A photograph of artist Audrey Baldwin kissing a participant at the Kissing Booth perfomance at the Addington Fun Fair.
A photograph of a temporary house in Rawhiti Domain.
A photograph of a sign for Rawhiti Village Grove.
Red and green dyed feathers , plastic and wire. The Rose and foliage are formed from dyed feathers bound to the wire stem and trimmed into shape. Coated with clear plastic wrapping.
One carved wooden lintel that decorated a doorway at Hadleigh House. Owner of Hadleigh House 1904-1921
One carved wooden lintel that decorated a doorway in Hadleigh House. Owner of Hadleigh House 1904-1921
Twelve carved elements from a fireplace carving at Hadleigh House. Owner of Hadleigh House 1904-1921
One carved wooden lintel that decorated a doorway in Hadleigh House. Owner of Hadleigh House 1904-1921
A scanned copy of a completed application form for the Anglican Advocacy team (previously Anglican Life Social Justice Unit) Save Your Self Interest Free Lending Program, dated 30 April 2014. Personal information has been redacted.
A scanned copy of a completed application form for the Anglican Advocacy team (previously Anglican Life Social Justice Unit) Save Your Self Interest Free Lending Program, dated 20 November 2013. Personal information has been redacted.
Rt Hon WINSTON PETERS to the Prime Minister: Does he stand by all his statements? DAVID SHEARER to the Prime Minister: Does he stand by all his statements? PAUL GOLDSMITH to the Minister of Finance: What reports has he received on business and economic conditions in New Zealand? Dr RUSSEL NORMAN to the Prime Minister: Does he stand by his answer to written question 07314 (2013) when he said: "The inquiry team, itself, did not seek permission from Peter Dunne before it obtained his email logs" and does he think it should have? SIMON O'CONNOR to the Minister of Transport: How will the Government progress the delivery of the next generation of transport projects for Auckland? Hon DAVID PARKER to the Minister of Finance: Are the proceeds from selling power companies and other assets being used to pay down debt, to build schools and hospitals, to fund irrigation projects, to rebuild Christchurch, or to fund Auckland transport projects? IAN McKELVIE to the Minister of Police: What updates has she received on how Police are using technology to prevent crime? JACINDA ARDERN to the Minister of Finance: Does he agree with The Economist that "inequality is one of the biggest social, economic and political challenges of our time"; if so, what is his Government doing to address the fact that New Zealand now has the widest income gap since detailed records began? PAUL FOSTER-BELL to the Minister of Justice: How is the Government improving its justice and other services to local communities? Hon LIANNE DALZIEL to the Minister for Canterbury Earthquake Recovery: When was he first made aware of the September IANZ report which warned the Christchurch City Council that "Continued accreditation beyond May 2013 will depend on a satisfactory outcome of that assessment" and was he advised by CERA or a Ministerial colleague? JONATHAN YOUNG to the Minister of Broadcasting: What progress has been made on the regional rollout of the digital switchover for New Zealand television viewers? GARETH HUGHES to the Minister of Conservation: Will he implement the recommendations to protect Maui's dolphins contained in the report of this year's meeting of the International Whaling Commission Scientific Committee; if not, why not Questions to Members JACINDA ARDERN to the Chairperson of the Social Services Committee: On which date and time, if any, did he receive the Minister for Social Development's written responses to the pre-hearing questions for the 2013/14 Estimates review for Vote Social Development? JACINDA ARDERN to the Chairperson of the Social Services Committee: On what date did the Minister for Social Development appear before the Committee to answer questions regarding the 2013/14 Estimates review for Vote Social Development? Dr MEGAN WOODS to the Chairperson of the Education and Science Committee: Did he consider inviting the Minister to appear again to answer questions around responses to questions on the 2013/14 Estimates for Vote Education, if so, did he receive any advice about the Minister's willingness to appear again?
Social and natural capital are fundamental to people’s wellbeing, often within the context of local community. Developing communities and linking people together provide benefits in terms of mental well-being, physical activity and other associated health outcomes. The research presented here was carried out in Christchurch - Ōtautahi, New Zealand, a city currently re-building, after a series of devastating earthquakes in 2010 and 2011. Poor mental health has been shown to be a significant post-earthquake problem, and social connection has been postulated as part of a solution. By curating a disparate set of community services, activities and facilities, organised into a Geographic Information Systems (GIS) database, we created i) an accessibility analysis of 11 health and well-being services, ii) a mobility scenario analysis focusing on 4 general well-being services and iii) a location-allocation model focusing on 3 primary health care and welfare location optimisation. Our results demonstrate that overall, the majority of neighbourhoods in Christchurch benefit from a high level of accessibility to almost all the services; but with an urban-rural gradient (the further away from the centre, the less services are available, as is expected). The noticeable exception to this trend, is that the more deprived eastern suburbs have poorer accessibility, suggesting social inequity in accessibility. The findings presented here show the potential of optimisation modelling and database curation for urban and community facility planning purposes.
Class is a complicated concept, historically and in the present day. It’s difficult to define, somewhat ephemeral, and yet so clearly there in our societies and our cultures. For better or for worse, social stratification has been part of human … Continue reading →
If you recall our 2020 end of year blog, I made a new year’s resolution to ensure that we were updating both our social media accounts and the blog regularly. If you follow our blog and our other accounts, you’ll … Continue reading →
A PDF copy of a list of bars that confirmed themselves 'Proudly Pokie Free' in response to the campaign.
The dinner party; a minefield of social etiquette and proper behaviour for both the host and the guests. For the host – the pressure of who to invite, where to sit them, what to serve them? Having the right invitation … Continue reading →
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A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a lipstick print left by artist Audrey Baldwin on the Kissing Booth during her performance at the Addington Fun Fair.
A photograph of a street of temporary housing in Rawhiti Domain.
Many of you will already know that Christchurch has a fascinating political history, from labour movements to radical social reform to the campaign for women’s suffrage. It is to my eternal disappointment that this “great ferment of ideas”, as Jim McAloon … Continue reading →
Replica chimney comprising a chimney pot atop a lightweight brick chimney. The chimney is contextualised by a portion of slate roof, guttering and bricked house exterior below.
A white painted woven circular basket that flares out gently towards the top where it joins a woven oval shaped handle. A clear plastic sheet has been tied to the interior of the basket.
Two pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The pink flowers have additional plastic leaves with white bead like additions.
A pink and two purple artificial fabric roses with plastic stems and fabric leaves tied together with pink metallic string. The purple flowers has additional plastic leaves with white bead like additions.
A pink and a purple artificial fabric flowers with plastic stems and fabric leaves tied together with pink metallic string. The purple flower has additional plastic leaves with white bead like additions.
A model of the ChristChurch Transitional Cathedral made predominantly out of laser cut and engraved coloured acrylic as well as timber dowels to represent the cardboard tubes.
Glass vase with scalloped rim which flares out from base. The lower portion of the vase is cut in with vertical lines and the upper portion decorated in relief with leaves and flowers. Vase is dirty.
One white hard hat with a SCIRT logo at the front.