
A photograph of a vacant site on the corner of Manchester Street and Gloucester Street. This is to be the location of a large-scale sculpture titled Altitude, which is part of LUXCITY.
A photograph of a sign describing the earthquake memorial created on the former site of St Luke's church. The memorial is in the form of 185 pieces of stone recovered from the church.
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
Site of SCAPE which installs contemporary art by local, national and international artists in Christchurch’s public spaces. Information about past exhibits and about the next biennial, artists and permanent works. Includes the effect of the Christchurch earthquake on the organisation itself and the artists.
Damage to the Cathedral of the Blessed Sacrament. Looking through the fence on to the side and front where shipping containers are being used to support the walls. On the cordon are signs that say 'Danger. Demolition in Progress. No Entry', and 'Monitored construction alarms. Site secured. No Unauthorised entry'.
Looking across an empty site on the corner of Colombo and Hereford Streets where several buildings have been demolished, the Ibis Hotel and ANZ building are visible in the background. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
Flowers blooming in a vacant site left by the demolition of a building at the corner of Worcester Street and Stanmore Road. A sign on the ground says 'Commemorative service here Wed 22nd Feb. Bring flowers, seedheads and symbols of memory and hope". In the background, on the wall it says 'Do not demo!'.
A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".
A photograph of street art attached to a fence in the former site of a building on the corner of Bowhill Road and Marine Parade. The artwork has been created on a sheet of metal and depicts ChristChurch Cathedral.
A shield on the side of one of the Wards Brewery buildings, also known as the Crichton Cobbers site. The photograph has been captioned by BeckerFraserPhotos, "These decorative shields, which are still intact, are a good example of the fine workmanship that was found on this industrial complex of buildings".
A shield on the side of one of the Wards Brewery buildings, also known as the Crichton Cobbers site. The photograph has been captioned by BeckerFraserPhotos, "These decorative shields, which are still intact, are a good example of the fine workmanship that was found on this industrial complex of buildings".
People look through the cordon fence at the corner of Colombo and Hereford Streets. On the left is the former site of Camera House, and on the right is the ANZ building, with its ground floor windows boarded up. Taken on a day when a walkway was opened up between Re:Start Mall and Cathedral Square to allow temporary public access.
Disasters are a critical topic for practitioners of landscape architecture. A fundamental role of the profession is disaster prevention or mitigation through practitioners having a thorough understanding of known threats. Once we reach the ‘other side’ of a disaster – the aftermath – landscape architecture plays a central response in dealing with its consequences, rebuilding of settlements and infrastructure and gaining an enhanced understanding of the causes of any failures. Landscape architecture must respond not only to the physical dimensions of disaster landscapes but also to the social, psychological and spiritual aspects. Landscape’s experiential potency is heightened in disasters in ways that may challenge and extend the spectrum of emotions. Identity is rooted in landscape, and massive transformation through the impact of a disaster can lead to ongoing psychological devastation. Memory and landscape are tightly intertwined as part of individual and collective identities, as connections to place and time. The ruptures caused by disasters present a challenge to remembering the lives lost and the prior condition of the landscape, the intimate attachments to places now gone and even the event itself.
A photograph of organisers of LUXCITY on the corner of Manchester Street and Gloucester Street. A site hazards board is leaning against a white van, in front of students in high-visibility vests who are setting up the Pavilions & Lighting Devices market.
A video of an interview with Toni Burnside, the Principal of Central New Brighton School, about the proposed merger of her school with South New Brighton School. Burnside talks about her belief that the government's rationale for the merger exaggerated the earthquake damage to the site.
A video of an interview with Alexandra Harteveld-Turnball, a Year 13 student from Marian College, about her school project making jewellery from earthquake rubble. Harteveld-Turnball and six friends were given access to the PricewaterhouseCooper site to gather rubble for their project. The jewellery will be sold at markets, with all proceeds going to St John.
A video of a tour of the Christchurch central city Red Zone. The video includes footage of the site of the Brannigans Building on the corner of Oxford Terrace and Gloucester Street, the inside of the central library, Gloucester Street, Manchester Street, High Street, Poplar Lane, and Hereford Street.
A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".
A photograph of street art on the former site of a building on the corner of Bowhill Road and Marine Parade. A collection of couches and chairs has been arranged around a piano. Behind the piano, a message has been painted on the fence. The message reads, "Beautiful. Art can make anything look amazing.
A photograph of street art in the former site of a building on the corner of Bowhill Road and Marine Parade. On the left, a sheet of metal has been attached to the fence with a depiction of ChristChurch Cathedral. Next to the metal, "Stay strong Christchurch", has been painted on the fence.
A photograph of the site of the Crowne Plaza Hotel on the corner of Kilmore and Durham Streets. The hotel has been demolished into large piles of rubble which two excavators are working to clear. A sign on the cordon fence indicates that the demolition is being carried out by Grant Mackay Demolition Co. and Leigh Construction.
An access point into the CBD cordon at the corner of Gloucester and Oxford Terrace. Road cones and fencing can be seen in the background with a sign saying 'Access point. Hours of operation 6am-7pm daily. Outside this house use Manchester St/Cambridge Terrace access point'. Inside the cordon, a station can be seen on the left, as well as some workers and cars. The demolition site at the back is where the Brannigans Building used to be.
A video of a press conference with Canterbury Earthquake Recovery Minister Gerry Brownlee. Brownlee announced that cabinet has agreed to redevelop the hospital sites throughout Canterbury. This will include the building of additional operating theatres, the replacement of around 5000 beds, the expansion of the intensive care unit and emergency department, and the building of a new hospital for older persons in Burwood.
A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".
The book launch for "The Shaken Heart Booklet", a collection of interviews with members of the Lyttelton Community put together by Sue-Ellen Sandilands (left), Bettina Evans (middle) and Jen Kenix (right). The event was held at the Lyttelton Pentanque Club, a Gap Filler project on the site of the Ground Culinary Centre on London Street. In the background, members of the public are also making wool medals to celebrate the achievements of the community after the earthquake.
A video of a tour of the Christchurch central city Red Zone. The video includes footage of Oxford Terrace, Armagh Street, Colombo Street, Gloucester Street, Hereford Street, High Street, the Westpac Trust Building, Cashel Street, Manchester Street, Poplar Lane, the site of the demolished Convention Centre, and the Crowne Plaza Hotel.
One landscape colour digital photograph taken on 14 September 2012 showing a block of partially demolished shops on the corner of London and Oxford Streets. The businesses (from left to right) are Bells Pharmacy, Leslie's Bookshop and Lyttelton Sea Foods. The site of The Empire Hotel is visible to the right of the photograph. By the time this p...
Demolition of the relatively new seven-storey Waters Edge Apartments in Ferrymead continues. CERES Environmental NZ are doing the job for CERA (Canterbury Earthquake Recovery Authority). Some will be pleased to see this block go as there was lot of resentment to it being built on the site of the old Ferrymead Tavern, Selected for Explore, #347...
Workers seen through a gap between wooden pallets in GapFiller's Pallet Pavillion. The photographer comments, "Though it looks strange and Photoshopped this is a straight shot through pallets painted blue. The Pallet Pavilion is built on the site of the demolished Crowne Plaza Hotel. It was built by volunteers, mainly students and construction engineers over 6 weeks. Here students are being given health and safety instructions before helping out on completing the temporary structure".
Shows a carcass that represents the Christchurch Cathedral with many people rushing to try to save it from demolition. Context: the extremely controversial debate about whether the Christchurch Cathedral which was severely damaged in the earthquakes, should be demolished, rebuilt on the same site in the same style or partially demolished and made into a memorial. Quantity: 1 digital cartoon(s).