darfield earthquake provides details on typical building characteristics, a review of damage statistics obtained by interrogating the building assessment database that was compiled in association with post-earthquake building inspections, and a review of the characteristic failure modes that were observed.

Images, UC QuakeStudies

Graffiti on a damaged building. The photographer comments, "They should have painted four leaf clover, if they wanted this tagging to survive the demolition of the earthquake damaged Ozone in Christchurch

Research Papers, Lincoln University

The 48hr Design Challenge, run by the Christchurch City Council and held at Lincoln University, provided an opportunity for Council to gain inspiration from the design and architecture industry, while testing the draft Central City Plan currently being developed. The Challenge was a response to the recent earthquakes in Christchurch and brought together local and international talent. A total of 15 teams took part in the Challenge, with seven people in each including engineers, planners, urban designers, architects and landscape architects, as well as one student on each team. The four sites within the Red Zone included the Cathedral Square and BNZ Building; 160 Gloucester Street; the Orion NZ Building at 203 Gloucester Street; and 90 Armagh Street, including the Avon River and Victoria Square. The fifth site, which sits outside the Red Zone, is the former Christchurch Women’s Hospital at 885 Colombo Street. This is team SoLA's entry for 160 Gloucester Street.

Audio, Radio New Zealand

Katy Gosset meets one of Christchurch's top tailors. Mark van Roosmalen may have lost his premises in the earthquake but he's busier than ever, turning out bespoke garments for the city's style-conscious. Katy finds that amidst the high-viz vests of Christchurch there's still plenty of room for a sharp suit.

Audio, Radio New Zealand

The song 'Antartica' is the latest offering from nine-year-old Christchurch songwriter Bob Gaudin. It's not the first song he's had released - in fact it's the third. He wrote his first song - a one minute thirty second symphony - when he was seven about the Christchurch earthquake, which was played and recorded by the NZ Symphony Orchestra!

Audio, Radio New Zealand

Angry reaction to Government energy strategy, Tizard questions Goff's ability to win election, Auckland agencies criticised for secrecy, Christchurch residents worried as winter approaches, Foreign language students scared off by earthquakes, Christchurch's tourism flickers to life but limited by quake, and Harawira aims for April 30th launch of new party.

Audio, Radio New Zealand

Canterbury schools to stay closed until Monday, Earthquake family tries to comfort traumatised children, Christchurch welfare centres start filling up, Independent Australian MPs back Labor, Universities raise fees to maximum, MPs in Parliament pay tribute to people of Canterbury, Prime Minister speaks from Christchurch, and Julia Gillard speaks about the newly formed government.

Audio, Radio New Zealand

As the feature length documentary When A City Falls about the Christchurch earthquakes goes on general release in New Zealand, One in Five recalls a programme from earlier in the year when Mike Gourley sneaks inside the Christchurch cordon to meet up with red zone resident, Frank Film's Gerard Smyth.

Images, Canterbury Museum

One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.

Images, Alexander Turnbull Library

The title reads 'Satellite to plunge to earth "People should see quite a show." A 'NASA' satellite heads towards New Zealand; someone inside says 'Beep! Beep! Christchurch CBD here we come! Woo-hoo!' Context: A great deal of the CBD (Central Business District) in Christchurch is being demolished, considered to dangerous or too expensive to restore. A defunct 6.5 ton NASA satellite falls to earth this week... 26 pieces, with a combined mass of 500kg will survive the fiery re-entry and hurtle towards us. NASA doesn't have much idea of where it will land so it may demolish some of Christchurch. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a starry night sky and the words 'He aha te mea nui o te ao? He tangata! He tangata! He tangata!' Translates as 'What is the most important thing in the world? It is people! It is people! It is people!' Context - may refer to a sense of heightened unease because of the Christchurch earthquake of 22 February 2011 and now the catastrophic Japanese earthquake of 11 March 2011 that is threatening nuclear disaster because of the meltdown of spent fuel rods in nuclear reactors in Fukushima. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Leading hand, Iain Piper (left) and site manager Mike McKee at work on the upstairs seating area".