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Images, Canterbury Museum

White ceramic vase with bulbous body tapering to a smaller neck before flaring out to a wider entry. The body of the vase is partially scored with lines in a circular pattern with a circular design in centre. Makers mark and AK on bottom of vase. Vase is dirty.

Images, Canterbury Museum

Plastic and fabric sing and learn toy. The plastic and fabric doll is dressed in a yellow and orange suit with hood and ears and features a sound module set inside its tummy, a squeaker in its left arm and rustled plastic in its right arm.

Images, Canterbury Museum

One twisted rectangular metal sign engraved with the words 'Pyne Gould Corporation' in black. Recovered from the Pyne Gould Corporation Building following the 22 February earthquake. The Pyne Gould Corporation (PGC) building, which was located on Cambridge Terrace in central Christchurch, collapsed during the 22 February 2011 earthquake with 18...

Images, Canterbury Museum

One metal hanging light fixture with three globes. Frame features a stylized plants motif. The globes feature green, brown and white glass petals welded into a globe shape. Owner of Hadleigh House 1904-1921

Research papers, University of Canterbury Library

Following a disaster, an organisation’s ability to recover is influenced by its internal capacities, but also by the people, organisations, and places to which it is connected. Current approaches to organisational resilience tend to focus predominantly on an organization's internal capacities and do not adequately consider the place-based contexts and networks in which it is embedded. This thesis explores how organisations’ connections may both hinder and enable organisational resilience. Organisations in the Canterbury region of New Zealand experienced significant and repeated disruptions as a result of two major earthquakes and thousands of aftershocks throughout 2010 and 2011. This thesis draws upon 32 case studies of organisations located in three severely damaged town centres in Canterbury to assess the influence that organisations’ place-based connections and relational networks had on their post-earthquake trajectories. The research has four objectives: 1) to examine the ways organisations connected to their local contexts both before and after the earthquakes, 2) to explore the characteristics of the formal and informal networks organisations used to aid their response and recovery, 3) to identify the ways organisations’ connections to their local contexts and support networks influenced their ability to recover following the earthquakes, and finally, 4) to develop approaches to assess resilience that consider these extra-organisational connections. The thesis contests the fiction that organisations recover and adapt independently from their contexts following disasters. Although organisations have a set of internal capacities that enable their post-disaster recovery, they are embedded within external structures that constrain and enable their adaptive options following a disaster. An approach which considers organisations’ contexts and networks as potential sources of organisational resilience has both conceptual and practical value. Refining our understanding of the influence of extra-organisational connections can improve our ability to explain variability in organisational outcomes following disasters and foster new ways to develop and manage organisational resilience.

Images, Canterbury Museum

One limited edition poster with tube and information sheet. The poster has initial letters of the cities of New Zealand arranged to form an outline of the country. All are printed in black, except the 'C' of Christchurch which stands out in red. "United We Stand, 22 Feb 2011, 12.51pm" is printed in black. Poster commemorates the 2011 Christchurc...

Images, Canterbury Museum

One portable toilet comprising of a black toilet seat and lid attached to a grey bucket; sticky label on the front features an image of the toilet, lightning and text including 'Thunder Down Under / Portable Toilet'; manufacturer's mark on lid reads 'Elemental'. Residents who owned commercially produced portable toilets like this ‘Thunder Down ...

Images, Canterbury Museum

One twisted steel re-enforcing rod with parallel spine-like lines running the length of the rod; striations run in a circular pattern between these lines. The object was recovered from the shear wall in the Hotel Grand Chancellor, which was demolished following the 22 February earthquake. This steel reinforcing rod was removed from the Hotel Gr...

Images, Canterbury Museum

One twisted steel re-enforcing rod with parallel spine-like lines running the length of the rod; striations run in a circular pattern between these lines. The object was recovered from the shear wall in the Hotel Grand Chancellor, which was demolished following the 22 February earthquake. This steel reinforcing rod was removed from the Hotel Gr...

Images, Canterbury Museum

One Space Cannon VH Ireos 7000 search light with pan and tilt ability and 7000 watt Xenon lamp. Reading on hour meter 02954.75 hours. One of the White Lights of Hope used as a symbol of support for Christchurch following the 22 February 2011 earthquake. The White Lights of Hope lit up the skies of Christchurch every night from 4 September 2011 ...

Images, Canterbury Museum

One improvised toilet comprised of a wooden frame with a white plastic toilet seat and lid attached with screws and tape; underneath is a red Lifestyle brand 9.6 litre plastic bucket. Example of the portable toilet designed to be distributed by the Christchurch City Council following the 22 February 2011 earthquake. One common problem experienc...

Images, Canterbury Museum

One twisted steel re-enforcing rod with parallel spine-like lines running the length of the rod; striations run in a circular pattern between these lines. The object was recovered from the shear wall in the Hotel Grand Chancellor, which was demolished following the 22 February earthquake. This steel reinforcing rod was removed from the Hotel Gr...

Images, Canterbury Museum

One comprehensive emergency kit contained within a 68 litre heavy duty plastic storage case; includes four personal essentials packs, a survival first aid kit, an After Shake base pack and two 20 litre water storage canisters. Designed by the company After Shake to support a four person household following an emergency. This comprehensive emerg...

Images, Canterbury Museum

One green plastic Port-A-Loo door with surround, lock and mirror on interior; Port-A-Loo logo on front. One of the most immediate challenges facing Christchurch residents following the 22 February 2011 earthquake was the restriction on using residential toilet facilities. The restrictions were implemented due to the extensive damage to sewerage...

Images, Canterbury Museum

One twisted steel re-enforcing rod with parallel spine-like lines running the length of the rod; striations run in a circular pattern between these lines. The object was recovered from the shear wall in the Hotel Grand Chancellor, which was demolished following the 22 February earthquake. This steel reinforcing rod was removed from the Hotel Gr...

Images, Canterbury Museum

One beige Campmaster portable chemical toilet made from a matte finished high-density polythene and comprising a 20 litre holding tank for waste product and a 10 litre water tank for flushing. Chemical toilets were distributed by the Christchurch City Council as one solution to the badly damaged sewerage system following the 22 February 2011 ea...

Images, Canterbury Museum

One official black and yellow coloured uniform, comprising overalls, boots, helmet, goggles, ear protectors and head light, worn by the New Zealand Fire Service Urban Search and Rescue (USAR) team in the aftermath of the 22 February 2011 earthquake. 'USAR' in yellow letters on the back of the overalls. This uniform was worn by Paul Burns, who w...

Images, Canterbury Museum

One comprehensive emergency kit contained within a 68 litre heavy duty plastic storage case; includes four personal essentials packs, a survival first aid kit, an After Shake base pack and two 20 litre water storage canisters. Designed by the company After Shake to support a four person household following an emergency. This comprehensive emerg...

Images, Canterbury Museum

One red and black fabric quilt comprised of pieced and appliquéd block work with both hand and machine stitching; machine quilted with embellishments and a one piece bordered back; an image of the ChristChurch Cathedral is in the centre and features pen work. Designed and quilted by the Coast Quilters of Whangaroa from fabric sent in by listener...

Research papers, University of Canterbury Library

On February 22, 2011, Christchurch-based journalists were jolted out of their normal work routine by a large 6.3 magnitude earthquake that killed 185 people, wrecked the city and forced reporters to reappraise their journalism. This study considers how the earthquake affected journalists’ relationship to the community, their use of sources and news selection. A theory of collective trauma is used to explain the changes that journalists made to their reporting practice. Specifically, Christchurch journalists had a greater identification and attachment to their audience post-earthquake. Journalists viewed themselves as part of the earthquake story, which prompted them to view sources differently, use those sources differently and see advocacy as a keystone of their news work after the disaster. This study adds to a growing scholarship about journalists and trauma, but focuses on what the event meant for local reporters’ choice of sources and news selection rather than measuring rates of psychological distress.

Research papers, University of Canterbury Library

With origins in the South Bronx area of New York in the early 1970s, hip-hop culture is now produced and consumed globally. While hip-hop activities can be varied, hip-hop is generally considered to have four forms or “elements”: DJing, MCing, b-boying/b-girling, and graffiti. Although all four elements of hip-hop have become a part of many youth work initiatives across the globe, public debate and controversy continue to surround hip-hop activities. Very little research and literature has explored the complexities involved in the assembling of hip-hop activities in youth work sites of practice using these hip-hop elements. This study attends to the gap in hip-hop and human service literature by tracing how hip-hop activities were assembled in several sites of youth work activity in Christchurch, New Zealand. Actor-network theory (ANT) is the methodological framework used to map the assemblage of hip-hop-youth work activities in this study. ANT follows how action is distributed across both human and non-human actors. By recognising the potential agency of “things”, this research traces the roles played by human actors, such as young people and youth workers, together with those of non-human actors such as funding documents, social media, clothing, and youth venue equipment. This ethnographic study provides rich descriptions or “snapshots” of some of the key socio-material practices that shaped the enactment of hip-hop-youth work activities. These are derived from fieldwork undertaken between October 2009 and December 2011, where participant observation took place across a range of sites of hip-hop-youth work activity. In addition to this fieldwork, formal interviews were undertaken with 22 participants, the majority being youth workers, young people, and youth trust administrators. The ANT framework reveals the complexity of the task of assembling hip-hop in youth work worlds. The thesis traces the work undertaken by both human and non-human actors in generating youth engagement in hip-hop-youth work activities. Young people’s hip-hop interests are shown to be varied, multiple, and continually evolving. It is also shown how generating youth interest in hip-hop-youth work activities involved overcoming young people’s indifference or lack of awareness of the hip-hop resources a youth trust had on offer. Furthermore, the study highlights where hip-hop activities were edited or “tinkered” with to avoid hip-hop “bads”. The thesis also unpacks how needed resources were enlisted, and how funders’ interests were translated into supporting hip-hop groups and activities. By tracing the range of actors mobilised to enact hip-hop-youth work activities, this research reveals how some youth trusts could avoid having to rely on obtaining government funds for their hip-hop activities. The thesis also includes an examination of one youth trust’s efforts to reconfigure its hip-hop activities after the earthquakes that struck Christchurch city in 2010 and 2011. Working both in and on the world, the text that is this thesis is also understood as an intervention. This study constitutes a deliberate attempt to strengthen understandings of hip-hop as a complex, multiple, and fluid entity. It therefore challenges traditional media and literature representations that simplify and thus either stigmatise or celebrate hip-hop. As such, this study opens up possibilities to consider the opportunities, as well as the complexities of assembling hip-hop in youth work sites of practice.

Research papers, University of Canterbury Library

This thesis examines how 18 University of Canterbury students based in Christchurch experienced housing insecurity during the three years after a series of major earthquakes from late 2010 and throughout 2011. I adopted a qualitative exploratory approach to gather students’ accounts and examine their experiences which were analysed using constructivist grounded theory methods. Three core categories were identified from the data: mobility, recreating security, and loss. Mobility included the effects of relocation and dislocation, as well as how the students searched for stability. Recreating security required a renewed sense of belonging and also addressed the need to feel physically safe. Lastly, loss included the loss of material possessions and also the loss of voice and political representation. The theory that emerged from these findings is that the extent to which students were able to control their mobility largely explained their experiences of housing insecurity. When students experienced a loss of control over their mobility they effectively addressed this by being resourceful and drawing on existing forms of capital. This resourcefulness generated a new form of capital, here called security capital, which represents a conceptual contribution to existing debates on students’ experiences of homelessness in a disaster context.

Images, Canterbury Museum

Plastic and wood model of three liquefaction volcanoes. The working model pumps water over the grey surface which is decorated with a basket of laundry, a bucket of pegs and a football. The model is surrounded by artificial green grass and rests atop a black wooden base.

Images, Canterbury Museum

One silver medal awarded to SCIRT in October 2013 from the Institution of Civil Engineers in the United Kingdom in recognition of the excellent in civil engineering. Includes storage case and explanation sheet.

Images, Canterbury Museum

One green and yellow soft sculpture kakapo with wire feet, stuffed body and black plastic eyes. Has an attached card naming the bird Little Ra and explaining it is part of the 'Journey - The Kakapo of Christchurch' project by artist Sayraphim Lothian.