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Images, eqnz.chch.2010

Taken in Christchurch, New Zealand a few days after the 7.1 earthquake that happened on Saturday September 4.

Images, eqnz.chch.2010

Burst water main causes flooding on the street after the magnitude 7.1 earthquake in Christchurch on Saturday 4-9-2010.

Images, Alexander Turnbull Library

An arm representing the 'Citizens & Volunteers of Christchurch' offers an Oscar Award for 'True Grit'. Context - Admiration at the way the people and the volunteers have managed after the Christchurch earthquake of 22 February 2011. True Grit is a 2010 American Western film written and directed by the Coen brothers. It is the second adaptation of Charles Portis' 1968 novel of the same name, which was previously adapted for film in 1969 starring John Wayne. Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows Christchurch Cathedral shattered and with its steeple gone after the earthquake on 22 February 2011. The words 'The oSCARs' (wordplay on 'Oscars' and 'scars') are in the top left corner and the text 'The worst picture' are in the centre. A second version shows an 'Oscar' statuette with a crown on its head. Context - The Christchurch earthquake 22 February 2011 and the 2011 Oscars - annual film awards. Two versions of this cartoon are available Quantity: 1 digital cartoon(s).

Audio, Radio New Zealand

A Christchurch man has ditched his home insurance after his premiums went up $1000, or 30% a year based on new risk pricing. Tower insurance has taken into account the risk of sea surge and landslips for the Burwood home, as well as earthquakes and flooding. But Trevor Taylor says his home is several kilometres from the sea and he can't fathom the insurer Tower's sea surge assessment. Trevor Taylor spoke to Lisa Owen.

Research papers, University of Canterbury Library

This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.