A photograph of a temporary installation titled Highlight under construction in the Re:START mall car park on Cashel Street. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of scaffolding being erected in the Re:START mall car park on Cashel Street, as the frame for a temporary installation titled Highlight. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of people having a go at controlling a large-scale puppet titled Wife of Bath in Cathedral Square, during the Meet the Puppets event. The puppets were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a performer suspended in a harness above the base of the Robert Falcon Scott statue, during a performance titled Angel of History. The performance was part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a woman 'meeting' a large-scale puppet titled The Knight, in Cathedral Square. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.
A photograph of children in Cathedral Square, playing with one of the large-scale puppets titled The Friars. The puppet was created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event.
A photograph of a temporary installation titled Highlight under construction in the Re:START mall car park on Cashel Street. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a temporary installation titled Highlight under construction in the Re:START mall car park on Cashel Street. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of people in Cathedral Square during the Meet the Puppets event, as part of FESTA 2013. The puppets (including Wife of Bath, centre, and The Knight, right) were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of a woman 'meeting' a large-scale puppet titled The Knight, in Cathedral Square. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.
This paper provides a summary of the ground motions observed in the recent Canterbury, New Zealand earthquake sequence. The sequence occurred in a region of relatively moderate seismicity, 130km to the east of the Alpine Fault, the major plate-boundary in the region. From an engineering perspective, the sequence has been primarily comprised of the initial 04/09/2010 Darfield earthquake (Mw7.1) followed by the 22/02/2011 Christchurch earthquake (Mw6.3), and two aftershocks on 13/06/ 2011 (Mw5.3 and 6.0, respectively). The dense spacing of strong motions in the region, and their close proximity to the respective causative faults, has resulted in strong ground motions far exceeding the previous catalogue of strong motion observed in New Zealand. The observed ground motions have exhibited clear evidence of: (i) near-source directivity; (ii) sedimentary basin focusing, amplification and basin effect refraction; (iii) non-linear site response; (iv) cyclic mobility postliquefaction; and (v) extreme vertical ground motions exceeding 2g, among others.
As a result of the 4 September 2010 Darfield earthquake and the more damaging 22 February 2011 Christchurch earthquake, considerable damage occurred to a significant number of buildings in Christchurch. The damage that occurred to the Christchurch Roman Catholic Cathedral of the Blessed Sacrament (commonly known as the Christchurch Basilica) as a result of the Canterbury earthquakes is reported, and the observed failure modes are identified. A previous strengthening intervention is outlined and the estimated capacity of the building is discussed. This strengthening was completed in 2004, and addressed the worst aspects of the building's seismic vulnerability. Urgent work was undertaken post-earthquake to secure parts of the building in order to limit damage and prevent collapse of unstable parts of the building. The approach taken for this securing is outlined, and the performance of the building and the previously installed earthquake strengthening intervention is evaluated.A key consideration throughout the project was the interaction between the structural securing requirements that were driven by the requirement to limit damage and mitigate hazards, and the heritage considerations. Lessons learnt from the strengthening that was carried out, the securing work undertaken, and the approach taken in making the building "safe" are discussed. Some conclusions are drawn with respect to the effectiveness of strengthening similar building types, and the approach taken to secure the building under active seismic conditions. AM - Accepted Manuscript
The University of Canterbury is known internationally for the Origins of New Zealand English (ONZE) corpus (see Gordon et al 2004). ONZE is a large collection of recordings from people born between 1851 and 1984, and it has been widely utilised for linguistic and sociolinguistic research on New Zealand English. The ONZE data is varied. The recordings from the Mobile Unit (MU) are interviews and were collected by members of the NZ Broadcasting service shortly after the Second World War, with the aim of recording stories from New Zealanders outside the main city centres. These were supplemented by interview recordings carried out mainly in the 1990s and now contained in the Intermediate Archive (IA). The final ONZE collection, the Canterbury Corpus, is a set of interviews and word-list recordings carried out by students at the University of Canterbury. Across the ONZE corpora, there are different interviewers, different interview styles and a myriad of different topics discussed. In this paper, we introduce a new corpus – the QuakeBox – where these contexts are much more consistent and comparable across speakers. The QuakeBox is a corpus which consists largely of audio and video recordings of monologues about the 2010-2011 Canterbury earthquakes. As such, it represents Canterbury speakers’ very recent ‘danger of death’ experiences (see Labov 2013). In this paper, we outline the creation and structure of the corpus, including the practical issues involved in storing the data and gaining speakers’ informed consent for their audio and video data to be included.
A Christchurch catering company has joined forces with the City Mission to tackle what is being described as a new era of poverty after the Canterbury earthquakes.
EQC's manager for the Canterbury home repair programme, Reid Stiven, respondes to claims of misleading estimates of damage to household foundations from the 2010 and 2011 earthquakes.
A public talk by Roger Sutton, CEO at the Canterbury Earthquake Recovery Authority. This talk formed part of the Plenary One session, 'Looking forward - updates and perspectives'.
After six years leading Christchurch, three of them since the first Canterbury earthquake, Bob Parker is packing up his office and hanging up the Mayoral chains today.
An earthquake community group in Canterbury says a damning report on the ineffectiveness of the Earthquake Commission highlights the frustration of getting information on their own homes.
A photograph of Ryan Reynolds demonstrating to a child how a large-scale puppet titled The Knight works. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.
A photograph of the poet Tusiata Avia reading from her book Wild Dogs Under my Skirt, during Under the Fale. Under the Fale was organised by Pacific Underground and took place as part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of the poet Tusiata Avia reading from her book Wild Dogs Under my Skirt, during Under the Fale. Under the Fale was organised by Pacific Underground and took place as part of Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a floating installation on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform. It was created by students from Lincoln University's School of Landscape Architecture for Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of people gathered in Cathedral Square during the Meet the Puppets event, as part of FESTA 2013. The puppets (including The Scholar, left, 'Wife of Bath, centre, and The Knight, right) were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of people gathered in Cathedral Square during the Meet the Puppets event, as part of FESTA 2013. The puppets (including The Scholar, left, 'Wife of Bath, centre, and The Knight, right) were created by Free Theatre Christchurch, for Canterbury Tales, which was the main event of FESTA 2013.
A photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. Highlightwas created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform. It was created by students from Lincoln University's School of Landscape Architecturefor Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.
A photograph of a floating installation titled The River on the Avon River. The installation consists of four chairs and a table situated on a grass-covered platform. It was created by students from Lincoln University's School of Landscape Architecturefor Canterbury Tales, a carnivalesque procession and the main event of FESTA 2013.